Füge eine Handlung in deiner Sprache hinzuA small safari in Africa is captured by a tribe of white jungle women.A small safari in Africa is captured by a tribe of white jungle women.A small safari in Africa is captured by a tribe of white jungle women.
Dana Broccoli
- Queen
- (as Dana Wilson)
Morton C. Thompson
- Kirby
- (as Mort Thompson)
Charlene Hawks
- Owoona
- (as Charleen Hawks)
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WILD WOMEN (aka: BOWANGA BOWANGA) stars no one in particular and is about a safari through the "dark continent" of Africa.
This movie's greatest assets are its preposterously erratic non-plot and its idiot dialogue. Absolutely nothing makes any sort of logical sense, with scenes seemingly tossed together in no particular order. This could be due to its being a patchwork of several unrelated movies stitched together. This only adds to the hilarity.
An orangutan, foreign to the continent of Africa, wanders about for no apparent reason. A man in a go-rilla suit roams through for 10 seconds, before disappearing forever. A sudden flashback sequence features an Amish-looking boy's encounter with a "tribe" of white women in 1950's swimwear. Holding spears! Natives dance around while their chief jumps up and down with a big snake in his hands. Savage women run through the jungle, pouncing on unsuspecting adventurers. Annnd, on and on.
Pure ultra-schlock gold!
Nothing can possibly prepare you for the male vs. Female throw-down showdown!
Blessedly short, this rivals other anti-classics like WILD WOMEN OF WONGO and MESA OF LOST WOMEN!,,,
This movie's greatest assets are its preposterously erratic non-plot and its idiot dialogue. Absolutely nothing makes any sort of logical sense, with scenes seemingly tossed together in no particular order. This could be due to its being a patchwork of several unrelated movies stitched together. This only adds to the hilarity.
An orangutan, foreign to the continent of Africa, wanders about for no apparent reason. A man in a go-rilla suit roams through for 10 seconds, before disappearing forever. A sudden flashback sequence features an Amish-looking boy's encounter with a "tribe" of white women in 1950's swimwear. Holding spears! Natives dance around while their chief jumps up and down with a big snake in his hands. Savage women run through the jungle, pouncing on unsuspecting adventurers. Annnd, on and on.
Pure ultra-schlock gold!
Nothing can possibly prepare you for the male vs. Female throw-down showdown!
Blessedly short, this rivals other anti-classics like WILD WOMEN OF WONGO and MESA OF LOST WOMEN!,,,
Well, I will start with just why I give four stars. There are scenes with various wild animals in, trees and ?? That's as far as I can go. Now the movie, pretty bad really, over zealous acting and a class stereo typing (for its period) of tribal communities. Today it would (I believe wrongly) be called racist and a example of colonial control. I on the other hand feel it represents a part of movie history long consigned to the learning bin. It is however, another example of serious (for its period) sexism, not totally aimed, I feel, just at the female actors. Strange singing, dubious costumes and even worse, tan lines that are so bad even in black and white they are fully visible. To conclude, I recommend that if you are lost for something to do on a wet day, stick it out to the end.
Why so many of these films were made is obvious. It's a chance to put women in bikinis. They're cheap to make. And it panders to the sexual fantasy of men who want to be dominated and be submissive to women.
There's also the creepy racism. Africans get shown as primitive. But put white people in the jungle, even "primitive" ones, and they get shown as naturally dominant and superior.
This film was so cheap, its "African tribesmen" are dressed in western jean shorts with leather belts. One of its "Africans" was a white guy they didn't bother putting blackface makeup on.
The supposed primitive women have perfectly blow dried hair in 1950s hairstyles, some of them permed. Some are wearing obvious lipstick.
The jungle is obviously California. Nice oak and pine trees, buddy.
And they can't even decide if it's Africa or the Amazon. "Amazon" women but "African" tribesmen.
It's not bad in a fun way, just bad.
There's also the creepy racism. Africans get shown as primitive. But put white people in the jungle, even "primitive" ones, and they get shown as naturally dominant and superior.
This film was so cheap, its "African tribesmen" are dressed in western jean shorts with leather belts. One of its "Africans" was a white guy they didn't bother putting blackface makeup on.
The supposed primitive women have perfectly blow dried hair in 1950s hairstyles, some of them permed. Some are wearing obvious lipstick.
The jungle is obviously California. Nice oak and pine trees, buddy.
And they can't even decide if it's Africa or the Amazon. "Amazon" women but "African" tribesmen.
It's not bad in a fun way, just bad.
The plot has something about white hunters captured by a tribe of white women in the African jungle/ plains.Its a turkey and the some. What it really is is wildly mismatched footage from early sound and silent films mixed with badly shot recent(to the release) footage of men on a safari. There are scenes of a man in a gorilla suit, south seas natives at sea (used to represent people in the middle of Africa), women in bikini's, horrible narration and a guy in a loin cloth with make up all over his body (racially insensitive I think so). This is a movie to sit and make fun of- but only with lots of alcoholic drinks and witty friends. At any other time this is going to be a chore to get through. Its a bad bad bad movie. Beyond that I'm speechless
Abysmal pulp adventure exploitation in the jungle woman genre. Lousy audio thankfully obscures the dumb dialog. And it's awfully talky for a movie about people who don't speak English. There's no adventure to be found here; it's a jungle adventure with cliffhangers and one wild animal attack that happens in flashback.
Three pale-face dopes wander the African wilderness and encounter warring man-hungry tribes of Amazons. These wild women have advanced out of the Stone Age only so far as to invent makeup, shoes, and underarm hair removal technology. Despite their desperation for "hus-bahnd," the ladies insist that they will fight the men and burn the weaker ones.
The only thing of interest, as if there were any question, is the assortment of young women clad in animal skins cleverly designed like the bathing suits of 1951. Plenty of wrestling and bad dancing mixed with stripless 1950s stripper moves. No nudity or appreciable violence. On the other hand, you may be humming the catchy native song for days.
Three pale-face dopes wander the African wilderness and encounter warring man-hungry tribes of Amazons. These wild women have advanced out of the Stone Age only so far as to invent makeup, shoes, and underarm hair removal technology. Despite their desperation for "hus-bahnd," the ladies insist that they will fight the men and burn the weaker ones.
The only thing of interest, as if there were any question, is the assortment of young women clad in animal skins cleverly designed like the bathing suits of 1951. Plenty of wrestling and bad dancing mixed with stripless 1950s stripper moves. No nudity or appreciable violence. On the other hand, you may be humming the catchy native song for days.
Wusstest du schon
- WissenswertesThe character name "Sparafucile" comes from the professional assassin in Verdi's opera "Rigoletto," and the song Sparafucile sings is also from "Rigoletto": "Caro nome" ("Dearest name"), sung by the heroine Gilda, whom Sparafucile kills at the end of the opera.
- PatzerOne of the animals shown in the stock clips is an elk, which is not native to Africa.
- VerbindungenFeatured in L'oeil du cyclone: Femmes violentes en bikini (1995)
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Details
- Laufzeit
- 1 Std. 2 Min.(62 min)
- Farbe
- Sound-Mix
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