König der Gauchos

Gorgeous location photography of Argentina and the subtle, lyrical direction of Jacques Tourneur are the main reasons for watching this story of a gaucho who becomes first outlaw and then revolutionary, in an attempt to preserve his way of life from encroaching foreign influences and money. The acting is somewhat uneven - Calhoun and especially Tierney are somewhat miscast, though Richard Boone and others in smaller roles come off as more authentic.

"Way of a Gaucho" was filmed in the wild Argentina of 1950. The beauty of the locations is fantastic and alone makes the movie worth a view. Not only the endless Pampas and the awesome Andes are breathtaking, also the towns and farms, with their ancient, decadent, cracking Spanish-style buildings and churches are incredibly evocative.

The photography is accurate, the colors are magnificent. The story is quick and entertaining, but perhaps too melodramatic. The dialogue is somewhat declamatory. The characters of Martin - Rory Calhoun and Salinas - Richard Boone are not fully realistic: one is too sullen and gruffy to be a youngster, the other is over-bad.

Then, of course, there is Gene Tierney, as Teresa. Her unparalleled splendor wins the beauty of Argentine landscapes (I admit I'm not a fair judge in this matter). At first we see a dishevelled Gene with her shirt torn on a shoulder (she has just been abducted by an Indio, you know). How I like these old-fashioned, good-taste erotic touches! Martin has the incomparable luck to save her. Follows a long ride together in the Pampas, with a pair of my most favorite romantic scenes: Gene sleeping on the high grass, close to a pond with exotic birds, then waking up and looking for her rescuer, with a dreaming look; later, at sunset, Gene resting in the shade of one of those lonely, huge, marvellous trees of the Pampas, silently contemplating Miguel. Love is sprouting: how beautifully romantic.

Let me remark a theme of the movie, much creditable in rendering the climate of the 19th century. Teresa is pregnant, and Miguel repeatedly endangers his life to get to a church, trying to marry her, in order that the coming child could have a "real, legitimate father". The necessity to face death, to get a legal wedding, for both Teresa and Miguel is utter matter-of-factness: another option is inconceivable. This was the actual way people were in the 19th century! By contrast, how preposterous is the show of anachronistic feelings (such as feminist ideology, dislike for religion etc.) in many current movies placed at that epoch.

"Way of a Gaucho" is a good way of spending 90 minutes for everybody, and, of course, a must-see for Gene Tierney's fans.

"Way of a Gaucho" is basically an American style western movie...but set in the pampas of Argentina. And, surprisingly, the studio chose to actually film it there on location. As a result, the scenery is lovely and shows up well in glorious Technicolor.

Rory Calhoun plays Martin, a gaucho who is intensely proud. This pride leads to his downfall, as he gets into a fight and he ends up killing a man. As a result, he's given a choice....join the army or get punished like any killer would be punished. However, Martin is undisciplined and soon he ends up running away and spends much of the rest of the film as a bandit with his own gang of gauchos. Is there ANY chance at redemption for this man? And, what about his lovely wife (Gene Tierney)?

This film is very talky and a bit slow in spite of the plot. Additionally, you have no idea WHO is the bad guy and who is good. It's never clear why the bandits fight with the army. Is the army corrupt or abusing its power? After all, the film seems to imply the soldiers are somehow bad. Regardless, it's an okay movie with lovely scenery....and isn't a bad time-passer. I must warn you, however, the ending is a bit vague and wasn't entirely satisfying.

Exotic Technicolor western from 20th Century Fox and director Jacques Tourneur. In 1875 Argentina, the old ways of the pampas-roaming gauchos are being pushed aside for the more "civilized" ways of the city-dwellers and the European immigrants. Fiercely proud gaucho Martin (Rory Calhoun) reunites with his adoptive brother Don Miguel (Hugh Marlowe), only for Martin to learn that Miguel has adopted the modern ways. After a deadly knife fight, Martin is sentenced to army duty rather than imprisonment, putting him at the mercy of cruel Major Salinas (Richard Boone). Martin bristles under the yoke of conscription and soon goes AWOL into the wilderness, where he rescues damsel in distress Teresa (Gene Tierney). Romance blooms, but dangers lurk ever closer. Also featuring Everett Sloane, Enrique Chaico, Jorge Villoldo, Ronald Dumas, and Claudio Torres.

The excellent color cinematography and location shooting help elevate this above its occasionally uninspired screenplay. Leads Calhoun and Tierney, late replacements for Tyrone Power and Jean Peters, both look great. I watched this for Tierney, and while her role is on the small side, she handles it well. I usually like Richard Boone in everything I see him in, and this is no exception, bringing nuance to what could have been a one-note villain part.

Jacques Tourneur makes very stylish Westerns, from CANYON PASSAGE before to WICHITA after, and WAY OF A GAUCHO is about the "original cowboys," the titular Spanish Argentine bandits who "Go with God" and are as patriotic as they come, and go: Making the famous "last refuge of a scoundrel" quote more pro than con, at least for one in particular who rides in the glory of the Old Days...

That we never really learn about so we can only follow the intrepid horse-clopping footsteps of Rory Calhoun's "condor eyed" Martin Penalosa as the best scenes have our anti-hero breaking the law, sent under Richard Boone's harsh military command and eventually finding his own way...

This is where things slowly collapse upon an overly grandiose soundtrack and a maze of plotlines marring what should've been a more simple, honest Western that Tourneur's good at. Painted with broad strokes, the surrounding countrysides feel like another world entirely, so there's a Fantasy element underneath the deep brown saddles and painted red scarves, as if Penalosa's more a lean Barbarian than maverick horseman, and with Tourneur, a Gothic undertone lurks as well...

But our man needed more of a goal, an urgency, than to ride along (with forced ingenue Gene Tierney when guitar-strumming Everette Sloane would've made a terrific sidekick) full of stubborn, woeful pride. This GAUCHO looks terrific though.