IMDb-BEWERTUNG
7,5/10
6668
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn France during the late 18th Century, a man sets out to avenge the death of his friend at the hands of a master swordsman.In France during the late 18th Century, a man sets out to avenge the death of his friend at the hands of a master swordsman.In France during the late 18th Century, a man sets out to avenge the death of his friend at the hands of a master swordsman.
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I recently saw this movie again on cable - it is a wonderful mixture of period romantic adventure with examples of great comedia del'arte and... especially... the best fencing scenes ever put on film. Both Stewart Granger and Mel Ferrer were excellent swordsmen and their final confrontation is a brilliant tour de force. Watch it just for this sequence - remember it was made in 1953 and is still highly enjoyable.
Stewart Granger at his prettiest. Above average film and story. However the final dueling scene maybe just about the very best of its kind. Worth sitting thru the entire film for the fantastic duel between Granger and Mel Ferrer
The robust Stewart Granger is "Scaramouche" in this 1952 adaptation of the Sabatini novel, and it's a good example of the kind of film MGM excelled at - it's a fast-moving adventure in beautiful color, with great production values.
Granger plays Andre Moreau, who watches a friend killed in a sword fight with the Marquis (Mel Ferrer). Andre, alas, can't go after the Marquis - he can't handle a sword anywhere close enough. Instead, he joins a traveling company of actors and becomes "Scaramouche." He encounters romance, but he has plenty of time to learn how to use a sword. Finally, he and the Marquis meet again, in a long, exciting, swordfight that takes place in a theater, the highlight of the film.
Very exciting movie in spots, gorgeous to look at, with strong performances by the well-cast Granger, Mel Ferrer, and the beautiful Eleanor Parker. A rousing adventure - if you like swashbuckler movies, don't miss this one!
Granger plays Andre Moreau, who watches a friend killed in a sword fight with the Marquis (Mel Ferrer). Andre, alas, can't go after the Marquis - he can't handle a sword anywhere close enough. Instead, he joins a traveling company of actors and becomes "Scaramouche." He encounters romance, but he has plenty of time to learn how to use a sword. Finally, he and the Marquis meet again, in a long, exciting, swordfight that takes place in a theater, the highlight of the film.
Very exciting movie in spots, gorgeous to look at, with strong performances by the well-cast Granger, Mel Ferrer, and the beautiful Eleanor Parker. A rousing adventure - if you like swashbuckler movies, don't miss this one!
This is a movie milestone in my life.
I have chosen this handle and this film to be my first review on this site because it was the very first film I ever watched.
However my enjoyment was limited due to the fact that I was five days old at the time. This resulted in a rather poor grasp of the plot and an overall lack of excitement from beginning to end. The story goes that the day my twin brother and I were taken home from hospital after our birth, Scaramouche was the evening film on the BBC and we were given our baths completely oblivious to the movie gem we were being treated to on our first night in our new home.
I personally do not remember this but I have been reliably informed that this is so.
Over the years however, I have acquired a great passion for the films of the golden age and Scaramouche, although not the best of films, is definitely a classic.
Stewart Granger plays Andre Moroe a free spirit, who's life has amounted to nothing more than his constant pursuit of fun and wealthy ladies in 17th Century France. However the murder of his closest friend, a revolutionist in the making, turns him into a man driven by revenge. However there is one tiny drawback as the man on whom he seeks vengeance is the best swordsman in France and Andre has never held a sword in his life. But he is determined to learn it's ways in order to meter out his terrible revenge.
Immediately taking up lessons he wastes no time in becoming an expert fencer........about half an hour in fact.
This however is for me the most entertaining part of the film as the student out-fences the teachers in a series of montage images. It also contains one of the best uses of the English Language I have ever seen on film....or maybe I'm just easily pleased.
'if i can no longer be taught by the man who taught my enemy, then what is more fitting in a mad world,than to be taught by the man who taught the man who taught my enemy' Catchy eh?
However all this time Moroe is evading the villain's men by hiding out in a circus of sorts where he has adopted the role of the masked Scaramouche.....the clown.
It is at one of his performances where Moroe comes face to face with his friends killer and in true Hollywood fashion, they duel in and out of the shocked spectators hanging over perilous ledges and high theatre balconies and of course up and down grand staircases.
Mel Ferrer is wonderful as the evil Demain and gives his role an almost Bond villain presence with his charm ans sophistication, and for love interest we have both Eleanor Parker and Janet Leigh (before she started taking showers) Yet for once Hollywood decided to put romance on the back burner and these two beauties, although great in the roles, have nothing more to do than parade around in cleavage inducing bodices, although that's fine with me. If this film is your cup of tea or not, it's worth watching for that alone.
There are other aspects of the plot which I need not go into here except that they amount to the "he was my father which makes you my sister" scenario and when the unknown brother is revealed, you will be forgiven in thinking you had tuned into a period edition of EastEnders but despite all this is definitely worth the watch.
Incidentally the final sword fight was the longest sword fight in movie history until Antonio Banderas and Catherine Zeta Jones fenced their way into the record books in The Mask of Zorro. They may now have the longest but Scaramouche still has the best.
I have chosen this handle and this film to be my first review on this site because it was the very first film I ever watched.
However my enjoyment was limited due to the fact that I was five days old at the time. This resulted in a rather poor grasp of the plot and an overall lack of excitement from beginning to end. The story goes that the day my twin brother and I were taken home from hospital after our birth, Scaramouche was the evening film on the BBC and we were given our baths completely oblivious to the movie gem we were being treated to on our first night in our new home.
I personally do not remember this but I have been reliably informed that this is so.
Over the years however, I have acquired a great passion for the films of the golden age and Scaramouche, although not the best of films, is definitely a classic.
Stewart Granger plays Andre Moroe a free spirit, who's life has amounted to nothing more than his constant pursuit of fun and wealthy ladies in 17th Century France. However the murder of his closest friend, a revolutionist in the making, turns him into a man driven by revenge. However there is one tiny drawback as the man on whom he seeks vengeance is the best swordsman in France and Andre has never held a sword in his life. But he is determined to learn it's ways in order to meter out his terrible revenge.
Immediately taking up lessons he wastes no time in becoming an expert fencer........about half an hour in fact.
This however is for me the most entertaining part of the film as the student out-fences the teachers in a series of montage images. It also contains one of the best uses of the English Language I have ever seen on film....or maybe I'm just easily pleased.
'if i can no longer be taught by the man who taught my enemy, then what is more fitting in a mad world,than to be taught by the man who taught the man who taught my enemy' Catchy eh?
However all this time Moroe is evading the villain's men by hiding out in a circus of sorts where he has adopted the role of the masked Scaramouche.....the clown.
It is at one of his performances where Moroe comes face to face with his friends killer and in true Hollywood fashion, they duel in and out of the shocked spectators hanging over perilous ledges and high theatre balconies and of course up and down grand staircases.
Mel Ferrer is wonderful as the evil Demain and gives his role an almost Bond villain presence with his charm ans sophistication, and for love interest we have both Eleanor Parker and Janet Leigh (before she started taking showers) Yet for once Hollywood decided to put romance on the back burner and these two beauties, although great in the roles, have nothing more to do than parade around in cleavage inducing bodices, although that's fine with me. If this film is your cup of tea or not, it's worth watching for that alone.
There are other aspects of the plot which I need not go into here except that they amount to the "he was my father which makes you my sister" scenario and when the unknown brother is revealed, you will be forgiven in thinking you had tuned into a period edition of EastEnders but despite all this is definitely worth the watch.
Incidentally the final sword fight was the longest sword fight in movie history until Antonio Banderas and Catherine Zeta Jones fenced their way into the record books in The Mask of Zorro. They may now have the longest but Scaramouche still has the best.
In Scaramouche Stewart Granger hides among a troupe of strolling players while vowing vengeance upon Mel Ferrer who killed Granger's foster brother Richard Anderson. Vengeance however is not a simple matter.
Mel Ferrer plays a foppish privileged aristocrat, favorite of the French Queen Marie Antoinette who's got a deadly blade and killed many a rival, political and personal. Who he has in his sights now is Anderson who is another aristocrat, but a minor one who has taken to hanging out with revolutionaries and publishing incendiary pamphlets.
Ferrer is like a hired gun in the old west, the kind who would goad some poor schnook into a draw and then kill him in 'self defense'. He's unpopular, but damned effective. For Granger to take him on, he's going to have to learn the art of fencing and learn it quickly.
Granger has two women who love him as well, Eleanor Parker from the troupe of players and Janet Leigh another aristocrat who in this case has been promised to wed Ferrer. That gives the Granger-Ferrer rivalry an added incentive for both men to kill the other.
The sets on Scaramouche were quite lavish, why they weren't considered for an Oscar nomination is a mystery. The cast settles nicely into familiar roles and performs well. Elizabeth Risdon and Lewis Stone play Anderson's parents and Granger's guardian. They get a stipend from Granger's unknown father to conceal his origins. The last three films for Lewis Stone, this one, The Prisoner of Zenda and All The Brothers Were Valiant were all done with Stewart Granger.
Scaramouche is a nice tale of adventure and romance in those final days before the French Revolution. It's interesting to speculate just how all these characters might have survived the coming Reign Of Terror in a few years. Things got so insane in France then, it's anybody's guess. One could write all kinds of speculation.
Still I would speculate and still enjoy Scaramouche.
Mel Ferrer plays a foppish privileged aristocrat, favorite of the French Queen Marie Antoinette who's got a deadly blade and killed many a rival, political and personal. Who he has in his sights now is Anderson who is another aristocrat, but a minor one who has taken to hanging out with revolutionaries and publishing incendiary pamphlets.
Ferrer is like a hired gun in the old west, the kind who would goad some poor schnook into a draw and then kill him in 'self defense'. He's unpopular, but damned effective. For Granger to take him on, he's going to have to learn the art of fencing and learn it quickly.
Granger has two women who love him as well, Eleanor Parker from the troupe of players and Janet Leigh another aristocrat who in this case has been promised to wed Ferrer. That gives the Granger-Ferrer rivalry an added incentive for both men to kill the other.
The sets on Scaramouche were quite lavish, why they weren't considered for an Oscar nomination is a mystery. The cast settles nicely into familiar roles and performs well. Elizabeth Risdon and Lewis Stone play Anderson's parents and Granger's guardian. They get a stipend from Granger's unknown father to conceal his origins. The last three films for Lewis Stone, this one, The Prisoner of Zenda and All The Brothers Were Valiant were all done with Stewart Granger.
Scaramouche is a nice tale of adventure and romance in those final days before the French Revolution. It's interesting to speculate just how all these characters might have survived the coming Reign Of Terror in a few years. Things got so insane in France then, it's anybody's guess. One could write all kinds of speculation.
Still I would speculate and still enjoy Scaramouche.
Wusstest du schon
- WissenswertesScaramouche is a roguish, burlesque clown who originated as a stock character in the 17th century Italian commedia dell'arte, where he was known as "Scaramuccia," which literally means "skirmish." He wears a black mask with a large nose who broadly grimaces and indulges in slapstick behavior and is generally beaten by Harlequin for his boasting and cowardice. He is an traditionally iconic character found in Punch and Judy shows.
- PatzerThe soldiers wear uniforms from the Napoleonic era, not the pre-Revolution period.
- Zitate
Andre Moreau: You may turn your back on Scaramouche, my lord, but surely you will not run away from Andre Moreau?
Noel, Marquis de Maynes: Scaramouche, you have just given your last performance.
[they fight]
- VerbindungenFeatured in Precious Images (1986)
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Details
Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Laufzeit1 Stunde 55 Minuten
- Seitenverhältnis
- 1.33 : 1
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By what name was Scaramouche - Der Mann mit der Maske (1952) officially released in India in English?
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