Theaterfieber

Thought I had seen all of Spencer Tracy films and this is one I thought he gave an outstanding performance as a man who was a seaman and has settled down with his wife and daughter. Clinton Jones, (Spencer Tracy) settled for a very low income working at a food company in the local town and is always complaining about the cost of things and at the same time has to deal with a family cat which keeps eating the families Boston Ivy. Annie Jones, (Teresa Wright) plays the role as the wife of Clinton and she does a great job as trying to please her husband and at the same time wants to help her daughter, Ruth Gordon Jones, (Jean Simmons) to become an actress which she desperately wants to do in her life no matter what happens. Anthony Perkins, (Fred Whitmarsh) gave a great supporting role in one of his very first films in his long career of stardom. Ruth Gordon, wrote the story and screen play and she also is known for a great role she had in "Rosemary's Baby" '68. There is lots of great comedy and Spencer Tracy was outstanding.

This movie is so much more than a sentimental reminiscence. I'm not much at all for those "I remember..." mom or dad or whatever memory movies. Also, there are so many, many plays and movies about a family's career aspirations for a son, aspirations that get challenged because of what the son wants to do instead. Here we have a story set after the turn of the 20th century, about a working class father's career aspirations for his DAUGHTER - a career that will provide her with financial stability but isn't at all what she wants to do. Spencer Tracy plays a curmudgeon, working-class, not-at-all refined father in a role I've never seen him in before - and he's AMAZING. The dialogue has some one linters that are, at times, hysterical - any person who has every been embarrassed by their parents, or every had a parent say something like, "Why did you ever have to be so different?" will warm to this movie immediately. And the Mary Wickes moment is why she makes every movie better even if she's in it for less than 20 seconds.

I've liked many of George Cukor's films (PHILADELPHIA STORY, WHAT PRICE HOLLYWOOD, etc.) and am a huge Spencer Tracy fan so I was surprised I had never seen this 1953 flick. Based on Ruth Gordon's biographical play, this is a sweet, endearing film and it holds one of Spencer Tracy's best performances. He is so real, so good as the overwhelmed father - trying to deal with a turn of the century daughter who wants to be an actress (back then that was like saying you wanted to be a prostitute - theatre people were very looked down upon). Tracy (based on Ruth Gordon's real father) has wonderful scenes/speeches where he tries to lay down the law but later on, you see how much he loves his daughter and would do anything for her. Teresa Wright is good as always and the lovely Jean Simmons is superb as the young girl who has become star struck. Plus a very young Anthony Perkins making his screen debut as a possible suitor. Highly recommended

"The Actress" is Jean Simmons playing the great Ruth Gordon herself (real name Ruth Gordon Jones) in this 1953 film also starring Spencer Tracy, Teresa Wright, and Anthony Perkins. Simmons is out of her teen years but not by much - she was 24 - and manages to pull off being a 17-year-old who falls in love with theater after seeing Hazel Dawn in "The Pink Lady." Determined to become an actress, she writes to Ms. Dawn and when Hazel answers, Ruth is heady with excitement. This doesn't sit well with her beau (Perkins) or her mother (Wright) - and it wouldn't sit well with her irascible father either, except that he knows nothing about it. Yet.

The Massachusetts family home is lovingly depicted here, complete with a cat that is supposedly a big nuisance to all of them - Clinton Jones (Tracy) complains about him constantly, as he complains about everything, but yet has taught the cat a couple of tricks. You can see he's one of the family and that Clinton isn't as tough as he appears to be. The excellent Wright has what is often the maternal role in a family - that of go-between. And for the time being, she advises Ruth to keep her mouth shut. The funniest scene in the film is Clinton showing off his athletics with his group at the YMCU - he's a riot as his daughter squirms in embarrassment.

This is not a big movie; it's one about a short girl who desperately wants to be on the stage. As I was one of those teens once, I can say that the acting and directing capture this perfectly. Simmons is clearly a girl who can't be dissuaded by any negativity and who sees her goal as the only thing that matters, and it's one of pure bliss. She has no sense of limitation or reality - nor should she at that age. Time gives us that soon enough. It was a brave step in those days to refuse a marriage proposal and want to go off to a city to live on your own. Ruth Gordon did it and made good.

It's clear from the story how much Gordon loved her parents and how proud she was of her beginnings. She is one whose dreams came true, even if she had to wait until the age of 72 to become a movie star. There was plenty of a marvelous stage and writing career before that. "The Actress" shows us where it all began.

Set in 1913 New England, seventeen-year-old Ruth Gordon Jones (Jean Simmons) decides on a stage career at about the same time her father decides to send her to the Boston Physical Culture Institute to become a PE teacher. His inspiration is Emma Glavey (Mary Wickes).

Despite its title, "The Actress" (1953) is really Ruth Gordon's loving tribute to her parents; written at a time when she could look back and really appreciate them. It is based on a stage play she wrote and then adapted to the screen. Although primarily known today (because of a couple of cult films) for her acting, Gordon was an excellent writer of both plays and screenplays.

If you are looking for spectacular sets and exciting action adventure, "The Actress" is not the film for you. But if you are looking for some of the best dialogue out there and what is arguably Spencer Tracy's most amusing performance you should make it a point to track this down.

Gordon obviously got her love of performing from her father Clinton (played by Tracy), a one-time sailor with a gift for gab and a desire to pontificate and be the center of attention. The conflict in the story is not so much over her desire to become an actress, but between the tendency of both father and daughter to be overly dramatic. They tend to get on each other's nerves with the mother Annie (Teresa Wright) caught in the middle. Only the mother picks up on how alike father and daughter actually are, the old acorn never falls far from the tree thing.

Much of what Clinton says is too original not to have been invented by the author. My favorite is a lengthy piece about the family's grocery bills during which Clinton complains that Ruth is too lazy to walk to a nearby farm for three pounds of butter. Annie excuses her daughter's inactivity by citing her bad back. A little later when he notices that Annie has been buying expensive tangerines instead of oranges for Ruth's school lunch, he speculates that carrying the lighter tangerine is easier on her back.

Although Wright is a little young for her role, her uncanny resemblance to Gordon (some believed that she was actually Gordon's daughter) made casting her as Gordon's mother a nice inside joke.

This production is extremely funny and has a lot of charm. They go out on a cool shot of the cat on windowsill eating a plant; with the family visible through the window heading off to the railroad station.

Then again, what do I know? I'm only a child.