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In the first pairing of Sam Sheepdog (here named Ralph) and Ralph Wolf (here anonymous), the latter constantly tries to snatch the sheep but the former always foils him, even when not too wise to the wolf's plans. I will say that I sort of predicted what would happen in the scene where they kept chopping the tree and cliff, but the truth is that nothing can weaken a cartoon like this. "Don't Give Up the Sheep" is a formidable part of cartoon history (only Chuck Jones could create a cartoon where a sheepdog works punch-clock shifts). Still, a later cartoon where they both punched the clock made the idea a little neater, what with how it raised the stakes.

Ralph the Sheepdog punches in the work clock and takes over guard duty over a flock of sheep. In comes a wolf to scope out the potential buffet. First, he tries to trick Ralph by setting the work clock ahead. This keeps going and going until Ralph truly finishes his shift and is replaced by another sheepdog.

This is the first sheepdog and wolf short. The names are not set yet. What it absolutely gets right is the punch clock. That is the biggest and most important aspect of this franchise. It taps into the postwar workers who have to punch a clock everyday. There are later improvements, but this sets up the formula.

The sheep dogs are going and coming to work, mainly Sam Sheepdog (named "Ralph" here) and his partner, Fred, who has the other shift that we don't see. They punch a time clock on a tree. Ralph also has his lunch box and sandwich: two slices of bread with a bone in the middle.

Meanwhile, Wile E. Coyote (not named that, but that's who we know him as) lurks nearby seeing nice juicy slabs of meat every time he looks at a sheep.

The story is basically about the dog protecting the sheep from the wolf. The funny bits come from the lengths the wolf goes to, to get his meal for the day, and how he's constantly thwarted. In fact, some of these scenes are hilarious and very clever.

All of these things make this an outstanding animated short, one of the best of its time.

Chuck Jones's 'Don't Give Up the Sheep' is the first of six cartoons Jones made with the lesser known characters of Sam Sheepdog and Ralph Wolf (although in this early entry to the series it is the Sheepdog who is called Ralph and the Wolf is unnamed). The first thing cartoon buffs will notice is that, but for his red nose, the Wolf is basically Wile E Coyote. What provoked this design decision is uncertain and it may have just been down to laziness but Jones later turned it into a brilliant comment on both the similarity and difference between the Sheepdog and Wolf shorts and the Road Runner series. The Wolf's attempts to capture the sheep in a series of blackout gags could and have been likened to the style of storytelling in the Road Runner cartoons but there's a key difference that tells us that Ralph Wolf is completely different from Wile E Coyote. The Coyote is an insanely obsessive creature driven by his one track mind to catch and devour the Road Runner. The highly unusual opening scenes of the Sheepdog and Wolf cartoons, however, reveal that Ralph is simply fulfilling his duties as he punches in on a timecard like any other workaday stiff. His duties are presumably determined by either nature or the all powerful cartoonists. The fact that only the Sheepdog punches in at the beginning of 'Don't Give Up the Sheep' suggests that maybe Jones extension of this gag to the Wolf as well may have been a sly joke at the expense of those who accused him of repeating himself.

In my opinion, those who claim that the Sheepdog and Wolf cartoons are just a retread of Road Runner are absolutely wrong. This is a quite different setup in which the antagonist has the added inconvenience of having to remain covert. The brutal, threatening presence of Sam the Sheepdog is a quite different proposition from the falling boulders and malfunctioning gadgets that scupper Wile E Coyote's plans. The implication here is that Ralph is extremely good at catching sheep and would undoubtedly be a success were Sam just not that tiny bit better at his job. Ralph is not the self-sabotaging dupe that the Coyote is, he's merely the victim of a superior co-worker.

All of which tells you nothing specific about 'Don't Give Up the Sheep', for which I apologise. To finally set aside all the prevarication, 'Don't Give Up the Sheep' is a superb cartoon. The jokes, courtesy of Michael Maltese, are brilliantly inventive and unpredictable. The funniest gags are often the simplest, such as the panpipe sequence or the wildcat joke. There's also a hilarious extended piece involving the sawing of branches which leads up to the only already well-used punchline in the cartoon. I always enjoyed the later episodes in which the Wolf punched in alongside the Sheepdog and it was implied that they were casual friends outside the working hours of a job that demanded they be enemies but 'Don't Give Up the Sheep' makes up for this omission by sheer quality of the gags and their impeccable execution. They may live in the shadow of the more popular Road Runner cartoons but I've always greatly preferred the extraordinarily witty Sheepdog and Wolf series and 'Don't Give Up the Sheep' gets it off to a riotously

There's no flies on Sam Sheepdog, don't even bother trying to fool him because he can see through ALL your little tricks.

Wile E. Coyote, taking a break from trying to catch that pesky Roadrunner, spies his long suspended dinner in a flock of sheep grazing happily in a field. Unfortunately for him, Sam has just started his shift and he isn't going to make it easy for him.

A series of brilliant gags follow, all of them utter genius, as Coyote goes to more and more ridiculous measures to obtain his main course. Ending in a surprise twist that will leave you in stitches.

A very funny, very clever cartoon.