Mit der Waffe in der Hand

This originally-filmed 3-D pot boiler features a darkly gorgeous Donna Reed partnering an equally handsome Rock Hudson- the latter displaying the macho charisma he hid behind for most of his career. But the thing is, he's good -and so's Donna. They play an engaged couple about to settle in California at the end of the Civil War. Rock has the odd good line 'Bullets are democratic- they don't only kill badmen' -no doubt an orphan from scriptwriter Kathleen George's novel TEN AGAINST CEASAR on which movie was based and a concept which would have found an echo in post-Korean and WWII veteran audiences.

Ex-Confederate Army cronies' embitterment and discontent is the excuse for stagecoach robbery, murder and kidnapping. Ben Warren [Hudson] is left for dead and his fiancé Jennifer Ballard [Reed] snatched under the unlikely pretext that gang leader Frank Slayton [Phil Carey] fancies her. The later elemental suggestion of suppressed carnality is best left as it was -suppressed. Donna Reed, despite torn blouse -is Rock's girl, and she remains so. Doesn't the Phil Carey know how things in Westerns work out? The plot of George's novel, TEN AGAINST CAESAR has been uncomplicated to a degree where an orangutan, given five seconds and a paintbrush, could have written the subsequence and denouement.

But credibility is not what this movie is all about.

It's about how parted Rock and Donna are re-united and triumph over -albeit manufactured -adversity ; it's about searing Arizona desert; the magnificence of 1950 Technicolor Western-making, and perhaps most of all about the making of desolation beautiful. I remember its flat screen release as a kid, was dying to see it but couldn't afford the admission. Had I seen it then I know how I would have reacted - I would have considered it good value and left the cinema, six-gun at the ready, seeking a showdown.

Rock Hudson and Donna Reed are a couple finally together after the civil war, travelling on a stagecoach when it's hijacked by Phil Carey's outlaw gang. That's pretty much the story. What ensues is a lot of running around amid some beautiful Arizona desert scenery which is the real star here. Lovely cinematography, but weak script let's this Roaul Walsh western in 3D down. Hudson on the way up to greater things is clearly the main reason for making this but his acting hasn't quite met the standard he later achieves in Giant and he's out acted by Phil Carey who exudes more charisma here. Even Lee Marvin is more interesting in a small role. Neville Brand I thought was wasted and his usual screen villainy given little to do. Quite why Carey shows such an interest in Donna Reed, I simply don't know as they've never met before the stage hijac. She's hardly a femme fatale, just a regular girl unfortunate enough to have been there and this is a weakness in the plot. Had she been a former girlfriend of Carey's who has dumped him would have made more sense but his obsession with keeping her with the gang for no apparent reason is baffling, just a ploy for Hudson to chase after them across the scenery. The film later becomes predictable like a TV western, losing the earlier interest that had kept me watching, especially the performance of the underrated Leo Gordon. Should and could have ended better given the talent here.

A rancher and a reformed outlaw pursue a band of kidnappers through the Arizona desert in a good western that never received its just due. Most of Rock Hudson's early films were westerns and he essays the role of a determined cowboy in fine style as he and Leo Gordon search for an outlaw band for very different reasons. The picture is strictly a pursuit and revenge western with colorful characters and scenery making an ordinary plot tense and exciting. Phil Carey and Donna Reed are major players here but are supported by great character actors such as Lee Marvin and Neville Brand. Carey is at his best as a glib but vain outlaw leader who covets betrothed Donna Reed for himself. Pat Hogan is good in his familiar role as an Indian and Roberta Haynes is tough and fiery as a spurned border mistress.

Gun Fury marked the first loan out film that Rock Hudson did after he became a star at Universal. Rock did this one for Columbia just as his star was rising fast with the movie going public.

The film has the look and feel of a Randolph Scott western, it's just the kind of story that Scott was in fact doing at Columbia with Budd Boetticher. I would not be surprised if this wasn't something Scott might have had in mind for himself. Of course there would have been changes made as Scott was a much older man than the youthful Rock Hudson.

Donna Reed is Hudson's fiancé who is on a stagecoach west to meet her man. On the stage also is notorious outlaw Philip Carey traveling incognito because he plans to meet up with his gang and rob the stage later.

Carey is best known as the boss of those exuberant Texas Rangers in Laredo, but here he's a bad man, rotten through and through. He also decided to take Donna Reed as well because he's tired of the woman he has now, Roberta Haynes.

Carey thinks he's killed Hudson, but Hudson's quite alive and on his trail with a former Carey outlaw member Leo Gordon along with him.

Gun Fury shows how much the western grew up in the Fifties. This kind of story involving kidnapping and sexual abuse was definitely not for the Saturday matinée kiddie trade. Though Hudson and Reed are good, it's Philip Carey who really dominates the film.

He's got quite a collection of noted screen bad guys in his crew. Besides Leo Gordon, Neville Brand and Lee Marvin are also around.

Can't tell you how it ends, but Hudson and Gordon pick up an Indian along the way who proves to be of great assistance.

"Gun Fury" is a 1953 Western Starring Rock Hudson and Donna Reed as a couple traveling to California in the Southwest. After their stagecoach is held-up and Ben Warren (Hudson) left for dead, he is eventually able to go after the outlaws who have his fiancé.

Shot mostly outside in the Sedona, Arizona, region, this is a very picturesque Western. While the film begins slow it morphs into a chase movie with loads of Western action. The cast is great with Hudson in his prime and Leo Gordon as the ex-gang member, Jess, whom Ben starts to befriend. But it's Phil Carey who shines as the villainous Frank Slayton, an embittered ex-Confederate Southern "gentleman" who's still at war.

The antagonism between Slayton and Jess is interesting in that Jess feels Slayton goes too far in his outlaw activities and increasingly objects. Although Slayton doesn't put up with it, it's clear that he regards Jess as a partner - a partner he's willing to slay in a heartbeat if necessary.

Carey comes across as a malevolent version of Charlton Heston. His character is interesting: He justifies his crimes on the grounds that he's still at war even if the Civil War ended years ago. He wants Jennifer (Reed) because she's a genuine Southern Belle who reminds him of his former world, a world the war has forever destroyed.

Despite all these good things, there are some glaring script problems. Warren is said to be dead by one of the outlaws after the stagecoach heist, but later gets up and no injury is mentioned the rest of the movie (although he momentarily touches his head when he wakes and looks for blood on his hand, implying that he was perhaps head-grazed by a bullet). The worst plot issue is the problematic swap deal at the end.

If you can overlook such defects, however, "Gun Fury" is a worthwhile 50's Western for the many positive points noted above.

The film is short and sweet at only 83 minutes.

GRADE: B.