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Krieg der Welten - Schlacht um die Invasion

Originaltitel: The War of the Worlds
  • 1953
  • 16
  • 1 Std. 27 Min.
IMDb-BEWERTUNG
7,0/10
40.379
IHRE BEWERTUNG
Krieg der Welten - Schlacht um die Invasion (1953)
Theatrical Trailer from Paramount
trailer wiedergeben2:19
1 Video
99+ Fotos
Alien-InvasionScience-Fiction-EposAktionScience-FictionThriller

Eine kleine Kleinstadt in Kalifornien wird von Marsmenschen angegriffen. Dort beginnt eine weltweite Invasion.Eine kleine Kleinstadt in Kalifornien wird von Marsmenschen angegriffen. Dort beginnt eine weltweite Invasion.Eine kleine Kleinstadt in Kalifornien wird von Marsmenschen angegriffen. Dort beginnt eine weltweite Invasion.

  • Regie
    • Byron Haskin
  • Drehbuch
    • H.G. Wells
    • Barré Lyndon
  • Hauptbesetzung
    • Gene Barry
    • Ann Robinson
    • Les Tremayne
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    40.379
    IHRE BEWERTUNG
    • Regie
      • Byron Haskin
    • Drehbuch
      • H.G. Wells
      • Barré Lyndon
    • Hauptbesetzung
      • Gene Barry
      • Ann Robinson
      • Les Tremayne
    • 308Benutzerrezensionen
    • 83Kritische Rezensionen
    • 78Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 5 Gewinne & 2 Nominierungen insgesamt

    Videos1

    The War of the Worlds
    Trailer 2:19
    The War of the Worlds

    Fotos150

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 144
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    Topbesetzung99+

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    Gene Barry
    Gene Barry
    • Dr. Clayton Forrester
    Ann Robinson
    Ann Robinson
    • Sylvia Van Buren
    Les Tremayne
    Les Tremayne
    • Maj. Gen. Mann
    Robert Cornthwaite
    Robert Cornthwaite
    • Dr. Pryor
    • (as Bob Cornthwaite)
    Sandro Giglio
    Sandro Giglio
    • Dr. Bilderbeck
    Lewis Martin
    Lewis Martin
    • Pastor Dr. Matthew Collins
    Houseley Stevenson Jr.
    • Gen. Mann's Aide
    • (as Housely Stevenson Jr.)
    Paul Frees
    Paul Frees
    • Second Radio Reporter…
    William Phipps
    William Phipps
    • Wash Perry
    • (as Bill Phipps)
    Vernon Rich
    Vernon Rich
    • Col. Ralph Heffner
    Henry Brandon
    Henry Brandon
    • Cop at Crash Site
    Jack Kruschen
    Jack Kruschen
    • Salvatore
    Cedric Hardwicke
    Cedric Hardwicke
    • Commentary
    • (Synchronisation)
    • (as Sir Cedric Hardwicke)
    Peter Adams
    Peter Adams
    • Pine Summit Fire Watcher
    • (Nicht genannt)
    Eric Alden
    Eric Alden
    • Man
    • (Nicht genannt)
    Hugh Allen
    • Brigadier General
    • (Nicht genannt)
    Ruth Barnell
    • Mother
    • (Nicht genannt)
    Edgar Barrier
    Edgar Barrier
    • Prof. McPherson
    • (Nicht genannt)
    • Regie
      • Byron Haskin
    • Drehbuch
      • H.G. Wells
      • Barré Lyndon
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen308

    7,040.3K
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    Empfohlene Bewertungen

    DrLenera

    Flawed adaptation and a bit dated, but a definite highlight of 50s sci-fi

    H.G.Wells' The War Of The Worlds remains a terrifying novel, and two adaptations of it have justifiably passed into popular culture, the Orson Welles radio production in 1938 which convinced many Americans that creatures from Mars actually WERE invading Earth, and Jeff Wayne's 1978 musical album, which still holds up today. The film Independence Day was basically a semi-remake, and of course we are all probably looking forward to the Steven Spielberg version. Somewhat forgotten amongst all those is this 1953 film version, which is a shame. It has considerable flaws, and deviates form the book considerably. However, it's still very enjoyable.

    One really needs to think how spectacular and darned frightening it must have seemed to 1953 audiences. Films about aliens visiting Earth had up to than been relatively low key, they would have aliens taking human form, or coming in peace, or just taking over a small town. Here, we had aliens intent on just one thing- the complete destruction and extermination of everything and everyone on Earth. Battles between the Martians and the army, Martian death rays frying huge numbers of people, the destruction of Los Angeles, there had been little like it before, and all this on a moderate budget, which is why the cast is strictly B Movie, although they are adequate to the film's needs.

    Of course to a modern audiences many aspects are dated and may even seem laughable. The sometimes visible wires of the Martian death machines -surely they could have been removed with computer technology for the DVD?. The oft repeated stock shots of the military. The religious element, which would have offended the atheist Welles and even suggests God got rid of the Martians. Some VERY corny dialog.

    Yet the film has some scenes which are still extremely effective. Most notable is a lengthy sequence in which the hero and heroine are trapped in a house by Martians, this remains genuinely scary. The designs of the briefly seen Martians, their death machines-wires notwithstanding- and their 'cameras' still look great. Of course one misses the huge tripods of the novel, and certain other aspects of the novel, such as the red weed. I'm sure Spielberg will deliver on much of this, even if he is adapting a story which will always be more effective when set in Victorian times. However, until than, this version is still worth seeing as one of the most memorable alien pictures of the 50s alongside The Day The Earth Still and Invasion Of The Body Snatchers.
    MChittum-California

    What more can be said?

    I was 6 when I saw War of the Worlds, my first color sci-fi film, "live" in a theater. (We did not have TV then!). I've seen all the other classics like "Invasion of the Body Snatchers", "Day the Earth Stood Still", "Them", "The Thing", etc. before and after WOTW, all good films but War of The Worlds was in a class all by itself. I know, the Brits lampoon the film all the time because it's not set in England/London, and not in the proper time period. I didn't know why it was updated and set in LA but..as a 6 year old I could have cared less...the movie was magical, frightening and memorable.

    Over the years I've read the book and and seen dozens of films within this genre. Yes, FX are far better now but 50 years ago this film set the standard. I hope the rumored remake in 2004 can be as memorable. Gene Barry and Ann Robinson did a great job. (If they're up to it, it would be neat for them to have cameos) Has anyone compared the farmhouse scene to the similar scene in "Close Encounters". Both deliver the goods...they scare the heck out of you. The sound effects were so outstanding the producers of the new film should consider using them again! All true WOTW fans know that the sounds of the "cobra" and the weapons fire are sounds you never forget..like the antenna sounds of "Them".

    Try to look past the re-locating and re-dating, kick back and enjoy a film that was king for 20-30 years, not topped until "2001", "Star Wars", "Close Encounters" and "Alien" came along.
    dvanwormer23

    Freaked Me Out

    Cheesy, Yes! But...

    Probably the creepiest and most horrifying scenes in Filmdom was when the Martian crept up behind our heroine and clamped its tarsier-like fingers on her shoulder.

    She freaked, but not immediately. She paused. Reacted to that touch. Slowly turned her head around and LOOKED at the offending appendages.

    This entire moment of horror and violation took about four to six seconds.

    Her mind - finally - comprehended it. IT had touched her.

    Then she lost it.

    One of the best screams in film history. Great acting and just overwhelming.

    For that one scene, I love this movie. Creepy as hell!
    didi-5

    the little men in lime green machines

    HG Wells' futuristic novel responds well to the Technicolor splashed on it in this 50s B classic. Gene Barry over emotes in the lead now and then but the martian invasion is handled very well and the tension rises to the final scenes where the surviving populace huddle in the church as the buildings crash and burn around them.

    'War of the Worlds' deserves its place as both a highly regarded novel and a well-remembered movie. Byron Haskin and George Pal did a great job in visualising the apocalyptic bits of Wells' text, while still making the end result enjoyable and interesting for the viewer.

    Recommended for fans of intellectualised science fiction.
    moonbus69

    Still a classic after 50 years!

    This film is easily one of the Top Ten of the Sci-Fi genre. Producer George Pal and director Byron Haskin certainly reached a creative plateau back in 1953 that is seldom attained even now in the current age of CGI effects and ear-splitting soundtracks.

    I was lucky to attend the 50th anniversary screening in Hollywood recently, with Gene Barry, Ann Robinson, other actors and production people from the film, and 'Mr. Sci-Fi' Forrest J. Ackerman, all in attendance. To see it on a full size theater screen for the first time, and with these people there, was the thrill of a lifetime, for sure!

    The Martians and their war machines in this movie are still some of the best and most memorable designs in the history of science fiction films. The color cinematography and musical score also hold up very well. And any film that starts off with the beautiful space art paintings of Chesley Bonestell has my vote of approval. Also, Jack Northrup's Flying Wing bomber puts in a splendid cameo appearance.

    Simply the best 'alien invasion' type film ever made - bar none!

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    Handlung

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    • Wissenswertes
      The estate of H.G. Wells was so pleased with the final production that it offered George Pal his choice of any other of Wells' properties. Pal chose Die Zeitmaschine (1960).
    • Patzer
      Modern viewers often complain that the wires used to suspend the Martian war machines are plainly visible throughout the film. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in very saturated colors, but with a slight reduction in overall resolution. This reduction in resolution "fuzzed out" the wires in original prints, making them effectively invisible. Later prints were made in Eastman Color, which uses a photographic process and yields sharper prints, but here had the side effect of making the support and electric wires plainly visible - the models had electrical wires as the side pods of the machines really lit up green and the "cobra heads" lit up as well. It is common practice in the film industry to take into account what details will be visible when a print is projected so as not to waste production time and money on details that will never actually be visible to a viewing audience, especially in the areas of effects and matte paintings. Thus, the filmmakers never thought the wires would be visible and in fact they weren't until the first Eastman Color prints of the film were struck in the late 1960s, and they had become even more visible on modern video releases as there is no dye sublimation resolution loss when making video masters from the original negatives. In the 2018 restoration this was resolved using digital technology.
    • Zitate

      [last lines]

      Commentary: [voiceover] The Martians had no resistance to the bacteria in our atmosphere to which we have long since become immune. Once they had breathed our air, germs, which no longer affect us, began to kill them. The end came swiftly. All over the world, their machines began to stop and fall. After all that men could do had failed, the Martians were destroyed and humanity was saved by the littlest things, which God, in His wisdom, had put upon this Earth.

    • Alternative Versionen
      For the 2018 restoration Ben Burtt created a new 5.1 surround sound mix with replacements for many of the film's original sound effects, with the jarring result that the sound effects have fidelity far above that of surrounding dialogue in the film. The 2020 Criterion Collection release features this new sound mix as well as the original mono track.
    • Verbindungen
      Edited from Der jüngste Tag (1951)
    • Soundtracks
      Paramount on Parade
      (uncredited)

      Written by Elsie Janis and Jack King

      Played over the opening logo

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 6. Januar 1954 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
      • Deutsch
      • Italienisch
      • Hindi
    • Auch bekannt als
      • Kampf der Welten
    • Drehorte
      • Corona, Kalifornien, USA(Opening scenes)
    • Produktionsfirma
      • Paramount Pictures
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    Box Office

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    • Budget
      • 2.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 27 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.37 : 1

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