Flucht aus Schanghai

South Sea Woman is a fun, entertaining, and sadly to say, forgotten old movie. Burt Lancaster hand-picked Chuck Connors for the supporting role; what a compliment, and what a debut to the movies! It's a court-martial drama, with Burt facing over one hundred years in prison. Despite having his reputation tarnished and serving the rest of his life in jail, he refuses to give a plea or testify in his defense. Ladies, this will be a fun treat for you. Not only is Burt playing a tough marine, but his strong, silent type is sure to make you love him even more!

Virginia Mayo, in the titular role, can't stand Burt's silence. She takes the stand when he won't and tells the true story. It's a very exciting story that shows so much of his character: strength, loyalty, courage, and selflessness. I would definitely recommend this military drama if you like these types of stories (a defendant refusing to talk is a common story element), if you like Burt, or if you want to see Chuck's film debut. I was a bit skeptical, since Virginia Mayo is no Susan Hayward, but she didn't detract from the drama. For a double feature, you can watch Burt in the same year's From Here to Eternity!

I don't know if the term war oater exixts but I don't care, I have no other word to describe this film, very watchable but worth only for movie buffs like me, from time to time nostalgic of the Hollywood golden years, the last ones, the fifties. Arthur Lubin was guilty of this comedy, after all comedy was his domain, with the exception of PHANTOM OF THE OPERA of course, his best movie. Not the Francis talking mule movie nor Abott and Costello's series. Exotic cinema charm lovers won't be deceived.

In a recent biography of Burt Lancaster the only two things that were mentioned about South Sea Woman was that it enabled him to fulfill a commitment to Warner Brothers on a three picture deal and that he was instrumental in getting Chuck Connors the part of his fellow Marine in hijinks. Other than that this one is strictly minor league Lancaster.

The title role of South Sea Woman is played by Virginia Mayo who the two have a rivalry over. The story is narrated from several perspectives at a court martial that Lancaster is undergoing. These two manage to miss the withdrawal of Marines from Shanghai which occurred a few weeks before Pearl Harbor. Lancaster wants to get back to the outfit especially when they get news of the Japanese attack, but Connors has Mayo on his mind, he wants to get married.

Not since the Errol Flynn film Desperate Journey also by Warner Brothers was there ever a more lighthearted approach to war. These two guys also manage to liberate a Vichy governed French colony and turn it over to the Free French and from said island recruit a crew to get to Guadalcanal where they do distinguish themselves in their own private action. All this related to a rather incredulous court martial board.

What was interesting was that Burt Lancaster did two films at once. While this was shooting Lancaster went over to the set of Three Sailors And A Girl and did a small walk-on role in his Marine uniform costume in that musical. With that he fulfilled a three picture commitment the other being The Flame And The Arrow in which he also co-starred with Virginia Mayo.

The comedy was kind of forced and while it had a few laughs in it South Sea Woman is clearly a film that Lancaster wanted to get off his plate and move on. That year of 1953 he also did From Here To Eternity a much better film about the start of the Pacific War.

The least significant entry in Warners' 5-Disc "Burt Lancaster Signature Collection" is this obscure but harmless WWII action comedy that is sufficiently enjoyable without being remotely memorable. The film starts out with Lancaster refusing to defend himself in the court-martial he is facing and the events unfold in flashback as the various witnesses give their testimony: Lancaster is a U.S. marine who (together with his pal Chuck Connors and the latter's fiancée Virginia Mayo) 'deserts' to a tropical island on the eve of the Pearl Harbor sneak attack where they proceed to live it up over there for a while, in the company of local madame (Veola Vonn), her three nieces and assorted beachcombers (including Arthur Shields). However, when a Dutch captain visits the island on his yacht, Lancaster and Co. steal it to go "have a crack at those Japs" – to borrow Errol Flynn's famous last words in Raoul Walsh's DESPERATE JOURNEY (1942); this leads to a rousing action climax in which the renegade band of islanders take on the Japanese fleet and manage to sink one of their ships – with Connors sacrificing his life in the process and leaving the way open for the budding romance between Lancaster and Mayo (reunited here three years after their joint participation in Jacques Tourner's colorful adventure, THE FLAME AND THE ARROW) to bloom. Two final things worthy of note: a young Strother Martin is clearly recognizable sitting next to Mayo in the courtroom and the eventual fate of the seaside dive might well have inspired a similar incident in, of all things, PORKY'S (1982)!!

I found my way to this film after seeing Veola Vonn playing "Arlette" a voluptuous painter's model in "Le Fantome de la rue Morgue" (1954) which is loosely based on an Edgar Allan Poe novel.On looking at Veola's film career she seemed to specialise in acting roles playing French ladies of easy virtue and the subject film is typical when she plays Lillie Duval a madame of a brothel on a remote French island.Although she was born in NYK.(1918-1995), I wondered whether she had French parents/relatives or connections to give substance to these roles.

Virginia Mayo first came to my attention in "The Best Years of Our Lives" (1946) playing the initially good-time wife of Dana Andrews a returning bombardier officer from the U.S.A.F. being demobbed at the end of WWII.In this film Virginia as "Ginger Martin" shows off her very feminine figure to its best advantage and soon gets Chuck (The Rifleman) Connors (Pvt.Davey White) & Burt Lancaster (Sgt. O'Hearn) squabbling over her and how best to get back into WWII on the side of Uncle Sam.For Burt it must have made a change doing this knockabout comedy after filming the heavy dramatic acting required playing another sergeant in "From Here To Eternity (1953)" in the same year.Coincidentally both films have the Japanese attack on Pearl Harbour as a theme.Another face I spotted was Paul Burke (The Naked City - 1960s TV series) playing an ensign at Sgt.O'Hearn's court marshal.

Obviously the plot outlined in other user comments above is comedic and Hollywood stereotypes abound which include (from an American perspective,) all foreigners who cannot speak English but we must remember that these films were produced by Americans for average Americans.I would place the growing international maturity of U.S. film producers from 1962 with "The Longest Day".One obvious editing device used in "South Sea Woman" is to utilise B&W war newsreels of the real WWII U.S./Japanese conflict and splice them into the subject B&W film. Also used were back-projection screens with "real" studio action by the actors.Oh well, c'est la guerre.I rated it 6/10 on purely on an entertainment level.