Die Hölle von Okinawa

My Father, LCDR Frank Bernard Quady, USN, was killed aboard the USS Bunker Hill by a double kamikaze attack. For my Father, I say this movie was so bad I quit about half an hour into it.

The guy who played the sailor with the cap pulled down ridiculously was absolutely disgusting. No sailor would wear his cap on like that except possibly at home cleaning out the gutters.

Note: This guy was the "star" of the film – the part that I watched. I couldn't force myself to watch any more.

I grew up in the '50s in Coronado, CA and this movie never played there, as far as I know. I never heard of this flick.

I'll have to rent it sometime and watch only the official U.S. Navy footage, fast forwarding past the stupid sailor, whoever he is or was.

I didn't see any U.S. Naval personnel listed as advisers. They surely would have nixed it.

One more thing about the stupid sailor. He was a disgrace to all sailors. Sailors are the heart of the Navy.

Wow- This is the first time I have ever seen this movie and I've seen nearly every war movie made.

Why did they even bother - this whole movie totally sucks - the acting is wooden and 3rd rate - the action totally blows - with the exception of actual war scenes and this was a total waste of film.

Please find the film and burn it - it is the biggest waste of time and money ever. And here I thought that Ed Wood created stupid movies - this one is the worst. What was anyone thinking when they wrote this much less filmed it.

I consider it one of the worst war movies ever - and that is saying something.

Yes, it was pretty bad. Overacting and cliched portrayals of how people were in that post-war period.

Surely not a credit to the career of Pat O'Brien, the star. The lack of makeup and patched scenes of the Japanese soldiers, the poor editing (seems like scenes were clipped in this surviving version), and the corny humor probably should lower my rating even more. But I got out some nostalgia pleasure recalling a simpler time when I was a small child.

And there was one other surprise.

It was a short clip when the sailors were watching a movie aboard the ship. A spectacular blonde dancer who is not credited was singing and strutting a slit dress on a stage and the guys were going crazy. I believe it was Marilyn Monroe, perhaps her first time on film. I wonder if anyone can confirm this.

I was in the navy during the vietnam war. I was deployed to vietnam twice and served on several different navy ships. The characters in this movie would have fit right in with the rest of us.

I don't get the hate for this movie. It's not cheap, it's deliberately small, focused and about as emotionally involved as you can get with a small crew of men acting in a 1940s way. I almost wish we hadn't had the bridge scenes with the command crew, and had to entirely take it from the point of view of the gun crew. That's how history happens; people go about their little part, and get these rare little views of the big action.

I was unusually not disturbed by the cookie cutter characters. We rarely see how they really are, but instead get their public face, to their crewmen while at war. People fall into bravado and storytelling just like this. There were moments of doubt and fear that showed this off I think, very well.

Stock footage, sure. But only rarely did I notice the grain mismatching, and they spent an awful lot of effort to make it blend into the narrative. My favorite of these is about 50 minutes in when one of the characters grabs onto a fitting on the gun to lean out and look at a heavily damaged passing ship. They did this because in the foreground of the stock footage is a sailor doing just that. It brought the stock into the story, and is such unseen stock of such specific damage you could never have simulated it with new footage, especially in the 50s.

I was especially pleased with the sets. I guess they are sets due to lighting and so on, but the interior of the gun mount looks absolutely perfect and realistic, and absolutely unexpectedly so. It really helped with the verisimilitude of the whole endeavor.