Die Wüstenratten

Before Australia and New Zealand were threatened with attack on the home front, they sent as they did in the First World War, an expeditionary force to help Great Britain protect the Suez Canal, the lifeline of the British Empire. Aussies and Kiwis made a great deal of the army that General Wavell was commanding from Cairo.

They have always had a reputation as an informal people and it's with a bit of surprise that spit and polish Scots officer Richard Burton is put in charge of a batallion in a forward area of the defense perimeter surrounding Tobruk. The men and Burton don't take to each other too readily, but gradually the troops grow to respect Burton as a courageous fighting man.

Burton as it happens gets a bit of assistance from an unexpected quarter. His old schoolmaster Robert Newton had immigrated to Australia and enlisted in their army at the start of World War II. When not focusing on the battle sequences, The Desert Rats is about the relationship between Burton and Newton. All the rules about army discipline and separation of officers and enlisted men go by the boards here. Burton who's been under a strain like everyone else under siege at Tobruk gets a safety valve in Newton. An old friend from the past, a father figure if you will, gives Burton someone he can confide his innermost thoughts and fears to.

Sad to say the alcoholic Mr. Newton gives a refrained and dignified performance as a middle aged alcoholic schoolmaster. A role he could understand all too well from real life. He complements Burton's performance every step of the way in this film.

Look for some good performances from Australian actors Charles Tingwell and Chips Rafferty. Though this is a film about the Allied forces at Tobruk in 1941 and no Americans were officially fighting, this is an American production. So these two guys made their American cinema debuts. Tingwell never made another American film, but Rafferty came back a few times and his presence makes every film he's in just a bit better.

You might recognize Michael Rennie's voice doing the offscreen narration for The Desert Rats. The Desert Rats is a timeless wartime classic about the strain of command at every level of the Armed Services.

In 1941, during the World War II, Field Marshal Erwin von Rommel (James Mason) tries to conquer the city of Tobruk in Libya and the British battalion defends this location to avoid Rommel to reach the Suez Canal. The young, but experienced British Capt. 'Tammy' MacRoberts (Richard Burton) leads a limited number of inexperienced Australian troops in the defense of Tobruk, and uses raids during the night against Rommel forces to keep the balance between the strong German army and the reduced British-Australian forces, and MacRoberts' troops are called "The Desert Rats". "The Desert Rats" is a very realistic war movie, presenting strategies, battles, action scenes and a great duel between James Mason and Richard Burton. I am not sure whether Robert Wise used footage of some real battle scenes along the film, since the realism in the black and white photography is amazing and sometimes it looks like a documentary. There are also excellent lines between Richard Burton and James Mason, and Richard Burton and Robert Newton, in the role of the former teacher of MacRoberts. "The Desert Rats" is a highly recommended movie. My vote is eight.

Title (Brazil): "Ratos do Deserto" ("Desert Rats")

It wasn't a great part and it wasn't a great film but this early performance from Richard Burton showed just how great an actor he might become. Unfortunately Hollywood, Taylor and the bottle often seemed to get in the way. In "The Desert Rats" he is the young officer leading his men into battle or more specifically, into the battle for Tobruk and he really is very good and as war films go, this is a tight and exciting picture, (it clocks in at under 90 minutes). Robert Wise was the director and you can tell this movie was directed by a great editor; there isn't a wasted moment in the whole film and the action scenes are brilliantly handled. James Mason once again appears as Rommel and there's a fine supporting performance from Robert Newton as Burton's old schoolmaster, now a private in his command.

This was the first movies I was ever allowed to stay up and watch on the old Saturday Night At The Movies show on NBC so it has always had a fond place in my heart. Although some might dismiss it as clichéd, it is a tight, well told story that some of today's films might do well to emulate. The realism, ambivalence, and irony of today's war films is definitely missing but one should remember that this was the "good" war. While the other reviewers may criticize its historical accuracy, as someone who grew up hearing war stories from American and Canadian WWI and WWII veterans, it does capture the feeling of a period without going overboard on heroics or far-fetched plot twists.

The Desert Rats is an unpretentious war film that tells a good story with economy. The heroics come without drum-rolls.

The most fascinating part of this film is to watch both the marvelous Robert Newton and the under-rated James Mason give Richard Burton acting lessons.

Burton tends to chew the scenery when he snarls, "Good-morning," as though he were the youngest in a large family, doing anything for attention.

Newton counters Burton's unnecessary histrionics with a beautifully modulated realization of-himself in disguise as Prof. Bartlett, Burton's old instructor. I think this is the most honest look at the REAL Newton on film. The rueful man who clearly understands his inability to stay sober, but still has enough control to see his own and everyone else's situation clearly. He is the kind, timorous, brilliant failure who, in one burst of glory, up-stages his more successful juniors. Newton delivers a truly magical performance.

James Mason also delivers a balanced and multi-layered Rommel. Of course he practiced playing this brilliant German General in the better-known film, The Desert Fox.

Burton comes across as pure ham in The Desert Rats, but there IS one scene he has where he is honest and effective. He explains to Bartlett that the picture of the young woman in his wallet is his wife. The picture actually IS Burton's wife, pre-Elizabeth Taylor.

Otherwise, although Burton is billed as the star, the film belongs to Newton and Mason. See it for the pleasure of their company.