Houdini, der König des Variete

By the early 1900s, the extraordinary Houdini earned an international reputation for his theatrical tricks and daring feats of extrication from shackles, ropes, handcuffs, and Scotland Yard's jails...

The film depicts Houdini's memorable escape from any pair of handcuffs produced by the audience; the outdoor exhibition, when he allows himself to be hanged upside down from his ankles, suspended from the roof of a high building, in a strait jacket; and, the dramatic act, when he accepts to be shackled with irons and placed in a box that is locked, roped, and submerged in frozen waters...

The film also exposes Houdini's campaign against mind readers, fraudulent mediums and others who claim supernatural powers... Houdini shows a passionate talent for escapology and the film did much to create the 'Water Torture Cell' illusion...

With his pretty-boy looks, Tony Curtis handles the title role with passionate skill... His energetic performance, as the talented and motivated magician, is very good...

With good period atmosphere, but with more attention to romance than to interesting detail, the film is quite enjoyable and colorful...

Janet Leigh does a great job as Houdini's faithful wife...

Tony Curtis is almost always good in whomever he plays, and he was fascinating in here as the famous magician "Harry Houdini." Curtis had a number of good roles in his prime. Speaking of "prime," Janet Leigh didn't look too bad in her prime, either: a very pretty lady.

I don't know how accurate this biography was, but I do know that this movie should have been longer. I usually say the opposite about films, but in this case, I would like to have seen more details about his life and death. His failure to communicate with dead - Houdini's misguided belief - wasn't discussed much.

I guess there were a couple of more modern-day films on Houdini, but they must not have been anything much since I never heard about them. Too bad, because a good re-make of this movie might be something to see.

If it wasn't for the movies and the books on Harry Houdini's life he would fall into a category of un-interesting performers who only could do one thing perform

He lived in a time where his talents were in great demand and despite the fact that this film is not accurate it is lovingly presented by Paramount a **Color Film** in a time where Black and White films were still commonplace, Tony Curtis and Janet Leigh at the peak of their building careers and George Marshall a veteran director of close to 120 films

They knew what they were doing when the movie partially fictionalized Houdini's life possibly because he was a one note person, a magician, an escape artist, a performer

The movie is excellent!! and that is all that matters, if I am not mistaken almost every remake has fictionalized his life in one way or another, this movie is a true gem!!

Tony Curtis was the proper person to play Harry Houdini when this movie was made. He had the right attitude. Janet Leigh, his wife in real life then, was outstanding as Bess Houdini and the sparks between them show on this film. To me the problem is the script.

The real Houdini's life was much more interesting than the points of his life presented here. The story covers some highlights of Harry's life, and a little of the special relationship with his mom. It totally leaves out Harry's brother, the great Hardine. It doesn't get into the barn storming career or the great tricks Houdini did enough.

The film also fails script wise to show how well Erich Weiss promoted himself enough. I think the script was designed for Curtis & Leigh and misses the best parts of Harry's life. From what I have seen and read about Houdini, a much more interesting story is there to be told. This story does not tell it entirely.

I am glad they tried to do what they did here. For Curtis & Leigh fans this is a great showcase. If it were to be remade, there are more highlights of Houdini's amazing life that could be written to make a better film. I'd challenge Hollywood to tackle that. For now, this is the best we've got, but I have to wonder what could have been with a better script.

The story of master magician Harry Houdini (1874–1926) becomes a glossy star-vehicle for Tony Curtis in the lead--and though the facts of Houdini's life are lumped right together with the Hollywood dross (as if this movie magazine-styled spread were one big true-life story), one is drawn in by Curtis' apparent commitment to the role. Director George Marshall stages some exciting set-pieces and a nice romance ensues between Tony's Houdini and assistant Bess, played by Curtis' real-life spouse Janet Leigh (doing appealing work). Philip Yordan adapted Harold Kellock's book, and the results are (surprisingly) entertaining despite all the requisite corn and clichés. **1/2 from ****