Robin Hood und seine tollkühnen Gesellen

Personally I do not think it is as good as The Adventures of Robin Hood with Errol Flynn which is the epitome of what an adventure film should be. However, it is solid and truly excellent family entertainment, if a tad too short. The locations are authentic and the Technicolour photography is very fine. The score is suitably rousing, and the script has its fair moments of wit and light-hearted humour while the story never meanders or feels dull. Ken Annakin directs briskly and there is some lively sword-fighting as well. The Story of Robin Hood and His Merrie Men also benefits from a fine cast. Richard Todd is enjoyable as Robin Hood, and there is a tuneful Allan-a-Dale. And Joan Rice is an alluring Maid Marion. However, the best of the lot are a stately Martita Hunt, a robust James Robertson-Justice, a wicked Peter Finch and a delightful Hubert Gregg. On the whole, not quite classic status but great fun and recommended. 8/10 Bethany Cox

Now, this is actually worth going to some trouble to see. Probably not to everyone's taste -- the opening sequence, with a nimble-footed and saturnine Alan-a-Dale strumming the theme-song ballad, will sort out the sheep from the goats of those who simply can't stand this sort of thing -- but despite the live-action Disney label, it stands up well amongst all its predecessors and successors.

It steers a skillful and essential line between tendentious over-seriousness and pie-in-the-face humour, and contrives a fresh view on the familiar set-pieces -- the shivered arrow on the bull's-eye, Friar Tuck and the river crossing, the recruitment of Little John -- with, unusually, a sizable part for the formidable Eleanor of Aquitaine as the mother of the King and Prince John. In the title role, Richard Todd makes a charming curly-headed rogue, whose merry eyes betray his identity beneath the most enveloping of disguises, and he brings the necessary charisma and impudence to the character: this is the recognisable Robin Hood of legend, whom men follow for freedom and for the fun of it. A little easy-going, perhaps, with little of the passion against injustice that flashes beneath the laughter of Errol Flynn, but this is Disney after all.

Joan Rice is a spitfire wilful Marian, whose involvement is plausibly scripted without any anachronism; she also provides a couple of the best moments in the film, whether belabouring Robin on her fellow-travellers' behalf or silencing him with an athletic embrace at the end. James Hayter as Friar Tuck and Peter Finch as the black-avised Sheriff of Nottingham also give memorable performances -- and could that really have been avuncular Hubert Gregg, of all people, convincing us as Prince John?

My main source of irritation about this film lay in some of the archery embellishments. Every arrow-shot we see zips past with the whine of a ricocheted bullet, presumably in order to make the fights sound more exciting in the absence of gunfire, and the system of signalling by firing colour-coded arrows in relays at one another seemed not only out of place but highly risky (credibility not helped by what I surely didn't imagine as people turning round to look as they hear the arrow coming!) The distinctly unpleasant fate of the forsworn Sheriff, on the other hand, was glossed over in suspicious silence, without so much as a cry.

But caveats aside, the film scores well on sheer energy, with a healthy dash of humour. The 1967 "A Challenge for Robin Hood" (despite featuring Hayter as Friar Tuck again!) is an over-bright and sanitised Ladybird rendition; the 1990 "Robin Hood" (the non-Costner version) went the other way and overdid the historical grime. The latter is the better film, but neither of them has the enjoyability and spirit of the 1952 offering. This isn't on the same scale as the Curtiz/Keighley classic of 1938, and Todd remains an engaging boy rather than a rollicking leader of men, but it perhaps comes closest to matching the verve of its illustrious predecessor.

This was the first version of Robin Hood that I and my siblings saw, so we judged other versions based on this Disney take. I was 9 when I saw it with my younger brother. We loved the whistling arrows warning system used in this film and we found Richard Todd, a dashing, swashbuckling Robin, in fact we became huge fans of all his works. One of our favorites was Disney's "Rob Roy, The Highland Rogue" actually filmed in Scotland. Disney was not a miser when it came to his "pet projects" and Rob Roy was one of them. The Story of Robin Hood was no exception and it was filmed on location in England, even though some shots look like matte prints. The cast, too was impressive, with James Robertson Justice a perfect, burly 'Little John', Martita Hunt as Queen Eleanor of Aquitaine, James Hayter a robust 'Friar Tuck', Peter Finch as the nasty Sheriff of Nottingham, Elton Hale a charming 'Allan-a-Dale', the great Michael Hordern in a small role as 'Scathelock' and Bill Owen as 'Stutely'. The production is top notch and the film very memorable, and to me, very nostalgic.

1st watched 9/13/2013 -- 7 out of 10(Dir-Ken Annakin): *DVD I watched entitled just "The Story of Robin Hood"* Entertaining and informative telling of the Robin Hood story does a good job of keeping your interest and helping the viewer to understand why Robin became the outlaw Hood, and placed himself in the position of the leader of the group in the Sherwood Forest.(Aka. The Merrie Men) This is a Disney live action movie that actually has less fluff than others and is pretty straight-forward in the telling of the tale. Richard Todd plays the main character as a playful yet purposeful hero of the poor folk in the area after King Richard goes on a crusade and his brother takes advantage of his position by over-taxing everyone and trying to rid the forest of what he considers riff-raff(the Forresting folk). The first culprit of his arrows is Robin's father(thus providing the primary purpose of Robin's exile and revenge mindset initially). Quickly though the stealing from the rich and giving to the poor became a necessity for the poor folk to survive. The sheriff of Nottingham is the primary vehicle for brother Richard's type of thievery and justice, and eventually Maid Marion(played by Joan Rice) finds out what's going on and begins to help the Merrie Men. This live action piece seems to be a possible guide to the later animated Disney film, but some of the stronger emotional pieces were removed. I haven't viewed many of the versions of this story, but this is the best I've encountered so far because you understand Mr. Hood's plight and purpose. There is a little fun to be had with the Merrie Men and Robin & Marion's teasing, but primarily the completeness and clarity of the story is what makes this film work.

This was an outstanding film, with superb acting, a wonderful musical score, and colourful scenes that unfold from the Disney picture book of life in the middle ages. I remember seeing it around 1956 as a 10 yer old, and was fascinated by the lives of the outlaws, sheltering in the glades of Sherwood Forest from the wicked Prince John and his cunning assistant the Sheriff of Nottingham.

The script was tight and delivered in impeccable olde English by actors who often went on to become household names in the acting profession later on in life. The beautiful scenes of woodland glades, the sun shimmering brightly as it cascaded through the trees into the outlaws' camp, brought to life the story of their fight for freedom and justice, and added a strangely surreal visual effect.

There are a number of memorable scenes, friar tuck singing with himself as he munched his capon pie among the most notable. The most captivating for me, however, was the sight of Tuck walking behind Robin and Marian out of an eerie Sherwood Forest, with the lilt of Alan A Dale's voice as he sang a pleasant, melodic little tune .

Yes, a very pleasant, uncomplicated film.