The Kid from Left Field

The title role of The Kid From Left Field is played by Billy Chapin from a whole family of juvenile actors. He's a baseball crazed kid who gets to live the dream of any kid like that, he gets to manage a major league ball club. More important than that, he's a success at it.

Of course it's not all him by any means. He comes by his baseball smarts through Dan Dailey his father who know is a peanut vendor in the Bison ballpark. But Dailey was once a former big league player who missed his big chance because of an ungovernable temper and an undisciplined nature. A sadder and wiser Dailey knows it and now is a vendor for the team he used to play for.

Young Chapin becomes a bat boy and then gets to giving advice, good advice to the players, but that undermines manager Richard Egan's authority. He gets the kid fired, but then Egan gets fired and young Chapin realizes a dream.

You know how this film is going to end, every cliché that is involved in a baseball film is used here. Still The Kid From Left Field is a nice family picture with eternal appeal. Such folks as Lloyd Bridges, Fess Parker, and Bob Hopkins as Bison players, Ray Collins as the owner and Anne Bancroft as his secretary all perform admirably.

Best scene in the film is when manager Chapin takes over an argument from player Bridges with an umpire and gets thrown out of the game. But Billy Martin and Leo Durocher were not picked up by the seat of the pants deposited in their dugouts by an umpire.

The Kid From Left Field was remade more than two decades later with Robert Guillaume and Gary Coleman taking over the parts that Dailey and Chapin had. I've not seen it as yet, but it will have to go some to beat the charm of the original.

No, this is not a masterpiece of cinematic art. And, if you have no interest in an knowledge of baseball, it's probably slow. (Which is nt to say that the real subject of the movie is baseball. Not at all. It's about a father overcoming his shortcomings so that his son can be proud of him. One of the great universal themes.)

But it is, nevertheless, a movie you can watch over and over for all sorts of reasons.

Tonight, when I watched it, I marveled at the fact that it never talks down to its presumably baseball-savvy audience. When the nine year old boy manages the Bisons in their pennant-winning game, the strategy gets fairly complicated and is explained - by a nine year old to two other nine year olds - in all its glorious detail. I find it impossible to believe that today a major studio would be willing to make a movie for such a very specific audience.

In all fairness, though, I suspect that the number of Americans with that sort of detailed interest in and knowledge of baseball has shrunk considerably.

The twelve previous reviewers seem to buy the argument that Billy gets all his insight into getting the best out of players from his father. Yet it is very clear, over and over, that he comes up with much of his advice when he is nowhere near his father. He is just one very perceptive young boy. Maybe with a little help from the same angels who made the contemporaneous movie *Angels in the Outfield* such a joy. Baseball fans obviously believe in magic, or they would not go on rooting for losing teams year after year. (See: *Damn Yankees*)

If you like baseball in the summer, you'll probably like this movie. If you don't, you probably won't.

I know it's only a fantasy film but, still, if you know the slightest thing about baseball this movie can be annoying at times because ballplayers would NOT act like this. Even worse, Major League players wouldn't be this inept, to begin with. These guys couldn't make a Little League team, and they are playing professional baseball??? Come on...how much are we supposed to swallow here?!!

Listen.....it's a nice story and a good-natured film, but it's just too far-fetched. However, I can some non-baseball fans enjoying it, or older folks enjoying this for the pure nostalgia of seeing some baseball back 50 years ago. I like that part, myself, and appreciate a movie with some sentimentality and sweetness to it, which this does. I also like Dan Dailey, who plays the boy's father. Billy Chapin is likable as the kid, too....so what I am crying about?

It's just that no ballclub is going to employ (or even listen to) some little kid, even if it is secretly coming from his knowledgeable dad. Maybe I've watched too many Steven Spielberg movies. He always portrays kids as smarter than adults, which is ludicrous. I hate to see the same in a classic-era film in which writers had more sense than the twisted politically-correct morons of today.

Great actors, mediocre movie. The premise of this movie has been used in many movies. You know, where a team is slumping terribly and along comes some 'magical' external influence to change it all around (eg. Major League). The problem with the screenplay of this movie is how they depicted the teams' slump, with balls rolling through infielder's legs, dropped easy fly balls, and batters clueless as to their hitting slumps. And worst of all was when the outfielder had his glove out to catch a fly ball and the ball hit him square in the forehead. Good for laughs, but jeeeez, these guys are MAJOR LEAGUE BASEBALL PLAYERS. But the KID solves the problems of these major league players (more fantasy). Fun to watch anyway, but only got my 5/10.

'The Kid From Left Field' is a wonderful baseball film made in the early fifties and breathes the nostalgia of that time period. Child actor Billy Chapin becomes a batboy for the woeful Bisons (a copy of the old St. Louis Browns) and proceeds to inform the players of how they can correct their individual problems. Unbeknownst to the team, Chapin's wisdom is from his father, a washed-up player who has become a peanut vendor and lacks confidence and courage - in spite of his obvious baseball knowledge. Pretty soon, Chapin becomes the nine year old manager of the team with dramatic results that bind father to son; you can't help but root for the Bisons! A baseball fantasy - but filled with much innocence and charm. Surprisingly, this movie has never made it to VHS or DVD. I loved it as a kid - equally as an adult!