Phantom from Space

Shot exclusively in Griffith Park and the observatory. Always empty, this observatory; no visitors, no staff - maybe they were invisible? Lots of talking. Nobody knows anything. Consistent plot points: keep the reporter away, put your hands in your pockets, appear confused. Lots of running. A noisy dog. More running. Theremin squealing. More running. More barking. Possibly lethal flash bulb. More running. "And now it's morning." THE END.

HOWEVER the colorized version has wonderful textures and hues; worth watching for at least a few minutes.

Having no money to spend on special effects or makeup, producer-director William Lee Wilder did his best to entertain us with this light-weight tale about an alien who crashlands near the Griffith Observatory and tries to allude pursuing scientists.

To save money, the filmmakers (a) never actually show the spaceship and (b) make the alien invisible.

The scientists get hold of the alien's spacesuit (which is not invisible) and examine it in their lab. The alien can't live on Earth without it (so he was pretty stupid to take it off, right?), and he tries to get it back, but the helmet is accidentally destroyed.

Dying from asphyxiation, the alien is finally cornered on a catwalk in the observatory. The scientists use ultraviolet light to make the alien visible -- but he's just a man in a rubber cap to make him look bald-headed, and a flesh-colored swimsuit to make him look naked.

The mind boggles at the idea of a sci-fi movie in which the costume man, the make-up man, and the special effects man had nothing else to do but make an invisible alien look bald-headed and naked!

Boy, we weren't the ONLY ones who got gipped, huh?

The story is mainly about people running up and down hallways and stairs. I hope they got paid double for all their huffing and puffing. Oh yeah, there's also something about an invisible man in a diving helmet and pajamas. From the way he breathes, he ought to have his adenoids checked. I think he's from outer space, but more likely he's a diving school flunk-out. What can you say about a cheap snoozer like this with its no-name cast. Heck, there isn't even a sexy girl to keep us guys in the back row entertained. Between all the pseudo-scientific palaver and the sprinting back and forth, there's not much left to look at. My guess is it played one or two drive-ins farthest from town, and then disappeared like the phantom in the movie.

Phantom from Space is a rare little treat for classic monster movie/sci-fi fans. The first half is incredibly dull with not a single monster sighting for about 25 minutes! Instead of thrills, the beginning offers a set-up of the boring police/news reporter/government agent business that seems to permeate many old moster flicks. BUT, once you get to the good stuff it really holds up well. It's always fascinating to watch the old invisibilty tricks harking back to Universal's Invisible Man. And check out that cool space suit! The ending tops all, thought, with a really cool effect that finally lets the viewer see the man behind the mask. Alpha Video has a release of this film on DVD with spectacular, color cover art, a quite nice print of the film, and a budget savvy price of around $5-$6 bucks! Definitely worth the price of admission for classic monster fans!

Looked at solely from a technical and directorial perspective, "Phantom from Space" is a far better film than you'd expect. The acting is consistently competent, and the director keeps things moving briskly, without the longueurs that afflict most low-budget films. Scenes often use multiple camera setups, virtually unheard-of in films shot in a couple of days.

I have to take exception to the reviewer who complained about the cheapness of the special effects. They are exceptionally good, done by Howard Anderson, at that time one of Hollywood's leading opticals/effects houses. They wouldn't be out of place in a bigger-budget film (eg, "Abbott and Costello Meet the Invisible Man").

Don't get me wrong. This is not a particularly good movie, its principal problem being the lack of a compelling story. Had it had one, it might have become a classic.