IMDb-BEWERTUNG
6,4/10
1614
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThis is an account of the real life experience of actress/playwright Ruth Gordon.This is an account of the real life experience of actress/playwright Ruth Gordon.This is an account of the real life experience of actress/playwright Ruth Gordon.
- Für 1 Oscar nominiert
- 2 Gewinne & 3 Nominierungen insgesamt
Erville Alderson
- Mike McGrath
- (Nicht genannt)
Hal Bell
- Chorus Boy in 'The Pink Lady'
- (Nicht genannt)
Jackie Coogan
- Inopportune
- (Nicht genannt)
Ken DuMain
- Spectator at Show
- (Nicht genannt)
James Elsegood
- Chorus Boy in 'The Pink Lady'
- (Nicht genannt)
Adolph Faylauer
- Spectator at Show
- (Nicht genannt)
Raoul Freeman
- Spectator at Show
- (Nicht genannt)
Robert Fuller
- Dancer
- (Nicht genannt)
Ed Fury
- Dance Partner
- (Nicht genannt)
Empfohlene Bewertungen
I've liked many of George Cukor's films (PHILADELPHIA STORY, WHAT PRICE HOLLYWOOD, etc.) and am a huge Spencer Tracy fan so I was surprised I had never seen this 1953 flick. Based on Ruth Gordon's biographical play, this is a sweet, endearing film and it holds one of Spencer Tracy's best performances. He is so real, so good as the overwhelmed father - trying to deal with a turn of the century daughter who wants to be an actress (back then that was like saying you wanted to be a prostitute - theatre people were very looked down upon). Tracy (based on Ruth Gordon's real father) has wonderful scenes/speeches where he tries to lay down the law but later on, you see how much he loves his daughter and would do anything for her. Teresa Wright is good as always and the lovely Jean Simmons is superb as the young girl who has become star struck. Plus a very young Anthony Perkins making his screen debut as a possible suitor. Highly recommended
Ruth Gordon's play Years Ago, a sentimental reminiscence along the lines of Kathryn Forbes' Mama's Bank Account, looked at her stage-struck adolescence. In 1953, it became a movie, The Actress, directed by George Cukor, with the rarefied and mannered Jean Simmons taking the part of the straight-shooting Gordon. Oddly enough, the main character is not the aspiring actress but her father, played by Spencer Tracy.
In Clinton Jones, Gordon penned a difficult but irresistible character. Settled unarguably into middle age but still fighting it, he chafes at his $37.50-a-week salary (it was 1913) and pores over the grocery list while his wife (Teresa Wright) defends such frivolities as tangerines. A former sea captain, he latches onto any opportune ears like the Ancient Mariner and spins his salty yarns of ports of call on the seven seas. In the dead of a New England winter, he insists on sleeping in a hammock strung on an upstairs porch. The ham in Tracy rises to the challenge, and he manages to make Jones recklessly funny while still a bit frightening (near the end, details of his dreadful boyhood emerge to put his cantankerousness in focus).
As screenwriters, Gordon and her husband Garson Kanin custom-tailored many screen vehicles for Tracy and co-star Katharine Hepburn, where their relationship is said to take the writers' marriage as its model; here Tracy returns the favor by making Gordon's father so unforgettable. Gordon pays a tribute, too, by sketching her character not as she remembered it but as he must have seen her, showing little talent or wit but a penchant for dreaming up castles in Spain. By hiding her own bright light under a bushel, she lets the memory of her father shine.
In Clinton Jones, Gordon penned a difficult but irresistible character. Settled unarguably into middle age but still fighting it, he chafes at his $37.50-a-week salary (it was 1913) and pores over the grocery list while his wife (Teresa Wright) defends such frivolities as tangerines. A former sea captain, he latches onto any opportune ears like the Ancient Mariner and spins his salty yarns of ports of call on the seven seas. In the dead of a New England winter, he insists on sleeping in a hammock strung on an upstairs porch. The ham in Tracy rises to the challenge, and he manages to make Jones recklessly funny while still a bit frightening (near the end, details of his dreadful boyhood emerge to put his cantankerousness in focus).
As screenwriters, Gordon and her husband Garson Kanin custom-tailored many screen vehicles for Tracy and co-star Katharine Hepburn, where their relationship is said to take the writers' marriage as its model; here Tracy returns the favor by making Gordon's father so unforgettable. Gordon pays a tribute, too, by sketching her character not as she remembered it but as he must have seen her, showing little talent or wit but a penchant for dreaming up castles in Spain. By hiding her own bright light under a bushel, she lets the memory of her father shine.
"The Actress" is Jean Simmons playing the great Ruth Gordon herself (real name Ruth Gordon Jones) in this 1953 film also starring Spencer Tracy, Teresa Wright, and Anthony Perkins. Simmons is out of her teen years but not by much - she was 24 - and manages to pull off being a 17-year-old who falls in love with theater after seeing Hazel Dawn in "The Pink Lady." Determined to become an actress, she writes to Ms. Dawn and when Hazel answers, Ruth is heady with excitement. This doesn't sit well with her beau (Perkins) or her mother (Wright) - and it wouldn't sit well with her irascible father either, except that he knows nothing about it. Yet.
The Massachusetts family home is lovingly depicted here, complete with a cat that is supposedly a big nuisance to all of them - Clinton Jones (Tracy) complains about him constantly, as he complains about everything, but yet has taught the cat a couple of tricks. You can see he's one of the family and that Clinton isn't as tough as he appears to be. The excellent Wright has what is often the maternal role in a family - that of go-between. And for the time being, she advises Ruth to keep her mouth shut. The funniest scene in the film is Clinton showing off his athletics with his group at the YMCU - he's a riot as his daughter squirms in embarrassment.
This is not a big movie; it's one about a short girl who desperately wants to be on the stage. As I was one of those teens once, I can say that the acting and directing capture this perfectly. Simmons is clearly a girl who can't be dissuaded by any negativity and who sees her goal as the only thing that matters, and it's one of pure bliss. She has no sense of limitation or reality - nor should she at that age. Time gives us that soon enough. It was a brave step in those days to refuse a marriage proposal and want to go off to a city to live on your own. Ruth Gordon did it and made good.
It's clear from the story how much Gordon loved her parents and how proud she was of her beginnings. She is one whose dreams came true, even if she had to wait until the age of 72 to become a movie star. There was plenty of a marvelous stage and writing career before that. "The Actress" shows us where it all began.
The Massachusetts family home is lovingly depicted here, complete with a cat that is supposedly a big nuisance to all of them - Clinton Jones (Tracy) complains about him constantly, as he complains about everything, but yet has taught the cat a couple of tricks. You can see he's one of the family and that Clinton isn't as tough as he appears to be. The excellent Wright has what is often the maternal role in a family - that of go-between. And for the time being, she advises Ruth to keep her mouth shut. The funniest scene in the film is Clinton showing off his athletics with his group at the YMCU - he's a riot as his daughter squirms in embarrassment.
This is not a big movie; it's one about a short girl who desperately wants to be on the stage. As I was one of those teens once, I can say that the acting and directing capture this perfectly. Simmons is clearly a girl who can't be dissuaded by any negativity and who sees her goal as the only thing that matters, and it's one of pure bliss. She has no sense of limitation or reality - nor should she at that age. Time gives us that soon enough. It was a brave step in those days to refuse a marriage proposal and want to go off to a city to live on your own. Ruth Gordon did it and made good.
It's clear from the story how much Gordon loved her parents and how proud she was of her beginnings. She is one whose dreams came true, even if she had to wait until the age of 72 to become a movie star. There was plenty of a marvelous stage and writing career before that. "The Actress" shows us where it all began.
10rfkeser
Delightful turn-of-the-century comedy captures the silly, head-in-the-clouds flush of adolescence. Dreaming of the glamour and magic of the theatre, small-town romantic Jean Simmons waltzes around the decidedly earthbound household of her Papa: grizzled, opinionated sea-captain Spencer Tracy, who spends his time resisting the coming of the telephone. Anthony Perkins makes a charming screen debut as her beau in a raccoon coat [although the actor preferred to downplay it]. Director George Cukor lavishes warmth and affectionate detail on Ruth Gordon's fine script as he guides the cast through some of the most satisfying ensemble playing on the screen.
Thought I had seen all of Spencer Tracy films and this is one I thought he gave an outstanding performance as a man who was a seaman and has settled down with his wife and daughter. Clinton Jones, (Spencer Tracy) settled for a very low income working at a food company in the local town and is always complaining about the cost of things and at the same time has to deal with a family cat which keeps eating the families Boston Ivy. Annie Jones, (Teresa Wright) plays the role as the wife of Clinton and she does a great job as trying to please her husband and at the same time wants to help her daughter, Ruth Gordon Jones, (Jean Simmons) to become an actress which she desperately wants to do in her life no matter what happens. Anthony Perkins, (Fred Whitmarsh) gave a great supporting role in one of his very first films in his long career of stardom. Ruth Gordon, wrote the story and screen play and she also is known for a great role she had in "Rosemary's Baby" '68. There is lots of great comedy and Spencer Tracy was outstanding.
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- WissenswertesFilm debut of Anthony Perkins.
- PatzerIn a scene late in the film, set in the kitchen, the light fixture over the kitchen table is seen (and heard!) to rise up to allow the camera to pass below it.
- Zitate
Annie Jones: Ruth, why don't you give up this going on the stage business and settle down with a nice man?
Ruth Gordon Jones: Oh, mama, don't be disgusting!
- Crazy CreditsOpening credits are shown over the cover of a photo album, and the film begins by showing us various photos from inside the album.
- VerbindungenFeatured in The Men Who Made the Movies: George Cukor (1973)
- SoundtracksSilent Night, Holy Night
(1818) (uncredited)
Music by Franz Xaver Gruber
In the score for photo album pictures
Top-Auswahl
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Details
Box Office
- Budget
- 1.424.000 $ (geschätzt)
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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