IMDb-BEWERTUNG
8,0/10
1686
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA sheepdog thwarts the efforts of a thieving wolf whose tricks include altering the time clock, hiding in a bush, imitating Pan, digging a tunnel, unleashing a wildcat and disguising himself... Alles lesenA sheepdog thwarts the efforts of a thieving wolf whose tricks include altering the time clock, hiding in a bush, imitating Pan, digging a tunnel, unleashing a wildcat and disguising himself as the dog's coworker.A sheepdog thwarts the efforts of a thieving wolf whose tricks include altering the time clock, hiding in a bush, imitating Pan, digging a tunnel, unleashing a wildcat and disguising himself as the dog's coworker.
- Regie
- Drehbuch
- Hauptbesetzung
Mel Blanc
- Ralph Sheepdog
- (Synchronisation)
- …
Empfohlene Bewertungen
Chuck Jones's 'Don't Give Up the Sheep' is the first of six cartoons Jones made with the lesser known characters of Sam Sheepdog and Ralph Wolf (although in this early entry to the series it is the Sheepdog who is called Ralph and the Wolf is unnamed). The first thing cartoon buffs will notice is that, but for his red nose, the Wolf is basically Wile E Coyote. What provoked this design decision is uncertain and it may have just been down to laziness but Jones later turned it into a brilliant comment on both the similarity and difference between the Sheepdog and Wolf shorts and the Road Runner series. The Wolf's attempts to capture the sheep in a series of blackout gags could and have been likened to the style of storytelling in the Road Runner cartoons but there's a key difference that tells us that Ralph Wolf is completely different from Wile E Coyote. The Coyote is an insanely obsessive creature driven by his one track mind to catch and devour the Road Runner. The highly unusual opening scenes of the Sheepdog and Wolf cartoons, however, reveal that Ralph is simply fulfilling his duties as he punches in on a timecard like any other workaday stiff. His duties are presumably determined by either nature or the all powerful cartoonists. The fact that only the Sheepdog punches in at the beginning of 'Don't Give Up the Sheep' suggests that maybe Jones extension of this gag to the Wolf as well may have been a sly joke at the expense of those who accused him of repeating himself.
In my opinion, those who claim that the Sheepdog and Wolf cartoons are just a retread of Road Runner are absolutely wrong. This is a quite different setup in which the antagonist has the added inconvenience of having to remain covert. The brutal, threatening presence of Sam the Sheepdog is a quite different proposition from the falling boulders and malfunctioning gadgets that scupper Wile E Coyote's plans. The implication here is that Ralph is extremely good at catching sheep and would undoubtedly be a success were Sam just not that tiny bit better at his job. Ralph is not the self-sabotaging dupe that the Coyote is, he's merely the victim of a superior co-worker.
All of which tells you nothing specific about 'Don't Give Up the Sheep', for which I apologise. To finally set aside all the prevarication, 'Don't Give Up the Sheep' is a superb cartoon. The jokes, courtesy of Michael Maltese, are brilliantly inventive and unpredictable. The funniest gags are often the simplest, such as the panpipe sequence or the wildcat joke. There's also a hilarious extended piece involving the sawing of branches which leads up to the only already well-used punchline in the cartoon. I always enjoyed the later episodes in which the Wolf punched in alongside the Sheepdog and it was implied that they were casual friends outside the working hours of a job that demanded they be enemies but 'Don't Give Up the Sheep' makes up for this omission by sheer quality of the gags and their impeccable execution. They may live in the shadow of the more popular Road Runner cartoons but I've always greatly preferred the extraordinarily witty Sheepdog and Wolf series and 'Don't Give Up the Sheep' gets it off to a riotously
In my opinion, those who claim that the Sheepdog and Wolf cartoons are just a retread of Road Runner are absolutely wrong. This is a quite different setup in which the antagonist has the added inconvenience of having to remain covert. The brutal, threatening presence of Sam the Sheepdog is a quite different proposition from the falling boulders and malfunctioning gadgets that scupper Wile E Coyote's plans. The implication here is that Ralph is extremely good at catching sheep and would undoubtedly be a success were Sam just not that tiny bit better at his job. Ralph is not the self-sabotaging dupe that the Coyote is, he's merely the victim of a superior co-worker.
All of which tells you nothing specific about 'Don't Give Up the Sheep', for which I apologise. To finally set aside all the prevarication, 'Don't Give Up the Sheep' is a superb cartoon. The jokes, courtesy of Michael Maltese, are brilliantly inventive and unpredictable. The funniest gags are often the simplest, such as the panpipe sequence or the wildcat joke. There's also a hilarious extended piece involving the sawing of branches which leads up to the only already well-used punchline in the cartoon. I always enjoyed the later episodes in which the Wolf punched in alongside the Sheepdog and it was implied that they were casual friends outside the working hours of a job that demanded they be enemies but 'Don't Give Up the Sheep' makes up for this omission by sheer quality of the gags and their impeccable execution. They may live in the shadow of the more popular Road Runner cartoons but I've always greatly preferred the extraordinarily witty Sheepdog and Wolf series and 'Don't Give Up the Sheep' gets it off to a riotously
Chuck Jones, in addition to both working with solidly established stars such as Bugs Bunny and Daffy Duck and doing one-shot cartoons like Martian Through Georgia, did some thematic groupings of short using continuing characters in a small number of cartoons. Ralph and Sam, a sheepdog and wolf, were one of these. The series is one of the better ones as far as I'm concerned. The concept of protector versus predator as a 9 to 5 job just amuses me no end. This particular short isn't the best of the lot (there were seven all told and I believe this was the first of them) but all of them are quite fun and are well worth watching. Recommended.
One sheepdog punches in on a time clock while the other punches out.. Once there, they proceed to protect the sheep from our friend Wile E. Coyote. It's a lot of the usual stuff except that it's treated as a business. The Coyote is, of course, thwarted all along (no spoilers...just is). The interesting thing is that these guys have a job and a time schedule. Clever idea.
There's no flies on Sam Sheepdog, don't even bother trying to fool him because he can see through ALL your little tricks.
Wile E. Coyote, taking a break from trying to catch that pesky Roadrunner, spies his long suspended dinner in a flock of sheep grazing happily in a field. Unfortunately for him, Sam has just started his shift and he isn't going to make it easy for him.
A series of brilliant gags follow, all of them utter genius, as Coyote goes to more and more ridiculous measures to obtain his main course. Ending in a surprise twist that will leave you in stitches.
A very funny, very clever cartoon.
Wile E. Coyote, taking a break from trying to catch that pesky Roadrunner, spies his long suspended dinner in a flock of sheep grazing happily in a field. Unfortunately for him, Sam has just started his shift and he isn't going to make it easy for him.
A series of brilliant gags follow, all of them utter genius, as Coyote goes to more and more ridiculous measures to obtain his main course. Ending in a surprise twist that will leave you in stitches.
A very funny, very clever cartoon.
Ralph the Sheepdog punches in the work clock and takes over guard duty over a flock of sheep. In comes a wolf to scope out the potential buffet. First, he tries to trick Ralph by setting the work clock ahead. This keeps going and going until Ralph truly finishes his shift and is replaced by another sheepdog.
This is the first sheepdog and wolf short. The names are not set yet. What it absolutely gets right is the punch clock. That is the biggest and most important aspect of this franchise. It taps into the postwar workers who have to punch a clock everyday. There are later improvements, but this sets up the formula.
This is the first sheepdog and wolf short. The names are not set yet. What it absolutely gets right is the punch clock. That is the biggest and most important aspect of this franchise. It taps into the postwar workers who have to punch a clock everyday. There are later improvements, but this sets up the formula.
Wusstest du schon
- WissenswertesFirst appearance of Sam Sheepdog (referred to here as "Ralph") and Ralph Wolf (unnamed here).
- PatzerWhen 'Ralph' (Sam) clocks in, he uses the bottom time card. When Fred (the dog 'Ralph' is relieving), he clocks out using the top time card. So, when all the clocking is done, 'Ralph's' time card is in the bottom 'In' slot, and Fred's time card is in the upper 'Out' slot. However, when Wolf changes the time on the time clock, there is one card in the lower 'Out' slot and one time card in the upper 'In' slot.
- Alternative VersionenThe only gag edited from TV versions of the film is the very last gag, where the coyote dresses as Ralph's friend. It is reinstated for the Golden and Premiere DVD collections.
- SoundtracksBah Bah Black Sheep
(uncredited)
Traditional
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Laufzeit
- 7 Min.
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen