Mit der Waffe in der Hand

"Gun Fury" is a 1953 Western Starring Rock Hudson and Donna Reed as a couple traveling to California in the Southwest. After their stagecoach is held-up and Ben Warren (Hudson) left for dead, he is eventually able to go after the outlaws who have his fiancé.

Shot mostly outside in the Sedona, Arizona, region, this is a very picturesque Western. While the film begins slow it morphs into a chase movie with loads of Western action. The cast is great with Hudson in his prime and Leo Gordon as the ex-gang member, Jess, whom Ben starts to befriend. But it's Phil Carey who shines as the villainous Frank Slayton, an embittered ex-Confederate Southern "gentleman" who's still at war.

The antagonism between Slayton and Jess is interesting in that Jess feels Slayton goes too far in his outlaw activities and increasingly objects. Although Slayton doesn't put up with it, it's clear that he regards Jess as a partner - a partner he's willing to slay in a heartbeat if necessary.

Carey comes across as a malevolent version of Charlton Heston. His character is interesting: He justifies his crimes on the grounds that he's still at war even if the Civil War ended years ago. He wants Jennifer (Reed) because she's a genuine Southern Belle who reminds him of his former world, a world the war has forever destroyed.

Despite all these good things, there are some glaring script problems. Warren is said to be dead by one of the outlaws after the stagecoach heist, but later gets up and no injury is mentioned the rest of the movie (although he momentarily touches his head when he wakes and looks for blood on his hand, implying that he was perhaps head-grazed by a bullet). The worst plot issue is the problematic swap deal at the end.

If you can overlook such defects, however, "Gun Fury" is a worthwhile 50's Western for the many positive points noted above.

The film is short and sweet at only 83 minutes.

GRADE: B.

With stars like Rock Hudson, Donna Reed and Lee Marvin, a script by Roy Huggins and direction by action film legend, Raoul Walsh, "Gun Fury" seemed like a sure thing. Boy was I disappointed.

The script relied on constant character stupidity to move the story along; Hudson and Reed had no chemistry together and Lee Marvin doesn't have his usual nutjob role to ratchet up the interest.

The scenery was spectacular and the score quite good in places. But this 82 minute film had me looking at my watch before the halfway point.

Rock Hudson was much better in "The Undefeated." If you want a good Donna Reed/Roy Huggins western, try "Hangman's Knot." Raoul Walsh made several better westerns like "Colorado Territory" and "The Tall Men."

"I'm sick of violence and force," says Ben Warren, the rich young rancher who is taking his fiancee Jennifer to California for their wedding. Like most Americans of his generation, he served in the Civil War and was disgusted by the slaughter. Now he is devoted to working his big spread and marrying his beautiful girl (played by Donna Reed).

Unfortunately, the barren South West is not remote enough from recent history. Men have crossed the Rockies to escape from the bitterness back East, but they have carried their violence westwards with them.

The film is the story of a stagecoach holdup which turns into an abduction, then a manhunt. Ben Warren (Rock Hudson) sets off after the bad guys who kidnapped his bride-to-be, and pursues them across the Arizona desert.

A standard horse opera, "Gun Fury" contains no more than the average complement of guns and precious little fury. There are absurdities in the storyline, like the holdup with fake cavalry escort, and the ease with which the 'good guys' recover from seemingly mortal harm (Ben is shot dead, apparently, but then gets up and carries on as if nothing happened, and Jess is almost dead from sunstroke but quickly rallies and rides after Slayton). The trade of Jennifer for Jess is silly, not least because Jess would never want to rejoin Slayton's gang.

One directorial quirk exhibited by Raoul Walsh is the way in which any character who throws something (knife, rock, pottery) has a victim's-point-of-view cutaway inserted. The viewer is, for an instant, seemingly the target of the missile. The purpose of this oddity is to exploit the 3-D format in which the film was originally shot.

The only other talking point is the presence of Lee Marvin and Neville Brand as bad guys in Slayton's gang.

Verdict - workmanlike western, but nothing special

A rancher and a reformed outlaw pursue a band of kidnappers through the Arizona desert in a good western that never received its just due. Most of Rock Hudson's early films were westerns and he essays the role of a determined cowboy in fine style as he and Leo Gordon search for an outlaw band for very different reasons. The picture is strictly a pursuit and revenge western with colorful characters and scenery making an ordinary plot tense and exciting. Phil Carey and Donna Reed are major players here but are supported by great character actors such as Lee Marvin and Neville Brand. Carey is at his best as a glib but vain outlaw leader who covets betrothed Donna Reed for himself. Pat Hogan is good in his familiar role as an Indian and Roberta Haynes is tough and fiery as a spurned border mistress.

Rock Hudson and Donna Reed are a couple finally together after the civil war, travelling on a stagecoach when it's hijacked by Phil Carey's outlaw gang. That's pretty much the story. What ensues is a lot of running around amid some beautiful Arizona desert scenery which is the real star here. Lovely cinematography, but weak script let's this Roaul Walsh western in 3D down. Hudson on the way up to greater things is clearly the main reason for making this but his acting hasn't quite met the standard he later achieves in Giant and he's out acted by Phil Carey who exudes more charisma here. Even Lee Marvin is more interesting in a small role. Neville Brand I thought was wasted and his usual screen villainy given little to do. Quite why Carey shows such an interest in Donna Reed, I simply don't know as they've never met before the stage hijac. She's hardly a femme fatale, just a regular girl unfortunate enough to have been there and this is a weakness in the plot. Had she been a former girlfriend of Carey's who has dumped him would have made more sense but his obsession with keeping her with the gang for no apparent reason is baffling, just a ploy for Hudson to chase after them across the scenery. The film later becomes predictable like a TV western, losing the earlier interest that had kept me watching, especially the performance of the underrated Leo Gordon. Should and could have ended better given the talent here.