Haus der Erpressung

William Sylvester used to pop up in some many British productions I always thought he was a British actor. This was until I saw him in the US movie, The Lawyer which spun off the television series Petrocelli.

Sylvester plays mysterious hitchhiker Jimmy who comes across fashion photographer Carol Blane. She is on her way to a house to talk to Markham who is blackmailing her brother for a bounced cheque. He demands £5000.

At a cafe, Carol who comes across a report of an escaped convict that matches Jimmy's description persuades him to accompany her for £50. Carol asks Jimmy to play the part of a lawyer.

They both engage with Markham and his associates. The house has a butler who likes to listen in through the keyhole. Later that night Markham is found dead. Both Jimmy and Carol are suspects.

This is an unpretentious murder mystery B movie and a rather effective one as well. There is comedy, mystery and plenty of suspects. Sylvester does well in keeping his motives mysterious.

I think the blackmail angle would had worked better, if Carol's brother was being blackmailed for being gay rather than a bounced cheque.

From the theme music I was expecting a comedy but it turned into an above average thriller I thought the 2 leads bounced off each other well and mary germaine held her own as genuine costar but the other men in the house were poorly written.but with the short run time it didn't drag and held my attention throughout.

HOUSE OF BLACKMAIL is an updating of the 'old dark house' style of murder mystery with added romance, blackmail, and escaped convict antics. The storyline involves a friendly but ruthless blackmailer (played by Alexander Gauge, well known to audiences for his role as Friar Tuck in THE ADVENTURES OF ROBIN HOOD TV series) who has a foolish young man in his grips. The young man enlists the help of his sister to visit the blackmailer and help pay the debt. She picks up a mysterious hitchhiker en route and arrives at the blackmailer's home to find an assortment of characters present, each with their own hidden motivations.

The blackmailer is killed in the middle of the night and the inhabitants of the household cut off until the morning. One of them is the murderer, but which? HOUSE OF BLACKMAIL will reveal all, but not before a running time full of creeping about in corridors, false accusations, the burning of important documents in a grate, and a lot of hold-ups with guns have taken place.

This is a pretty entertaining little movie that offers up nothing we haven't seen before, yet it somehow works thanks to a fast pace and a focus on the mystery aspects of the story. There's no time for slow-moving romances and the like here, just a script that keeps you guessing. William Sylvester does well as the protagonist mixed up in the proceedings who may or may not hide his own murky motivations, and Mary Germaine is a pleasingly modern heroine. Denis Shaw's butler stands out, listening at keyholes and keeping racy pictures plastered to his bedroom walls. The ending is unsurprising but ties up this little mystery quite neatly.

A foolish young man named Billy Blane has forged a cheque for £200 and is threatened with arrest unless he pays £5,000 to the urbane and wealthy Markham. His artist sister, Carol (Mary Germaine) tries to get him out of it by agreeing to meet Markham in his old country house. On the way, she picks up a good-looking and garrulous hitch-hiker (William Sylvester) who calls himself Jimmy. The radio, meanwhile, speaks of an escaped convict from a nearby prison. Jimmy agrees to accompany Carol to the house and pose as her lawyer in an attempt to unnerve Markham.

There, they meet Markham (Alexander Gauge) and his two associates, an elderly Eastern European doctor (Hugo Schuster) and a sharp-tongued American (John Arnatt), also a Polish maid (Ingeborg von Kusserow) and a seedy, spying butler (Denis Shaw). After some sparring from Jimmy, Carol agrees to pay the money, but is unable to withdraw it from her bank until morning. The pair must remain until then and, with the windows electronically secured, there is no way to escape. During the night, Markham is murdered, and the killer could only have been someone staying at the house...

There is much intrigue and some witty dialogue to be enjoyed in this early fifties B-film, which reveals its small budget with its studio-bound setting and recycled score (at one point, it sounded like something from a Norman Wisdom film!). American William Sylvester is ebullient as Jimmy and, with his mid-Atlantic accent, could well have made an excellent Saint. As usual, Alexander Gauge is wonderfully erudite as the disreputable Markham, another of his reasonable-criminal roles, while the British actor John Arnatt displays a convincing American accent as the man who takes charge. There is also some decent characterisation - for example, with Bassett the butler and his listening at keyholes and room of pin-ups - and much creepy sneaking about, which I always love. Despite the gothic aesthetics, however, this is emphatically a mystery, not a thriller, and a pretty straightforward one at that. It's about the characters' interaction - not wanting to be alone or with any of the others either - and also keeps us guessing as to whether Jimmy is the escaped prisoner or not. The ending is neat, simple and reasonably satisfying, while everything before it is enjoyable too. An average film, of course, but that should be no insult when such things are as fun as this.

This low budget British film is quite well done. The script, acting, direction, photography, and editing are all first rate.

Carol Blane (Mary Germaine) drives to a dark old mansion to meet with blackmailer Markham (Alexander Gauge). He has a 200 pound check forged by Carol's irresponsible brother Billy (Barry Wynne). Along the drive Carol picks up seeming hobo Jimmy (William Sylvester). She soon comes to believe that he is a notorious escaped convict. Carol offers him 50 pounds to go to the mansion with her and pose as her lawyer. Then, he can steal the check rather paying the blackmailer. Jimmy agrees. At the mansion they meet Markham, Dr Welich (Hugo Schuster) and overbearing American Peter Carter (John Arnatt). Also on hand are sneaky butler Bassett (Dennis Shaw) and maid Emma (Ingeborg von Kusserow). Soon, Markham is murdered and everyone distrusts everyone else. Jimmy pretends to be Carol's fiancé as well as her lawyer. Eventually, the police will have to be notified. What will happen to Jimmy then? Is he really an escaped convict? Is everyone else who they claim to be? Who done it?

Also in the cast is Patricia Owens as Joan, Carol's roommate and model. In her first scenes, she is posing for Carol wearing a gorgeous evening gown that is worth seeing. Patricia brings an intensity to her role and she really dominates every scene that she's in. The viewer will definitely notice Patricia Owens in HOB.

I watched HOB on a DVD that I got from the Amazon. The picture quality and sound were both excellent. Watch HOB if you get the chance. It will keep you interested from the start to the plot twist at the end.