Füge eine Handlung in deiner Sprache hinzuWhile awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled ... Alles lesenWhile awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends.While awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Dr. Tim Brooks
- (Nicht genannt)
- Mrs. Fletcher
- (Nicht genannt)
- Restaurant Patron
- (Nicht genannt)
- Undetermined Secondary Role
- (Nicht genannt)
- Airplane Passenger
- (Nicht genannt)
- Restaurant Patron
- (Nicht genannt)
- Mrs. Brooks
- (Nicht genannt)
Empfohlene Bewertungen
An interesting and decent but hardly ever outstanding dramatic compendium , dealing with a simple and plain plot about a survivor after a plane accident visits the families of three of the victims whom he met during the flight , being paced in good sense , sensibility and with plenty of emotion . Maudlin and adorable film with emotion , deep feeling and and intense drama . Compellingly performed by a nice main cast as Gary Merrill , Shelley Winters , Michael Rennie and Keenan Wynn .These great stars being well accompanied by a good support cast , such as : Evelyn Varden , Warren Stevens, Beatrice Straight , Craig Stevens , John Doucette , Nestor Paiva and Helen Westcott . Brief appearance by George Nader as a pilot and Bette Davis , then Gary Merrill's wife, shows up in a subordinate role as Keenan Wynn's spouse and moves things up a gear or two .
Being well written and produced by Nunnally Johnson. Displaying a stirring and memorable musical score by classic composer Franz Waxman . Equally , an atmospheric and evocative cinematography by Milton R. Krasner. This agreeable and sentimental weepie was competently directed by Jean Negulesco . This classy Hollywood director Jean Negulesco was an elegant and brilliant filmmaker who made notorious films with penchant for Musical, Comedy and Drama, such as : The invincible six, The best everything, Daddy long legs, Three coins in the fountain, How to marry a millionaire, Titanic, Phone call from a stranger, A woman's world, Three came home , Road house, Humoresque, among others. And of course his successful Belinda with the Oscarized Jane Wyman. Phone Call from a Stranger (1952) rating : 7.5/10. Better than average.
This movie will make you feel good about yourself. I promise. I think that's what so great about older movies; no special effects to disturb the real meaning of movies: the actors and actresses.
A must-see for classic movie fans.
Well, the studio system is crumbling, and the great Golden Age stars like Bette Davis are finding new kinds of roles, but veteran directors like Jean Negulesco are still able to use all the great talents of Hollywood to put together what is a classic kind of movie. It's not a great movie at all, but it's tightly constructed, filled with twists, is dramatic and poignant in turns (and funny, too), and all in all makes for an entertaining and interesting movie.
Not mind-blowing adjectives, I know, but appropriate.
The key player here is a strong and silent type, Gary Merrill, a really steady and impressive actor every time I've seen him, though he usually plays secondary roles. But he calmly holds together a series of stories (there are four main threads here, with a unifying link that is quite a surprise). All the other actors have brief roles, as the movie is really broken into sections a little like A Letter to Three Wives from three years earlier (a better movie, but sharing a nice sense of interweaving stories). But this means Bette Davis, whose name appears in big letters as a star, appears fairly briefly. But she's fabulous, even in this limited role.
There a some odd flaws, like an odd shift to soft focus on an actress for some close-ups of but not others. And the story for all its strengths feels a little forced, too, which you just go along with. But if you are glass half full person you'll see the strengths of acting and filming here (cinematographer Milton Krasner is among the best) as well as the music (Franz Waxman), and you'll really enjoy it start to finish.
Lawyer David Trask (Merrill), leaving his family troubles behind, survives a plane crash and decides to call on the families of the people he made friends with during the trip...
Utterly lovely drama, a film that boasts quality across the board. How great to see a picture that affords characters time to breath and impact on the story, impact that becomes four fold come the wonderfully humanistic finale. Story is structured as a two play piece, first act lets us into David Trask's pain and builds three characters around him as the so called "Four Musketeers" become friends during a troubled aeroplane journey. We get to know them and wonder what their home life is like, their secrets and tribulations, and then the walls come tumbling down and the story shifts into sombre tones to lead us down paths adorned with thoughtfulness and intelligence.
There's a hint of contrivance and some moral grey areas, yet this rises well above the minor quibbles to become a film of dramatic emotional strength. Beautifully performed by the principal players, it forces us to question that things may not always be as they first appear. It also has meditations on grief, second chances and that out of pain can come good, the human interest value here extraordinarily high. Yes! This is a most under seen and under appreciated bit of classic era cinema, its rewards just waiting to be discovered by more film loving fans. Go on, seek it out, come the finale you will feel better for it. 8/10
In addition to his excellent performance, the movie is so well-written. The vignettes where he meets the families are very touching and sometimes very ironic (such as the one he plays with Ms. Davis). It is a strange but well-executed film that deserves to be remembered.
Wusstest du schon
- WissenswertesThe film was the third and final on-screen pairing of real life husband and wife Gary Merrill and Bette Davis. The other two pictures are Alles über Eva (1950) and Gift für den Anderen (1951).
- PatzerBehind the opening credits, the taxi that's taking Trask to the airport passes two movie theaters at least three times, as if the rear projection of stock footage was on a continuous loop. The movies playing at these theaters are "Homestretch" and "The Two Mrs. Carrolls," (at the McVickers), both released five years before this film. The McVickers was a well known Chicago theatrical site, but the taxi arrives at the MIDLAND CITY, IOWA airport, and a flight FROM Chicago is among those listed on the arrival schedule.
- Zitate
Marie Hoke: Dull, foolish, vulgar to some but not to me. To me he was a man like a rock. Nothing could shake him. Nothing could shake his love. It was from him that I learned what love really was. Not a frail little fancy to be smashed and broken by pride and vanity and self pity. That's for children. That's for high school kids. But a rock as strong as life itself indestructible and eternal.
- VerbindungenReferences Die zwei Mrs. Carrolls (1947)
- SoundtracksThe Daring Young Man on the Flying Trapeze
(uncredited)
Music by Gaston Lyle
Lyrics by George Leybourne
Sung by the passengers on the airplane
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Phone Call from a Stranger
- Drehorte
- 5301 Wilshire Boulevard, Los Angeles, Kalifornien, USA(ambulance races past Tilford's restuarant at the corner with La Brea Ave.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1