IMDb-BEWERTUNG
6,5/10
2276
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuShrimpers and oilmen clash after an ambitious wildcatter begins constructing an off-shore oil rig.Shrimpers and oilmen clash after an ambitious wildcatter begins constructing an off-shore oil rig.Shrimpers and oilmen clash after an ambitious wildcatter begins constructing an off-shore oil rig.
Harry Morgan
- Rawlings
- (as Henry Morgan)
Emile Avery
- Fisherman
- (Nicht genannt)
Fred Carson
- Oilman
- (Nicht genannt)
Joseph Cefalu
- Fisherman
- (Nicht genannt)
Adrine Champagne
- Fisherman
- (Nicht genannt)
Frank Chase
- Radio Technician
- (Nicht genannt)
Martin Cichy
- Fisherman
- (Nicht genannt)
Antonio Filauri
- Joe Sephalu
- (Nicht genannt)
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The posted comment about wanting to see the "widescreen" version needs to be addressed.
As the listing for the film indicates, Thunder Bay was filmed with a standard Academy ratio of 1.37x1. That was the way it was meant to be shown. Universal then chopped off the top and bottom of the image - totally destroying the spatial integrity of the image - to claim that it was a "widescreen" film.
It must have looked awful. Count yourself lucky you don't get to see it.
(This horrible trick was also tried for the mid 1960s reissue for Gone With the Wind, where it was blown up to 70mm and released in a 2.35x1 ratio, which was just awful.)
As the listing for the film indicates, Thunder Bay was filmed with a standard Academy ratio of 1.37x1. That was the way it was meant to be shown. Universal then chopped off the top and bottom of the image - totally destroying the spatial integrity of the image - to claim that it was a "widescreen" film.
It must have looked awful. Count yourself lucky you don't get to see it.
(This horrible trick was also tried for the mid 1960s reissue for Gone With the Wind, where it was blown up to 70mm and released in a 2.35x1 ratio, which was just awful.)
The first of two fifties adventure films with heroes called Steve Martin (the second was
'Godzilla' with Raymond Burr)! Shot on location in Morgan City, Louisiana in rich Technicolor (all the better to show off local girl Joanne Dru's vibrant and extremely durable lipstick), this was Jimmy Stewart's first non-western with Anthony Mann; and although easily the least known of their eight films together remains fun.
To 21st Century environmental sensibilities, oil prospectors no longer seem the heroic buccaneering figures they were once portrayed as. The film does acknowledge the disruptive impact Stewart and Duryea have on this sleepy little backwater; as much due simply to being men as oilmen...
To 21st Century environmental sensibilities, oil prospectors no longer seem the heroic buccaneering figures they were once portrayed as. The film does acknowledge the disruptive impact Stewart and Duryea have on this sleepy little backwater; as much due simply to being men as oilmen...
Thunder Bay is directed by Anthony Mann and written by Gil Doud and George W. George. It stars James Stewart, Joanne Dru, Dan Duryea, Gilbert Roland and Jay C. Flippen. Music is by Frank Skinner and cinematography by William H. Daniels.
Offshore oil drillers set up base at Port Felicity, Louisiana and find the town's shrimpers are not at all happy about this threat to their livelihood. Conflict and affairs of the heart do follow.
One of the eight films that James Stewart and Anthony Mann made together, Thunder Bay was relevant in topicality upon its release, and remains so today. Whilst lacking the psychological smarts that the duo's Western productions had, it's a handsome production with the expected qualities in front of and behind the cameras. There's a lot of talky passages, which given the subject matter pulsing away at the core is understandable, but Mann ensures that action and suspense is never far away. It all builds to a crescendo, with loose ends and quibbles conveniently tied up in a Hollywood bow, but such is the skills of actors and director it rounds out as good and thorough entertainment. 7/10
Offshore oil drillers set up base at Port Felicity, Louisiana and find the town's shrimpers are not at all happy about this threat to their livelihood. Conflict and affairs of the heart do follow.
One of the eight films that James Stewart and Anthony Mann made together, Thunder Bay was relevant in topicality upon its release, and remains so today. Whilst lacking the psychological smarts that the duo's Western productions had, it's a handsome production with the expected qualities in front of and behind the cameras. There's a lot of talky passages, which given the subject matter pulsing away at the core is understandable, but Mann ensures that action and suspense is never far away. It all builds to a crescendo, with loose ends and quibbles conveniently tied up in a Hollywood bow, but such is the skills of actors and director it rounds out as good and thorough entertainment. 7/10
From the director/actor team that brought us many of the great westerns of the 1950s, Thunder Bay teams Anthony Mann and James Stewart in what could easily be called a modern western. Stewart plays Steve Martin, an oil driller with a dream. His goal is to build an off-shore drill in the Gulf of Mexico. He receives the financial backing of oil tycoon Kermit MacDonald (Jay C. Flippen) and begins work.
He sets out from a small fishing community that has been on hard times lately. They are leery of Stewart and his partner Johnny Gambi (Dan Duryea) at first, and become more so when the two start blasting in the middle of their shrimp beds. To make matters worse, Johnny falls in love with a local girl who is already engaged to one of the fisherman.
Tension builds as the fishermen continue to have bad luck and the drill progresses. One disgruntled fisherman attempts to blow up the drill platform during the middle of a hurricane. Stewart, who had stayed on the platform to see how it would withstand the storm, catches him just in time to save it. A slippery fight ensues, during which the fisherman and Stewart fight not only each other, but a constant onslaught of water. As in the typical western, the hero (Stewart) wins and the villain dies.
The fight scene is one that dates the film. The special effects seem very archaic in wake of such recent films as Titanic and The Perfect Storm. Other than that, the film presents an interesting story on what, at the time, was a very taboo subject.
Aware of the controversy the film would stir-up, the film was carefully crafted to prove that two industries could exist side by side. As the fishermen resolve to destroy the well, Stewart discovers that his well has uncovered a new bed a shrimp. When the fishermen learn this they decide that the well is indeed an asset to their community and all live happily ever after.
As usual Stewart steals the film. His acting is subtle and believable. The simple story did not push him as an actor, but he is properly harried, tough and laconic. Overall this is an interesting film, enhanced by the beautiful location shots filmed in Technicolor by William Daniels. Truly, an intriguing and different take on the western genre.
He sets out from a small fishing community that has been on hard times lately. They are leery of Stewart and his partner Johnny Gambi (Dan Duryea) at first, and become more so when the two start blasting in the middle of their shrimp beds. To make matters worse, Johnny falls in love with a local girl who is already engaged to one of the fisherman.
Tension builds as the fishermen continue to have bad luck and the drill progresses. One disgruntled fisherman attempts to blow up the drill platform during the middle of a hurricane. Stewart, who had stayed on the platform to see how it would withstand the storm, catches him just in time to save it. A slippery fight ensues, during which the fisherman and Stewart fight not only each other, but a constant onslaught of water. As in the typical western, the hero (Stewart) wins and the villain dies.
The fight scene is one that dates the film. The special effects seem very archaic in wake of such recent films as Titanic and The Perfect Storm. Other than that, the film presents an interesting story on what, at the time, was a very taboo subject.
Aware of the controversy the film would stir-up, the film was carefully crafted to prove that two industries could exist side by side. As the fishermen resolve to destroy the well, Stewart discovers that his well has uncovered a new bed a shrimp. When the fishermen learn this they decide that the well is indeed an asset to their community and all live happily ever after.
As usual Stewart steals the film. His acting is subtle and believable. The simple story did not push him as an actor, but he is properly harried, tough and laconic. Overall this is an interesting film, enhanced by the beautiful location shots filmed in Technicolor by William Daniels. Truly, an intriguing and different take on the western genre.
In 1946, the drifters Steve Martin (James Stewart) and his partner and friend Johnny Gambi (Dan Duryea) travel to Port Felicity in Lousianna completely broken to meet the investor Kermit MacDonald (Jay C. Flippen). Steve dreams on building an offshore drilling barge to explore oil in the Gulf of Mexico and MacDonald, who is an entrepreneur and also a dreamer, decides to finance them but gives a short schedule to find oil.
They initially hire the fishing vessel of skipper Dominique Rigaud (Antonio Moreno) since the fishermen are having difficulties to catch shrimps. Steve and Johnny try to befriend the locals but when they use dynamite to locate oil, the population turns against them. Meanwhile Johnny dates the younger daughter of Dominique, Francesca (Marcia Henderson), while her older sister Stella Rigaud (Joanne Dru) feels attraction for Steve, but she rejects him since she is a wounded woman with a past. Steve, Johnny and their crew need to face the hostility and sabotage from the locals and also a hurricane while searching for the valuable oil.
"Thunder Bay" is an entertaining romantic adventure that takes place in the period of the beginning of exploration of oil in the Gulf of Mexico and shows the friction between the local fishermen and the oilmen. The plot is corny, with a feel-good conclusion but James Stewart is always an attraction. Further, for those that work in the oil business, it is great to see the early period of offshore exploration of oil. My vote is seven.
Title (Brazil): Not Available
They initially hire the fishing vessel of skipper Dominique Rigaud (Antonio Moreno) since the fishermen are having difficulties to catch shrimps. Steve and Johnny try to befriend the locals but when they use dynamite to locate oil, the population turns against them. Meanwhile Johnny dates the younger daughter of Dominique, Francesca (Marcia Henderson), while her older sister Stella Rigaud (Joanne Dru) feels attraction for Steve, but she rejects him since she is a wounded woman with a past. Steve, Johnny and their crew need to face the hostility and sabotage from the locals and also a hurricane while searching for the valuable oil.
"Thunder Bay" is an entertaining romantic adventure that takes place in the period of the beginning of exploration of oil in the Gulf of Mexico and shows the friction between the local fishermen and the oilmen. The plot is corny, with a feel-good conclusion but James Stewart is always an attraction. Further, for those that work in the oil business, it is great to see the early period of offshore exploration of oil. My vote is seven.
Title (Brazil): Not Available
Wusstest du schon
- WissenswertesAlthough filmed in the standard 1.37-1 aspect ratio, this film was chosen by Universal-International as its first widescreen feature, accomplishing this by cropping the top and bottom and projecting it at 1.85-1 at Loew's State Theatre in New York City, as well as other sites. Its initial presentation also marked U-I's first use of directional stereophonic sound, although few theaters in the country had such equipment at the time.
Thunder Bay marked Universal Pictures' entry into the widescreen format craze of the day. Some contemporary reviewers complained that the sound, with its use of three speakers, was loud and distracting. Publicity materials also indicate that the picture was originally planned as a 3-D production.
- PatzerThe townspeople secure a restraining order from the state to stop the blasting in the Gulf of Mexico. Since the blasting is further than 3 miles from shore, the state would not have jurisdiction- these are Federal waters.
- Zitate
Johnny Gambi: Can you, uh, juggle or anything like that? We might pick up a few bucks.
Steve Martin: I can imitate a movie star.
- Crazy CreditsOpening credits prologue: LOUISIANA 1946
- VerbindungenFeatured in Forces of Nature: Anthony Mann at Universal (2025)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 2.400.000 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
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