Flucht aus Schanghai

I don't know if the term war oater exixts but I don't care, I have no other word to describe this film, very watchable but worth only for movie buffs like me, from time to time nostalgic of the Hollywood golden years, the last ones, the fifties. Arthur Lubin was guilty of this comedy, after all comedy was his domain, with the exception of PHANTOM OF THE OPERA of course, his best movie. Not the Francis talking mule movie nor Abott and Costello's series. Exotic cinema charm lovers won't be deceived.

In a recent biography of Burt Lancaster the only two things that were mentioned about South Sea Woman was that it enabled him to fulfill a commitment to Warner Brothers on a three picture deal and that he was instrumental in getting Chuck Connors the part of his fellow Marine in hijinks. Other than that this one is strictly minor league Lancaster.

The title role of South Sea Woman is played by Virginia Mayo who the two have a rivalry over. The story is narrated from several perspectives at a court martial that Lancaster is undergoing. These two manage to miss the withdrawal of Marines from Shanghai which occurred a few weeks before Pearl Harbor. Lancaster wants to get back to the outfit especially when they get news of the Japanese attack, but Connors has Mayo on his mind, he wants to get married.

Not since the Errol Flynn film Desperate Journey also by Warner Brothers was there ever a more lighthearted approach to war. These two guys also manage to liberate a Vichy governed French colony and turn it over to the Free French and from said island recruit a crew to get to Guadalcanal where they do distinguish themselves in their own private action. All this related to a rather incredulous court martial board.

What was interesting was that Burt Lancaster did two films at once. While this was shooting Lancaster went over to the set of Three Sailors And A Girl and did a small walk-on role in his Marine uniform costume in that musical. With that he fulfilled a three picture commitment the other being The Flame And The Arrow in which he also co-starred with Virginia Mayo.

The comedy was kind of forced and while it had a few laughs in it South Sea Woman is clearly a film that Lancaster wanted to get off his plate and move on. That year of 1953 he also did From Here To Eternity a much better film about the start of the Pacific War.

This was the best thing that Chuck Conners ever did. And Burt Lancaster was made to make Marine movies. Unfortunately,, Burt did not emerge until his next film, From Here to Eternity, where he had only a minor skirmish with the attacking Jap planes on Pearl Harbor. This film predates that one, and shows Burt as a crazy as can be jarhead; not to mention his sidekick, Chuck Conners, an even crazier jarhead. Between the two of them they stop a reinforcement of Guadacanal by Japanese troops and sink a battleship to boot. A bit reminiscent of African Queen with Bogart's final scene. This would be the PERFECT midnight cult film. I could see it now; the chicken marriage ceremony outfit, guys dressed up like marines, girls dressed up like islanders, bad Germans, bad Frenchmen , good Frenchmen, and one or two other costumes. This film is HIGHLY underrated, and is a hidden gem. It has more action than most other war films, and a decent amount of comedy to boot; not to mention a trial! The movie has everything but the kitchen sink, and is probably the reason Lancaster was cast in the lead for From Here to Eternity. DO NOT MISS THIS GEM!

In 1944 U.S. Marine Master Gunnery Sergeant James O'Hearn is facing a court martial for desertion, theft, scandalous conduct and destruction of property, charges which in time of war carry the death penalty. ("Scandalous conduct" in this context means sex outside marriage; if that were to be regarded as a capital offence under military law I suspect that the fighting strength of most of the world's armies would be drastically reduced overnight).

The above might suggest that this is a serious courtroom drama along the lines of "The Caine Mutiny". Admittedly, the film starts off in serious vein, but as soon as Ginger Martin (she with whom O'Hearn allegedly conducted himself scandalously) takes the stand seriousness goes out of the window and it descends into ridiculous comedy.

Ginger is presumably the "South Sea Woman" of the title, but she is actually a white American rather than a Polynesian and only finds herself in the South Seas by chance. When O'Hearn first meets her she is working as a showgirl at a nightclub in Shanghai, where his regiment is stationed, and is the girlfriend of his friend Private Davy White. An attempt by White to slip away to marry Ginger leads to the three finding themselves adrift at sea on a small motor boat. In a series of increasingly farcical misadventures, in the course of which they inadvertently commit the acts which will form the basis of the charges against O'Hearn, they are rescued by a Chinese junk and eventually cast away on the French-ruled island of Namou. As the Governor of Namou is pro-Vichy, and as the attack on Pearl Harbor has now brought America into the war, the two Marines have to pretend to be deserters in order to avoid being interned. White and Ginger attempt to marry several times, but are always frustrated.

It is at this point that the film changes direction again, largely abandoning comedy and turning into a patriotic wartime adventure as O'Hearn and White discover a fiendish Nazi plot and decide to take action to thwart it, to seize a boat and to rejoin the Marines who are fighting the Japanese at Guadalcanal.

Mixing genres in this way is often a risky business, the risk being that the resulting film can end up as neither fish nor flesh nor fowl nor good red herring, or in this case neither drama nor comedy nor action. I don't think there was ever any possibility of this film being a sort of "Caine Mutiny Court Martial", but it could certainly have been made either as a comedy about the adventures of a pair of bungling Marines and a girl or as a standard gung-ho action war film about two heroic Marines with a sub-plot about their love-interest.

The attempt to make the film as a combination of these two approaches simply results in a misbegotten dog's breakfast, a film which is not very amusing when it tries to be a comedy and not very exciting when it tries to be a wartime adventure. About all one can say for it is that Virginia Mayo looks lovely, as she normally did.

This is not quite Burt Lancaster's worst movie; he normally saved his worst for those occasions, mostly in the sixties and seventies, when he allowed his political judgement to overcome his artistic judgement and ended up playing a villainous right-wing fanatic in turgid, paranoid left-wing thrillers like "Executive Action" or "The Cassandra Crossing". It is not, however, one of his better ones, and is one that is probably best forgotten by all but the most obsessive Lancaster fans. 4/10

The least significant entry in Warners' 5-Disc "Burt Lancaster Signature Collection" is this obscure but harmless WWII action comedy that is sufficiently enjoyable without being remotely memorable. The film starts out with Lancaster refusing to defend himself in the court-martial he is facing and the events unfold in flashback as the various witnesses give their testimony: Lancaster is a U.S. marine who (together with his pal Chuck Connors and the latter's fiancée Virginia Mayo) 'deserts' to a tropical island on the eve of the Pearl Harbor sneak attack where they proceed to live it up over there for a while, in the company of local madame (Veola Vonn), her three nieces and assorted beachcombers (including Arthur Shields). However, when a Dutch captain visits the island on his yacht, Lancaster and Co. steal it to go "have a crack at those Japs" – to borrow Errol Flynn's famous last words in Raoul Walsh's DESPERATE JOURNEY (1942); this leads to a rousing action climax in which the renegade band of islanders take on the Japanese fleet and manage to sink one of their ships – with Connors sacrificing his life in the process and leaving the way open for the budding romance between Lancaster and Mayo (reunited here three years after their joint participation in Jacques Tourner's colorful adventure, THE FLAME AND THE ARROW) to bloom. Two final things worthy of note: a young Strother Martin is clearly recognizable sitting next to Mayo in the courtroom and the eventual fate of the seaside dive might well have inspired a similar incident in, of all things, PORKY'S (1982)!!