Der gelbe Ballon

You won't find the films of J. Lee Thompson on any list of all-time great movies nor will you find Thompson mentioned on any list of great directors and yet he was one of the best directors Britain ever produced and he went on to have a sizeable international career. He made "The Yellow Balloon" in 1953; it was only his second film and while a minor movie in the Thompson canon it showed considerable promise, making great use of its London locations. It had a good plot, involving the accidental death of a child and a blackmailing murderer and it gave that fine and underrated actor William Sylvester one of his best roles as the villain.

The talented Andrew Ray is the boy being blackmailed after his friend falls to his death and he's spotted at the scene by Sylvester who then uses him in a robbery that goes wrong. Ray's parents are the always reliable Kenneth More and Kathleen Ryan while Bernard Lee is once again on the side of law and order. There's also an uncommonly good supporting cast of British character actors. It's a small film but it is genuinelly exciting and it showed Thompson was definitely a name to watch.

What a nice neat little slice of post-war London life this film is. Being a great fan of British films from the 1950's I was delighted to discover this near-forgotten gem on DVD and it will now take pride of place in my collection. I have always loved and admired Kenneth More and as "The Yellow Balloon" came just prior to his burst to stardom in "Genevieve" we find him here in a relatively small but very significant role as the boy's loving father. I just relish every moment he is on screen and long for more of him.

Andrew Ray is on screen for the entire film and he is moving and totally convincing in role that may have scared a less competent child actor ; he is pivotal to the entire plot development. The long list of familiar players in brief but impressive appearances keep the action moving at a nice pace and at less than 90 minutes duration you really are left wanting more and not less as is the case with so many films. Noteworthy is the intense sense of atmosphere and I love the communal cold-water tap and sink in the stairway of the family's apartment block. I heartily recommend this very British film ; I know I'll be re-watching on a regular basis along with my very extensive Kenneth More collection.

An interesting plot and very well acted but Frankie's accent was a bit too posh for the character. I had the pleasure of serving Veronica Hurst, who played the Sunday School teacher, in a shop in South Wimbledon, London in 1973 and she remains the most charming Lady that I have ever met.

Very fine, taught thriller set in a bombed out East End. Andrew Ray plays the respectable young lad who comes under the spell of a baddie (William Sylvester) and through whose eyes, unfortunately for me, the film is largely seen through. The kid does well enough but as a consequence, the film is on the edge of sentimentality the whole time. That it does avoid lapsing into paper handkerchief mode is due to the sharp direction and atmospheric cinematography, dark black shadows and all. To be fair this is also helped by the most convincing performance from the young lad who at no time goes for the easy options. Sparkling performance from Hy Hazel towards the end.

Made in 1953 we are transported back to the still bombed out ruins of London. Frankie Palmer is smitten by a yellow balloon he sees a street vendor selling, but before he can buy it, a friend of his has already up and bought it. Now Frankie is an erstwhile 'good boy' but the green eyed monster of envy leads him to snatch it and 'do a runner' as is the common parlance. His friend follows and an accident happens that will change Frankie's life.

Luckily he is taken under the wing of some man who witnessed the incident. This is Len Turner (William Sylvester) who at first appears to be the friend he claims to be but it is not long before he is revealed to have intentions that are much more sinister all together.

Now this is beautifully shot in black and white and the scenes of London and the Tube are a great romp back in time. The actors will be known to a few, with Kenneth More doing his best to be working class, Sid James and Bernard Lee ('M' from James Bond) to name but three. The story is linear and as black and white as the film print, but it still manages to have a high degree of tension and a believability that has survived down the years despite changing societal norms.

This is one for those who love a bit of nostalgia and moreover a bit of realistic British cinema. It is only 77 minutes long but does not waste a single one and is so compelling it feels an awful lot shorter – so if any of the above floats your boat you will not be disappointed – recommended.