Donner in Fern-Ost

Thunder in the East is set in 1947 India ,immediately after being granted independence by Britain ,and in particular events are centred on the state of Ghandahar which is being menaced by brigands,well armed and with a political agenda. The Maharajah of the state is a dilettante playboy ,and his main adviser,played by a blacked up Charles Boyer,is a pacifist who will not countenance using force to resist the incursions of the brigands. Thus when arms entrepreneur Alan Ladd seeks to sell him guns and munitions to resist the enemies of the state he refuses and impounds the cargo.Ladd's existence is further complicated by his falling in love with Deborah Kerr,a blind British woman .who is caught up in the fate of the British community which is particularly under threat from the rebels. Things build to a final siege of the main hotel where the British dig in to resist Performances are okay although white actors blacked up now seems embarrassing ,and there is a touch of Casablanca about the storyline -cynical hero falling in love with an idealistic woman;contending political forces and a smarmy villain.Its nowhere near as good since script and cast are inferior .

Not bad but too stolid to be exceptional.

I liked "Thunder in the East," a 1952 release for this film, made in 1949.

This film looks to have been made on a smallish budget and takes place in the first years of India's freedom from Britain. A man named Steve Gibbs (Alan Ladd) flies in a plane filled with armaments in the Ghandahar province in order to sell them. However, the Prime Minister, Singh (Charles Boyer) wants to achieve a peaceful resolution with the leader of the guerrillas, Khan.

The British living in India are delusional, not realizing that the guerrillas are about to attack. The ones who do get out end up dead en route. Gibbs meets Joan Willoughby (Deborah Kerr) and her parson father (Cecil Kellaway) and manages to meet the maharajah, who defers to the Prime Minister and then leaves the country for the winter.

Gibbs offers his plane, but he gouges the people wanting to leave, which angers Joan, who was falling for him. Now she turns against him and no one will give into what they call blackmail. They gather at the palace, waiting for the guerrillas to attack, and hope that the Prime Minister will let them use the guns he has.

There are a couple of problems with this film. One is the casting of Charles Boyer and his French accent and heavy makeup. I have to say, he was wonderful. He was an underrated actor, but miscast.

The script has a few clichés, particularly the hard core businessman falling for a sweet, altruistic woman. Nevertheless, it certainly held my interest.

I read some complaints about the ending, which for me was the best part of the film. Very dramatic and very exciting. As far as the Prime Minister's beliefs, he was a human being and acted on an injustice viscerally. His idealism went out the window, and that's okay. That's what happens sometimes.

Alan Ladd did a good job in a Bogart-type role. I never considered him much of an actor, but that monotone type of line reading works fine in this type of part, as it did in his film noirs. Deborah Kerr was lovely as a good woman who prides herself on her independence and fearful of losing it.

The film was probably trying to make the point that Gandhi was an idiot, and that following his principles wasn't a good idea. Not sure I'd conclude that in all cases. Maybe in this one.

Simply a daft film... a very silly film. Ludicrous casting and script though the historical setting and subject matter has real possibilities. The ending was so ridiculously predictable. Alan Ladd playing a sort of B movie gun runner, Charles Boyer playing an Indian... the interest in this film being just how amusingly silly it was.

Based on a novel by Alan Moorhead set just after partition in the fictitious Indian state of Ghandahar. Despite the low ratings this film has received - and the fact that Paramount shelved it for nearly three years before they finally got round to releasing it - it's actually not too bad.

As usual Alan Ladd is obliged to play a two-fisted adventurer when he did introspection better, and the early appearance of Charles Boyer in blackface doesn't bode well. But it's nicely moody and downbeat and Deborah Kerr is as usual radiant. (Without giving too much away, the scene where she slaps a man's face and promptly walks straight into a door is probably the film's most memorable moment.)

I guess the 1952 audience was certainly not satisfied with the ending,which abruptly comes as the heroes are still in action. Ending a movie like that was not obvious at the time.

The biggest flaw is French actor Charles Boyer,ridiculously made up as a Hindu.This character,a Gandhi disciple, puts forward wisdom,prayers,peace and love to cowardice and reactionary mind (the English) greed(Alan Ladd's character) , violence (his brothers ,the rebels),and complete irresponsibility (the caricature of a maharajah).He's the only positive character of the story along with the minister and his blind niece (Kerr).It's absolutely impossible to believe Boyer is an Indian ,mainly if you've seen him as a French lover!Besides,he finally demonstrates the opposite of what he stood up for . Ladd's evolution is predictable,from a greedy businessman to a hero (thanks to the blind girl of course).One should notice that Deborah Kerr is too great an actress to play such a poor part that would be suitable for a B movie starlet.Her intellectual playing does not match with down-to-earth Alan Ladd.The movie also suffers from a shoestring budget.

Take George Cukor's "Bhowani junction"(1956) instead.