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Scaramouche - Der Mann mit der Maske

Originaltitel: Scaramouche
  • 1952
  • 12
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
7,5/10
6668
IHRE BEWERTUNG
Stewart Granger, Eleanor Parker, and Lutz Peltzer in Scaramouche - Der Mann mit der Maske (1952)
Trailer for this historical drama
trailer wiedergeben3:32
1 Video
51 Fotos
SlapstickSwashbucklerAbenteuerAktionDramaKomödieRomanze

Füge eine Handlung in deiner Sprache hinzuIn France during the late 18th Century, a man sets out to avenge the death of his friend at the hands of a master swordsman.In France during the late 18th Century, a man sets out to avenge the death of his friend at the hands of a master swordsman.In France during the late 18th Century, a man sets out to avenge the death of his friend at the hands of a master swordsman.

  • Regie
    • George Sidney
  • Drehbuch
    • Ronald Millar
    • George Froeschel
    • Rafael Sabatini
  • Hauptbesetzung
    • Stewart Granger
    • Janet Leigh
    • Eleanor Parker
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    6668
    IHRE BEWERTUNG
    • Regie
      • George Sidney
    • Drehbuch
      • Ronald Millar
      • George Froeschel
      • Rafael Sabatini
    • Hauptbesetzung
      • Stewart Granger
      • Janet Leigh
      • Eleanor Parker
    • 74Benutzerrezensionen
    • 27Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Nominierungen insgesamt

    Videos1

    Scaramouche
    Trailer 3:32
    Scaramouche

    Fotos51

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    Topbesetzung57

    Ändern
    Stewart Granger
    Stewart Granger
    • Andre Moreau
    Janet Leigh
    Janet Leigh
    • Aline de Gavrillac
    Eleanor Parker
    Eleanor Parker
    • Lenore
    Mel Ferrer
    Mel Ferrer
    • Noel, Marquis de Maynes
    Henry Wilcoxon
    Henry Wilcoxon
    • Chevalier de Chabrillaine
    Nina Foch
    Nina Foch
    • Marie Antoinette
    Richard Anderson
    Richard Anderson
    • Philippe de Valmorin
    Robert Coote
    Robert Coote
    • Gaston Binet
    Lewis Stone
    Lewis Stone
    • Georges de Valmorin
    Elisabeth Risdon
    Elisabeth Risdon
    • Isabelle de Valmorin
    Howard Freeman
    Howard Freeman
    • Michael Vanneau
    Curtis Cooksey
    Curtis Cooksey
    • Fabian
    John Dehner
    John Dehner
    • Doutreval
    John Litel
    John Litel
    • Dr. Dubuque
    Jonathan Cott
    Jonathan Cott
    • Sergeant
    Dan Foster
    • Pierrot
    Owen McGiveney
    Owen McGiveney
    • Punchinello
    Hope Landin
    Hope Landin
    • Mme. Frying Pan
    • Regie
      • George Sidney
    • Drehbuch
      • Ronald Millar
      • George Froeschel
      • Rafael Sabatini
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen74

    7,56.6K
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    Empfohlene Bewertungen

    rarpsl

    Info on that Sword Fight

    As has been commented by the other two people, the final sword fight makes the movie (although it is not the only reason to watch). It runs non-stop for over 7 minutes. One interesting point is that aside from the leap from the staircase to the floor below, Granger did all of his own stunts in the sequence (including swinging from the stage into the opera box and dangling over the audience early in the fight). The only fight that comes anywhere near it is the one between Danny Kaye and Basel Rathbone in "Court Jester".
    jcgreg

    Duel. wow!

    Stewart Granger at his prettiest. Above average film and story. However the final dueling scene maybe just about the very best of its kind. Worth sitting thru the entire film for the fantastic duel between Granger and Mel Ferrer
    7rmax304823

    Lots of fun

    The Commedia dell'Arte is an old Italian form of stage presentation, dating from the 16th century and featuring a series of stock characters like Arlecchino, Pantolone, Pulchnello, and Capitano. Everyone in the audience knew their comic weaknesses and looked forward to seeing them on display, kind of like a John Ford movie. The characters were called zanni and played practical jokes on each other (called "burle", which gives us "burlesque.") As in this movie the humor was often improvised. When the form was taken to France, Arlecchino became Harlequin, Pantalone became Pantaloon (from which we get our "pants"), Pulchinello morphed into Punch, and Capitano, a character who was a braggart soldier, was changed to Scaramouche and became an admired acrobatic mime, which suited French tastes. Sorry for the tedious introduction but it helps to get the interesting history out of the way fast.

    The rest of the movie is a comic book and, like a comic book, filled with colorful people in comic-book costumes, zestful and exuberant. If you want a movie to have zip, one way of doing it is to have lots of people riding horses. But the horses should always be ridden at a gallop, and with slightly accelerated motion. (The gallops were shot partly in Golden Gate Park.) Another way of adding action is to have the lovers fight each other physically, as in "Taming of the Shrew", instead of wistfully melting into each others' arms at every meeting and parting. A third way is to build the main plot around a few well-choreographed action scenes -- and in this respect the movie is superb.

    "Scaramouche" reminds one of Errol Flynn at his best, in "The Adventures of Robin Hood." Instead of Saxons and Normans, we have aristocrats and poor people. (Fortunately the Saxons in "Robin Hood" didn't win a revolution and implement a reign of terror.) The aristocrats dress in outrageously ornate costumes. The poor people are in dark clothes, like the figure on the Quaker Oats package.

    There's quite a lot of fencing but much of it is brief and in long shot. There are three main encounters between Stewart Granger and his nemesis Mel Ferrer. Granger is manly and well built and forceful in his style. Ferrer is long-limbed and lanky, deceptively clumsy at times, but he has never given a more graceful physical performance.

    In the first match between the two, Granger knows nothing about the sword and hacks away at Ferrer, who stands there nonchalantly, smiling, leaning on his weapon as if it were a walking stick between easy parries. In the second, Granger has picked up a few tricks but is still easily outmatched and has to escape through one of those secret doors in a paneled wall. The third match is more than six minutes long and is as well staged as any duel on screen -- better than anything in "Robin Hood" and at least as good as "The Mark of Zorro." Granger swings off the stage on a rope to confront Ferrer who is in the theater balcony. And you should see Stewart's wardrobe in this scene! Unbelievable skin-tight leotards, white boots with furry tops, a white cape -- everything -- mostly white with black accents. Ferrer strips off his jacket and is dressed in black shoes and stockings, black pants, black vest, and a white blouse with ruffles, mostly black, that is. (I warned you this was a comic book.) The ensuing duel wanders all over the theater while the spectators tumble out of the actors' way. Note the scene where the advantage changes from Ferrer to Granger when the fight moves from the bottom of the stairs to the rows of theater seats. Ferrer does an almost impossible balletic leap from one row to the next, twirling around in midair. (Another footnote: original ballet steps borrowed heavily from contemporary fencing movements. Sorry.)

    The movie has its sad moments too, and the plot is a bit complicated although never hard to follow. But its overall tonus is comedic, as befits Scaramouche's venue. Granger may not be Errol Flynn but he's pretty good, and a better actor. The two women in his life are adequate, but Janet Leigh was a beginner and it shows. She was to be better in some later movies like "Psycho." She looks like a porcelain doll in some shots. The supporting players are all professionally competent.

    It's an entertaining and well-crafted piece of entertainment -- exciting and vibrant with color. A comic book worth checking out.
    8dimandreas

    A great film, they dont make them like that anymore

    Scaramouche was and remains one of my all-time favorite films. It may not qualify as a deeply thought-out criticism of the social situation in France at the time preceding the revolution, but it does not intend to. It gives us a perfectly presented adventure with all the trimmings -revenge, disguises, hidden identities- plus the wonderful duel at the end. Stewart Granger and Mel Ferrer are both excellent. The entire cast presents the film while avoiding any slip into comedy and parody. The highly improbable story is presented seriously and here lies the beauty of this film. I have to admit being biased: I have always been a Stewart Granger fan and there is very little of the work of his "good years" that I do not like.
    ng-4

    Fantastic rapier work

    I recently saw this movie again on cable - it is a wonderful mixture of period romantic adventure with examples of great comedia del'arte and... especially... the best fencing scenes ever put on film. Both Stewart Granger and Mel Ferrer were excellent swordsmen and their final confrontation is a brilliant tour de force. Watch it just for this sequence - remember it was made in 1953 and is still highly enjoyable.

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    Handlung

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    • Wissenswertes
      Scaramouche is a roguish, burlesque clown who originated as a stock character in the 17th century Italian commedia dell'arte, where he was known as "Scaramuccia," which literally means "skirmish." He wears a black mask with a large nose who broadly grimaces and indulges in slapstick behavior and is generally beaten by Harlequin for his boasting and cowardice. He is an traditionally iconic character found in Punch and Judy shows.
    • Patzer
      The soldiers wear uniforms from the Napoleonic era, not the pre-Revolution period.
    • Zitate

      Andre Moreau: You may turn your back on Scaramouche, my lord, but surely you will not run away from Andre Moreau?

      Noel, Marquis de Maynes: Scaramouche, you have just given your last performance.

      [they fight]

    • Verbindungen
      Featured in Precious Images (1986)

    Top-Auswahl

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 28. Dezember 1952 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Scaramouche
    • Drehorte
      • Golden Gate Park, San Francisco, Kalifornien, USA
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
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    Box Office

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    • Budget
      • 3.500.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 55 Minuten
    • Seitenverhältnis
      • 1.33 : 1

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    Stewart Granger, Eleanor Parker, and Lutz Peltzer in Scaramouche - Der Mann mit der Maske (1952)
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