IMDb-BEWERTUNG
7,4/10
5874
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe World War II adventures of a British convoy escort ship and its officers.The World War II adventures of a British convoy escort ship and its officers.The World War II adventures of a British convoy escort ship and its officers.
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- Für 1 Oscar nominiert
- 4 Nominierungen insgesamt
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Fine English war movie of life aboard a convoy escort ship during WWII. It's original B&W format only adds to the overall feel of the movie. Great no-nonsense performances from the cast. The movie is notable in that it is almost free of propaganda and instead concentrates on showing the crews life on board in a realistic way.Jack Hawkins turns in a fine performance.
I first read this book when I was 14 (and had my father take it back from me when I had to ask "what's 'urinate' mean, dad?"). Monserrat is a master at the depiction of men at war - from his extraordinary technical knowledge to his ability to convey the fatigue, the cross feelings living in close quarters, the bitterness, the moments of triumph or relief.
This film does Monserrat justice. This movie is the opposite of the "boys' own adventure" sorts of movies. There are no striking heroics - just the very real feeling of people performing onerous often dangerous duties as well as they're able - which is heroic itself. The movie does not skimp on the danger either - the shocking losses of ships in convoys that the corvette "protects", the extreme difficulty of finding and sinking U-boats, almost gives one the feeling, "what's the point of convoys?" (Imagine all surgeons operating with an average 3% survival rate - well, 3% recovery is better than none - but imagine the wear on the surgeons).
The film is gritty, and just has the feel of the 1940s in its bones. The sounds, the movement, the look of cities and harbors, the clothes - it's as if one's uncles' tales have all come to life.
Jack Hawkins and Donald Sinden are wonderful - almost always (and necessarily in wartime) stiff upper lip. The movie's moral dramas (bearing upon decisions the captain must make) are wonderfully conceived and executed.
This is truly a superb movie - a great credit to all who worked on it - a memorial to many. It's a completely different - and superior - genre to such movies as Pearl Harbor. I even prefer it to its natural rival, In Which We Serve - good though the latter is.
This film does Monserrat justice. This movie is the opposite of the "boys' own adventure" sorts of movies. There are no striking heroics - just the very real feeling of people performing onerous often dangerous duties as well as they're able - which is heroic itself. The movie does not skimp on the danger either - the shocking losses of ships in convoys that the corvette "protects", the extreme difficulty of finding and sinking U-boats, almost gives one the feeling, "what's the point of convoys?" (Imagine all surgeons operating with an average 3% survival rate - well, 3% recovery is better than none - but imagine the wear on the surgeons).
The film is gritty, and just has the feel of the 1940s in its bones. The sounds, the movement, the look of cities and harbors, the clothes - it's as if one's uncles' tales have all come to life.
Jack Hawkins and Donald Sinden are wonderful - almost always (and necessarily in wartime) stiff upper lip. The movie's moral dramas (bearing upon decisions the captain must make) are wonderfully conceived and executed.
This is truly a superb movie - a great credit to all who worked on it - a memorial to many. It's a completely different - and superior - genre to such movies as Pearl Harbor. I even prefer it to its natural rival, In Which We Serve - good though the latter is.
This movie remained hidden from me until late one night on the disney channel. It is very accurate in its depiction of life aboard a Flower class corvette. These ships wore out men quicker than combat. The scenes in heavy seas are very true to life.
The depiction of tedious patrolling interspersed with brief and vicsious action is also very accurate. The crew comprised of a few proffessionals and the bulk civilians just removed tells the greatest story of all. The average citizen taking up arms in defence of his country and freedom.
A really good movie worth watching.
The depiction of tedious patrolling interspersed with brief and vicsious action is also very accurate. The crew comprised of a few proffessionals and the bulk civilians just removed tells the greatest story of all. The average citizen taking up arms in defence of his country and freedom.
A really good movie worth watching.
If my ship were going down, and I had that one last moment to grab a treasured something, my copy of the book, THE CRUEL SEA by Nicholas Monsarrat might well be what I choose. (That is supposing I already had my life vest on.) This book has affected my life deeply since I first came across it as a teenager. It is why I joined the US Navy. (where I ironically ended up in the submarine service.) It formed an invaluable step in teaching me what `duty' meant, and `honor.' It is therefore a bit more difficult for me to judge this motion picture than most. Were it horrid, I should still love it, I suppose. Fortunately it is not horrid. `The Cruel Sea is in fact first rate.
It is difficult to translate any full-length novel to the screen. There are too many `moments in time' to get them all in. So the adaptation of a novel by a screenwriter becomes a process of selection. Eric Ambler did his usual excellent job in writing this script, and if he left out some of the better bits, he also got the best bits in. Charles Frend directs it well within the style of the early 1950's. The special effects are above average for the time and not unacceptable by today's standards, although they are not spectacular. The film editing is clean and crisp with little to complain about. The musical score is not intrusive, but not up to the rest of the effort. It would be ten years before the art of Movie Music caught up to the rest, and here the score is no worse any other film of 1953. It is however the acting that gives this movie the push to get it far above the rest.
Jack Hawkins is marvelous in his understated competence as Captain Ericson, and the actors who play his officers (including a very young and very British Denholm Elliot) all turn in workman-like performances. It is however the overall excellence of the entire cast that is impressive. One of the major strengths of British films from the end of the Second World War through the 1970's was the incredibly fine ensemble casting that provided first-rate acting even in the smallest parts. Walter Fitzgerald in his 30 second role as the air raid warden shows true compassion when he says, `Yes, Mister Tallow, that was your house, wasn't it?'
All of the vivid, bloody color that made `Platoon' and `Saving Private Ryan' the two best combat films ever made are absent here. This was a different type of warfare, the blood, all of the color washed away by the cruel sea. The Battle of the North Atlantic was a very British battle. A five and a half year long stoic battle of endurance, of perseverance, of honor and duty. This is the side of the Second Word War that most lived, but few have ever been able to put into words. `The Cruel Sea' is much more than just a history lesson though. It is a very good movie, and it is a beautiful example of what British film could be in 1953. I highly recommend it.
It is difficult to translate any full-length novel to the screen. There are too many `moments in time' to get them all in. So the adaptation of a novel by a screenwriter becomes a process of selection. Eric Ambler did his usual excellent job in writing this script, and if he left out some of the better bits, he also got the best bits in. Charles Frend directs it well within the style of the early 1950's. The special effects are above average for the time and not unacceptable by today's standards, although they are not spectacular. The film editing is clean and crisp with little to complain about. The musical score is not intrusive, but not up to the rest of the effort. It would be ten years before the art of Movie Music caught up to the rest, and here the score is no worse any other film of 1953. It is however the acting that gives this movie the push to get it far above the rest.
Jack Hawkins is marvelous in his understated competence as Captain Ericson, and the actors who play his officers (including a very young and very British Denholm Elliot) all turn in workman-like performances. It is however the overall excellence of the entire cast that is impressive. One of the major strengths of British films from the end of the Second World War through the 1970's was the incredibly fine ensemble casting that provided first-rate acting even in the smallest parts. Walter Fitzgerald in his 30 second role as the air raid warden shows true compassion when he says, `Yes, Mister Tallow, that was your house, wasn't it?'
All of the vivid, bloody color that made `Platoon' and `Saving Private Ryan' the two best combat films ever made are absent here. This was a different type of warfare, the blood, all of the color washed away by the cruel sea. The Battle of the North Atlantic was a very British battle. A five and a half year long stoic battle of endurance, of perseverance, of honor and duty. This is the side of the Second Word War that most lived, but few have ever been able to put into words. `The Cruel Sea' is much more than just a history lesson though. It is a very good movie, and it is a beautiful example of what British film could be in 1953. I highly recommend it.
The best thing about this WWII naval picture is that it is so ordinary. What I mean by this is that there is no bigger-than-life Hollywood style hero who is invincible, but a collection of normal men showing great heroism collectively--sort of a tribute to the unsung heroes of the war. It's set aboard a convoy escort ship's captain and crew--through their tense moments, trials, successes and failures. In other words, its a WHOLE portrait of the war as seen through these sailors' eyes--the good, the bad and the mundane.
The second best thing is the lovely look and feel--with great acting and direction. Jack Hawkins was, as always, wonderful but all the actors playing the crew did so well--and it's a tribute to the production and direction--this didn't just happen by chance.
In many ways, this film plays a lot like the great British film "In Which We Serve"--though unlike "In Which", "The Cruel Sea" was made after the war. Both films together would make a wonderful night of movie viewing. Solid and exceptional.
The second best thing is the lovely look and feel--with great acting and direction. Jack Hawkins was, as always, wonderful but all the actors playing the crew did so well--and it's a tribute to the production and direction--this didn't just happen by chance.
In many ways, this film plays a lot like the great British film "In Which We Serve"--though unlike "In Which", "The Cruel Sea" was made after the war. Both films together would make a wonderful night of movie viewing. Solid and exceptional.
Wusstest du schon
- WissenswertesJack Hawkins wrote in his 1973 autobiography "Anything for a Quiet Life" regarding this film, "All of us in the film were sure that we were making something quite unusual, and a long way removed from the Errol Flynn-taking-Burma-single-handed syndrome. This was the period of some very indifferent American war movies, whereas 'The Cruel Sea' contained no false heroics. That is why we all felt that we were making a genuine example of the way in which a group of men went to war."
- PatzerSome depth charges are clearly labelled "INERT FILLED."
- Zitate
Watts: [repairing the engine] Come to see the fun, sir? It won't be long now.
Morell: Fine, chief, but the captain's a little worried about the noise. Could you do anything to... tone it down a bit?
Watts: Pretty well finished now, sir. We're just flabbin' up the nuts. Could you hear the hammerin' up top?
Morell: Hear it? There were U-boats popping up from miles around complaining about the racket.
- VerbindungenFeatured in Haie und kleine Fische (1957)
- SoundtracksThe Chestnut Tree
or "The Spreading Chestnut Tree" (uncredited)
Author unknown, perhaps traditional song
Sung by the sailors in the raft to keep awake
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Todesduell im Atlantik
- Drehorte
- Her Majesty's Naval Base, Devonport, Plymouth, Devon, England, Vereinigtes Königreich(Doubled for Liverpool)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 2 Std. 6 Min.(126 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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