Füge eine Handlung in deiner Sprache hinzuWhile awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled ... Alles lesenWhile awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends.While awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Dr. Tim Brooks
- (Nicht genannt)
- Mrs. Fletcher
- (Nicht genannt)
- Restaurant Patron
- (Nicht genannt)
- Undetermined Secondary Role
- (Nicht genannt)
- Airplane Passenger
- (Nicht genannt)
- Restaurant Patron
- (Nicht genannt)
- Mrs. Brooks
- (Nicht genannt)
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Well, the studio system is crumbling, and the great Golden Age stars like Bette Davis are finding new kinds of roles, but veteran directors like Jean Negulesco are still able to use all the great talents of Hollywood to put together what is a classic kind of movie. It's not a great movie at all, but it's tightly constructed, filled with twists, is dramatic and poignant in turns (and funny, too), and all in all makes for an entertaining and interesting movie.
Not mind-blowing adjectives, I know, but appropriate.
The key player here is a strong and silent type, Gary Merrill, a really steady and impressive actor every time I've seen him, though he usually plays secondary roles. But he calmly holds together a series of stories (there are four main threads here, with a unifying link that is quite a surprise). All the other actors have brief roles, as the movie is really broken into sections a little like A Letter to Three Wives from three years earlier (a better movie, but sharing a nice sense of interweaving stories). But this means Bette Davis, whose name appears in big letters as a star, appears fairly briefly. But she's fabulous, even in this limited role.
There a some odd flaws, like an odd shift to soft focus on an actress for some close-ups of but not others. And the story for all its strengths feels a little forced, too, which you just go along with. But if you are glass half full person you'll see the strengths of acting and filming here (cinematographer Milton Krasner is among the best) as well as the music (Franz Waxman), and you'll really enjoy it start to finish.
Extremely well-acted, directed and scripted film also has harrowing airplane footage and a very good ending. Merrill is top form, as is Winters and especially Rennie, who is haunted by an accident in which a colleague was killed years earlier. Unlike many modern movies, this one really leaves you with a profound message--the void that is left behind when someone suddenly dies.
Try to see it if you can, my AMC tape is several years old and I've enjoyed this film many times. Just be warned--people scared of flying may cringe at the nighttime approach to the Vega airport.
In addition to his excellent performance, the movie is so well-written. The vignettes where he meets the families are very touching and sometimes very ironic (such as the one he plays with Ms. Davis). It is a strange but well-executed film that deserves to be remembered.
This movie will make you feel good about yourself. I promise. I think that's what so great about older movies; no special effects to disturb the real meaning of movies: the actors and actresses.
A must-see for classic movie fans.
Wusstest du schon
- WissenswertesThe film was the third and final on-screen pairing of real life husband and wife Gary Merrill and Bette Davis. The other two pictures are Alles über Eva (1950) and Gift für den Anderen (1951).
- PatzerBehind the opening credits, the taxi that's taking Trask to the airport passes two movie theaters at least three times, as if the rear projection of stock footage was on a continuous loop. The movies playing at these theaters are "Homestretch" and "The Two Mrs. Carrolls," (at the McVickers), both released five years before this film. The McVickers was a well known Chicago theatrical site, but the taxi arrives at the MIDLAND CITY, IOWA airport, and a flight FROM Chicago is among those listed on the arrival schedule.
- Zitate
Marie Hoke: Dull, foolish, vulgar to some but not to me. To me he was a man like a rock. Nothing could shake him. Nothing could shake his love. It was from him that I learned what love really was. Not a frail little fancy to be smashed and broken by pride and vanity and self pity. That's for children. That's for high school kids. But a rock as strong as life itself indestructible and eternal.
- VerbindungenReferences Die zwei Mrs. Carrolls (1947)
- SoundtracksThe Daring Young Man on the Flying Trapeze
(uncredited)
Music by Gaston Lyle
Lyrics by George Leybourne
Sung by the passengers on the airplane
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Phone Call from a Stranger
- Drehorte
- 5301 Wilshire Boulevard, Los Angeles, Kalifornien, USA(ambulance races past Tilford's restuarant at the corner with La Brea Ave.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1