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Abend der Gaukler

Originaltitel: Gycklarnas afton
  • 1953
  • Not Rated
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
7,4/10
7818
IHRE BEWERTUNG
Abend der Gaukler (1953)
Drama

Die komplizierten Beziehungen zwischen einem Zirkusdirektor, seiner entfremdeten Frau und seiner Geliebten.Die komplizierten Beziehungen zwischen einem Zirkusdirektor, seiner entfremdeten Frau und seiner Geliebten.Die komplizierten Beziehungen zwischen einem Zirkusdirektor, seiner entfremdeten Frau und seiner Geliebten.

  • Regie
    • Ingmar Bergman
  • Drehbuch
    • Ingmar Bergman
  • Hauptbesetzung
    • Åke Grönberg
    • Harriet Andersson
    • Hasse Ekman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    7818
    IHRE BEWERTUNG
    • Regie
      • Ingmar Bergman
    • Drehbuch
      • Ingmar Bergman
    • Hauptbesetzung
      • Åke Grönberg
      • Harriet Andersson
      • Hasse Ekman
    • 38Benutzerrezensionen
    • 52Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Fotos118

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    Topbesetzung32

    Ändern
    Åke Grönberg
    Åke Grönberg
    • Albert Johansson
    Harriet Andersson
    Harriet Andersson
    • Anne
    Hasse Ekman
    Hasse Ekman
    • Frans
    Anders Ek
    Anders Ek
    • Frost
    Gudrun Brost
    Gudrun Brost
    • Alma
    Annika Tretow
    Annika Tretow
    • Agda
    Erik Strandmark
    Erik Strandmark
    • Jens
    Gunnar Björnstrand
    Gunnar Björnstrand
    • Mr. Sjuberg
    Curt Löwgren
    Curt Löwgren
    • Blom
    Kiki
    • The Dwarf
    Lissi Alandh
    Lissi Alandh
    • Theatre Actress
    • (Nicht genannt)
    Julie Bernby
    • Ropewalker
    • (Nicht genannt)
    John W. Björling
    • Greven - Circus Artist
    • (Nicht genannt)
    Naemi Briese
    Naemi Briese
    • Mrs. Meijer - Circus Artist
    • (Nicht genannt)
    Michael Fant
    • Fair Anton
    • (Nicht genannt)
    Karl-Axel Forssberg
    • Theatre Actor
    • (Nicht genannt)
    Åke Fridell
    Åke Fridell
    • Artillery Officer
    • (Nicht genannt)
    Erna Groth
    Erna Groth
    • Theatre Actress
    • (Nicht genannt)
    • Regie
      • Ingmar Bergman
    • Drehbuch
      • Ingmar Bergman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen38

    7,47.8K
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    8AlsExGal

    An early triumph for Bergman

    A flea-bitten traveling circus makes its way to a small coastal town. The ringmaster (Ake Gronberg) has grown tired of the nomadic and impoverished life of the circus, and as this was his hometown, he hopes to reconnect with the wife and children that he abandoned years earlier. Meanwhile, the ringmaster's young lover Anne (Harriet Andersson) feels rejected and considers joining a theater troupe, hoping to find comfort in the arms of handsome actor Frans (Hasse Ekman).

    This early triumph from Bergman marked his first teaming with cinematographer Sven Nykvist. Their collaborations would go on to become one of the greatest between director and cinematographer in film history. This film already exhibits the Bergman/Nykvist look, with striking close-ups, atmospheric black and white compositions, and almost unearthly landscapes. The performances are good, particularly from Andersson. There's an anarchic, almost grotesque quality about the way both the circus folk and the theater troupe are presented that reminded me a bit of Fellini. Recommended.
    8Xstal

    All the Fun of the Unfair...

    Poor old Frost performs as a circus clown, carrying a heavily burdened scowl and quite a frown, since his wife went to sea, for the army all to see, ridiculed without makeup or a gown.

    Poor Albert is the big circus ringmaster, the performances are all a disaster, the takings are low, he know wants to go, but his wife won't have him back to harass her.

    Anne travels as Albert's companion, but theatre Frans has set his sights on, getting her to perform, with a pendant to charm, but the lustre is shallow and a con.

    Albert hears of Anne's closed candid meeting, in the circus ring Frans' smugly seating, there follows a brawl, the ringmaster does fall, the cuckold takes another shameful beating.

    The humiliation of three tortured souls of the circus, as their dignity is stripped like flesh from a freshly slaughtered carcass.
    10TheMovieCritic_83

    An under-appreciated film

    It's amazing when a film is disliked and misunderstood when released, and is then praised and labelled as a masterpiece decades later. Ingmar Bergman's 'Sawdust and Tinsel' is one of those films. I'm not exactly sure why the film was regarded so lowly, but thankfully, it is now recognised for what it is.

    The film isn't quite Bergman's best, but it is certainly close. 'Sawdust and Tinsel' is a pessimistic, yet truthful study of human nature in relationships. The film's central character, Albert, is a ringmaster of a travelling circus, and is passing through the town where his wife and children are living. The pair have been separated for some time and are clearly dealing with the situation in different ways. His wife Agda has moved on. Albert is still affected and has been unfaithful to his wife, as he is travelling along with his mistress. What unfolds is an interesting character study that looks at human insecurity, disloyalty, selfishness, unhappiness and emotional strain.

    It's no wonder that Ingmar Bergman is titled 'The Swedish Master'. 'Sawdust and Tinsel' is full of insight and certainly shows Bergman's talent. He does some excellent things with mirrors in certain shots and creates a lot of mood throughout the film. The highlight is, without question, one of the first scenes in which Frost, the circus clown, comes to collect his wife Alma from the ocean, where she is swimming with an army regiment. Every element works and Alma's selfishness and Frost's pain are clear in the scene, adding to the effect. Practically everything that Bergman has done in this film is excellent. The only point of criticism though, is that the cinematography is a bit hit and miss, as some scenes are too bright, giving them an overexposed look. Then again, it could be that the film has just deteriorated with age.

    This is an under-appreciated film that is certainly worth viewing. It is quite hard to come by, but maybe one day, someone will do a proper release on DVD.
    10christopher-underwood

    There is not a wasted frame

    I first, and probably, last saw this wonderful film over 40 years ago. It has not been easy to catch again and then I think that when the time since you have last seen a favourite gets too long you begin to have concerns as to whether it will live up to your memory of it. There was particular concern here because, although in the 60s and 70s I would bore people by going on about this film whenever talk of Bergman's more well thought of films came up, this was never considered to be one of his best. Having just watched it again I am blown away all over again. I cannot believe how much of the fantastic visuals I remembered and the extent to which the power of the film is still so affecting. There is not a wasted frame, this is pure cinema throughout. The acting is stupendous, the cinematography outstanding and the bitter sweet tale so seemingly simple, yet so devastatingly all consuming. I know Bergman has made more poetic films and more profound ones but I still think this one is hard to beat for so eloquently presenting those basic issues that matter to everyone.
    retributionpublications

    Dark and Mesmerizing

    This is a fantastic early film made by the master of the psychological, Ingmar Bergman. This film is much easier to understand than say, Persona, Cries and Whispers, or the Seventh Seal, and therefore, I suggest this as a first-time introduction for anyone interested in learning more about his films and/or his filming technique.

    This movie is quite simply, a dream. The introduction sequence is a brilliant example of Bergman's work...we see a long shot of 5 horse carriages moving across the plains at dawn, which dissolves into a reflection of a single horse & carriage in the water below a bridge, which dissolves into a series of shots...windmills, foggy paths, the carriage driver and the finally, a fade into the carriage where our protagonist, Albert Johansson, sleeps with his girlfriend Anna. Bergman is the king of the dissolve...a style he no doubt picked up from 1920's German expressionism. Bergman's mise en scene is a blend of sequences which depict a very dreamlike orientation of our immediate surrounding.The result: We are passive observers, watching the all-too-real reality of our modern world subside into something very mysterious and surreal. Bergman's style removes time from the equation of film. Time, as we know it, takes a back-seat to objects, people, and places. Real life becomes more dreamlike than any dream, and the darkest and most mysterious corner of the universe becomes the human mind.

    This is a fantastic movie.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Bergman's first collaboration with cinematographer Sven Nykvist.
    • Patzer
      When Anne is at the theatre and standing in the middle of the stage, the orientation of how she holds her parasol changes from the long shot to the medium shot.
    • Zitate

      Frost: I had a dream this afternoon while I slept off the booze. I dreamt that Alma came to me and said, "Poor Frost, you look tired and sad. Wouldn't you like to rest a while?" "Yes," I said. "I'll make you small as a little unborn child," she said. "You can climb into my womb and sleep in peace." So I did as she said and crept inside her womb and I slept there so soundly and peacefully, rocked to sleep as if in a cradle. Then I got smaller and smaller, until at last I was just a tiny seed, and then I was gone.

    • Alternative Versionen
      A scene in the first half of the film, in which the circus troupe parades into town to publicize their show, is unaccountably missing from the American version. In this scene, one furthering the film's theme of humiliation, the local police confiscate the performers' horses, which forces them to pull the heavy wagons back to their camp themselves.
    • Verbindungen
      Edited into Short Cuts från Sandrews (1999)

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    FAQ14

    • How long is Sawdust and Tinsel?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 2. Dezember 1958 (Westdeutschland)
    • Herkunftsland
      • Schweden
    • Sprache
      • Schwedisch
    • Auch bekannt als
      • Sawdust and Tinsel
    • Drehorte
      • Arild, Skåne län, Schweden
    • Produktionsfirma
      • Sandrews
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    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 33 Min.(93 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1

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