Ein verwöhntes Biest

Although The Girl Who Had Everything is taken somewhat from MGM's earlier classic, A Free Soul, it has a few important differences in keeping with the decade it was done in.

William Powell is in the Lionel Barrymore part of the high priced criminal lawyer, but he's not representing his client in a murder trial. In keeping with the times Powell is at a Senate Rackets Committee hearing with Fernando Lamas who tells them nothing and a few Senators get some headlines and photo ops from the hearing.

As the hearing concludes daughter Elizabeth Taylor meets up with her dad and his client and they're both taken with each other. This does not sit well with Powell, who's perfectly willing to take their money, but not to let them in his life and family.

Fernando Lamas is in the gangster role, the same part that Clark Gable got his first real notice. Whereas Gable exuded some real menace and had no intention of leaving the rackets, Lamas actually wants to quit and settle down.

Of course the racism in The Girl Who Had Everything just bubbles over. Lamas apparently really does want to leave, but Powell is a snob and he's ready to violate lawyer/client privilege and testify himself before the Senate hearing as to Lamas's criminal enterprises. This would in fact get him disbarred in any state in the Union and the District of Columbia, a fact the film doesn't mention.

As for Lamas's associates, they take the attitude of once in, never out and deal with it accordingly. Wrongly in my opinion, but that's the fault of a very confused script.

This rehash of A Free Soul is only 69 minutes long, my guess the shortest feature film Elizabeth Taylor was ever in. She tries, but does not come close to what Norma Shearer did in the original version.

And Gig Young as her society boyfriend repeating the role that Leslie Howard had, has very little to do but look concerned and issue grave warnings about getting mixed up with those kind of people.

Dore Schary was unloading all of MGM's big stars from its golden era and The Girl Who Had Everything was the kiss off to William Powell. He looks plain bored with the whole thing and who could blame him. He had two more films in him as a free lance star, How to Marry a Millionaire and Mr. Roberts both infinitely better than this.

The Girl Who Had Everything (1953)

** 1/2 (out of 4)

Decent remake of A FREE SOUL has William Powell playing a lawyer who gets his scumbag client (Fernando Lamas) off some serious charges only to live to regret it when his spoiled daughter (Elizabeth Taylor) starts to date him. The lawyer tries to talk some sense into his daughter but as the title says, he's always given her everything she's wanted so she's not willing to take his advice. This MGM production had big shoes to fill as the original 1931 version featured Lionel Barrymore playing the role of the father, which ended up getting him the Oscar and it also featured Norma Shearer as his daughter and Clark Gable in the role of the gangster. Both versions have good and bad things so it's really hard to compare the two as this one here at least changes up quite a bit of things including the ending and also missing are various courtroom scenes. It's funny to see such a powerful cast and then watch the movie and realize that this is basically a "B" picture that doesn't have any of the lavish production that you'd expect from the studio and the cast. This actually somewhat helps the film because we never get too much melodrama, although it's constantly on display. Thankfully the film runs a short 69-minutes and it doesn't overstay its welcome at that time but had this thing gone on another twenty minutes or so then it would have been a lot less entertaining. The best thing going for the movie are the three lead performances. Powell didn't get to show off his dramatic skills too often but he's very believable here and manages to turn in a fine performance. Taylor is as beautiful as always and also manages to turn in a good performance. Lamas was the real scene-stealer as he's perfect in the role of the gangster who lets his guard down. Gig Young and James Whitmore are both good in their supporting roles. As I said, there's certainly plenty of melodrama here and while there aren't as many hard-hitting scenes, this remake does offer up a few good things including a rather brutal finale that you'll see coming a mile away but it still hits home. While the movie is predictable there's no question that it's worth seeing thanks in large part to the terrific cast.

... and this film is a good example of that.

Attorney Steve Latimer (William Powell) defends an old client of his, Victor Ramondi (Fernando Lamas) when he is hauled before a senate committee concerning his illegal gambling operations. Steve's daughter, Jean (Elizabeth Taylor) goes with her father when he travels to Washington, and there she meets and begins dating Ramondi. Ramondi follows the Latimers back to Kentucky, rents a place, and begins courting Jean. It doesn't take long until she is in love with him and the two plan to marry. But against his lifelong principles of being "a free soul" Latimer for once decides - Not with my daughter you don't! Complications ensue.

This is a very sanitized and watered down version of the precode "A Free Soul" from 1931, which was a big hit for MGM at the time. In the original the attorney/father Stephen Ashe is a hopeless alcoholic, the gangster is somebody Ashe defended for a murder of which he was very much guilty, and when the gangster threatens the daughter if she tries to leave him, her discarded fiance kills him but lies about his motive to protect her honor. I won't tell you what does ultimately happen in this film, but I will tell you that these three aspects are missing to the point that I wondered why MGM even bothered.

The 1931 film was made during the precode era during which there was much freedom to portray human nature with all its warts. The production code ended that in 1934. Thus it was not unusual for studios to remake their precode films in such a way that they could be exhibited in the production code era. What was unusual was for them to wait until the 1950s, as MGM did with this film, to produce a remake. As a result this film just seems like there is something missing mainly because there really is. All you have left is some cautionary tale about a girl who always had her way growing up in the shadow of a father who shunned convention who, as a result, goes after the wrong kind of man. Although Vic Ramondi does tell Jean he intends to change, is going to retire from the rackets, and is initially only showing his softer side, so even the accusation that she is attracted to a bad boy does not hold water.

The acting is good in this film, and as usual, William Powell makes it look effortless. He was the reason I decided to watch it, although the other performers do the best that they can with such thin material.

this is a very short movie and one of the most obscure in Elizabeth Taylor's filmography.Obviously it's not one of her best but she is really gorgeous .

She portrays a rich kid "who has everything" (the title tells no lies),with a rather over possessive father -who has excuses ,for he is a widower and she is his only child- and a good-looking but bland and boring fiancé .Enter a shady handsome Latin lover type man (Lamas)and the girl falls heads over heels in love.The most interesting side of this Harlequin Romance is its reactionary side:for the distinguished father ,the hunk will always be worse than a nouveau riche ;he will never be part of the respectable circle of gentlemen and the more he tries to start all over again,to redeem his soul -"even God would give me a second chance"-,the more he fails ,for he's got two kind of enemies now: the fine upstanding people and his former partners from his racy past.

And it isn't.

William Powell is a tough criminal lawyer. He may not have a lot of scruples but he has money. And he wants the best for his daughter, played by the ravishing young Elizabeth Taylor. Truly, she has hardly ever looked more beautiful than she does here.

She is, as the title suggests, spoiled. And she decides she wants Daddy's recent client, gangster Fernando Lamas. She already has Gig Young but Lamas is more dashing, if a real cad.

Everyone is good. It has a solid plot. The direction moves things along briskly. The score by Andre' Previn is exceptional.

If you don't have access to "A Place In the Sun," probably Taylor's most famous movie from this period,, catch this one. You will be knocked out by her beauty. And her acting is good, too.