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My Son John

  • 1952
  • Approved
  • 2 Std. 2 Min.
IMDb-BEWERTUNG
5,6/10
736
IHRE BEWERTUNG
Van Heflin, Helen Hayes, Dean Jagger, and Robert Walker in My Son John (1952)
Drama

Füge eine Handlung in deiner Sprache hinzuThe Jeffersons are the ideal picture-perfect all-American family in a small town, but their eldest son John returns home after a long absence spouting views that cause them to worry he may b... Alles lesenThe Jeffersons are the ideal picture-perfect all-American family in a small town, but their eldest son John returns home after a long absence spouting views that cause them to worry he may be a Communist.The Jeffersons are the ideal picture-perfect all-American family in a small town, but their eldest son John returns home after a long absence spouting views that cause them to worry he may be a Communist.

  • Regie
    • Leo McCarey
  • Drehbuch
    • Myles Connolly
    • John Lee Mahin
    • Leo McCarey
  • Hauptbesetzung
    • Robert Walker
    • Helen Hayes
    • Van Heflin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,6/10
    736
    IHRE BEWERTUNG
    • Regie
      • Leo McCarey
    • Drehbuch
      • Myles Connolly
      • John Lee Mahin
      • Leo McCarey
    • Hauptbesetzung
      • Robert Walker
      • Helen Hayes
      • Van Heflin
    • 41Benutzerrezensionen
    • 16Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 5 Gewinne & 1 Nominierung insgesamt

    Fotos3

    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung27

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    Robert Walker
    Robert Walker
    • John Jefferson
    Helen Hayes
    Helen Hayes
    • Lucille Jefferson
    Van Heflin
    Van Heflin
    • Stedman
    Dean Jagger
    Dean Jagger
    • Dan Jefferson
    Minor Watson
    Minor Watson
    • Dr. Carver
    Frank McHugh
    Frank McHugh
    • Father O'Dowd
    Richard Jaeckel
    Richard Jaeckel
    • Chuck Jefferson
    James Young
    James Young
    • Ben Jefferson
    Lee Aaker
    Lee Aaker
    • Boy
    • (Gelöschte Szenen)
    David Bond
    David Bond
    • College Professor
    • (Gelöschte Szenen)
    Gail Bonney
    Gail Bonney
    • Jail Matron
    • (Gelöschte Szenen)
    Russ Conway
    Russ Conway
    • FBI Agent
    • (Gelöschte Szenen)
    Bill McLean
    Bill McLean
    • Parcel Post Man
    • (Gelöschte Szenen)
    Frances Morris
    Frances Morris
    • Secretary
    • (Gelöschte Szenen)
    Erskine Sanford
    Erskine Sanford
    • Professor
    • (Gelöschte Szenen)
    Irene Winston
    Irene Winston
    • Ruth Carlin
    • (Gelöschte Szenen)
    Jimmie Dundee
    Jimmie Dundee
    • Taxi Driver
    • (Nicht genannt)
    Douglas Evans
    Douglas Evans
    • Government Employee
    • (Nicht genannt)
    • Regie
      • Leo McCarey
    • Drehbuch
      • Myles Connolly
      • John Lee Mahin
      • Leo McCarey
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen41

    5,6736
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    Empfohlene Bewertungen

    6Teagarden1256

    Hollywood in the Dark Ages

    Much maligned in its day as one of Hollywood's much too fervent attempts at atonement to the HUAC and McCarthy for having once hired so many communists, this slick Paramount picture made in 1952 remains a social document that reveals the right-wing views some members of the film community held during those dark days. It glorifies an idealized small-town family. Dad (Dean Jagger) is a solid hard-working citizen, a Legioner who finds time to toss around a football with his two blonde athletic sons about to fight the good war in Korea; he's a man who goes to church every Sunday. The flaw in the perfect unit is mother--who else?-- and her curse of too much Mommy love; Helen Hayes, for some reason, too obviously dotes on the son (Robert Walker) who doesn't play football, doesn't go to church, and prefers the company of college professors, yes professors, to his own family. He is, horror of horrors, a practicing self-admitted intellectual.

    Needless to say, we eventually learn that any spoiled child brought up this way cannot be up to good. Despite this silly propogandist view of the true values of decent American life, the film is very well directed by the great Leo McCarey, excellently acted by all the leading players. Robert Walker, in his last film, is particularly effective as the non-athletic son with heretic (read unAmerican) views. If the film had been made a decade or so later, his secret would have been that he was gay, but as this is 1952, the sin is political.
    5jjnxn-1

    What a weird movie

    Somewhat paranoiac drama looking at the perceived communist threat in the 40s and 50s. Overwrought in both direction and performance-Helen Hayes in particular seems on the very verge throughout the film. Walker died suddenly during the making of the film and his performance was completed by cobbling together outtakes from Strangers on a Train and the use of a stand-in in some scenes, its easy to pick out most of the these and it cast an odd melancholy pall over the picture. More of an interesting artifact of a troubled time in US history than a good example of film making. McCarey could be an exceptional director who made many fine films and possessed a few Oscars but he is decidedly off his game here. A strange experience.
    robertshort_3

    In its way, a historical document.

    In its way, this film is a historical document (albeit a misguided one), and certainly a product of its time. Made at the height of the infamous red scare, "My Son John" is so fervent in its anti-Communist message that it becomes somewhat fascinating as a piece of social history.The film has become famous (or perhaps more correctly notorious) as propaganda; despite the sometimes; overwrought script, the film is not without a talented cast. The great theatrical actress Helen Hayes, in one of her relatively rare movie appearances, is really very good as the mother, as is Dean Jagger as the father, and Robert Walker is fine as the son who is the object of his parent's suspicions. (Walker actually died before filming was finished, so some scenes were shot with a double or prepared with footage from Walker's earlier film "Strangers On A Train", or re-written to exclude Walker's character or requiring his presence.)

    In response to another reviewer, who wondered who had actually seen this film - I saw it a couple of times on Canadian television, once in the 1970's, and the last time in December, 1990. To my knowledge, it hasn't been shown on Canadian TV (at least in my viewing area) since that time.

    Update: The film was released on DVD and blu-ray in 2015.
    Bob_Zerunkel

    It's a movie with great acting, so quit yer political bellyaching

    Apparently, (from the other reviews) if you haven't seen the movie and you are a Communist apologist, you hate the movie, the actors, the script. Too bad for you.

    McCarthyism is not the opposite of communism. McCarthy was wrong, but the Red threat was real. There were, and probably still are, communist agents actively working in America. It's history. Go look it up and stop crying.

    This is a story of a mother whose heart is breaking because her son is a communist. We don't know much about him, but we know he is a communist. The story isn't about him. It's about the mother and her anguish.

    Personally, I started to watch it because of the commie angle. There isn't much. I continued to watch it because of Hayes. I don't watch chick flicks, but my lord, she pulls at your heart strings.

    Overall, I found it mildly interesting. The actors are terrific. The story was almost non-existent, despite the pinko protests of bashing the commies. Poor, poor commies.

    There is a guy named John who is being followed. His mama notices. She finds out he is a commie. She cries. John is torn between mama and his goal of destroying America. She cries. John searches his soul. She cries. John is torn: How can I do my commie stuff if mama is always crying. Oh, the horror, the pathos.

    One more time, kiddies: McCarthyism was wrong. Communism was a real threat. Kruschev wanted to nuke us. George Bernard Shaw thought it was right for the "state" to put to death anyone who did not contribute enough. Mao killed 70 million. Stalin killed 40 million. Add in Italy, the Balkans, Hungary, Poland, Austria, Vietnam, Laos, etc., etc., etc. Communists killed more people than Hitler. They killed before Hitler and after him. Even when Hitler was actively killing people, the communists were killing at a rate three times faster. Just counting the Jews, Russia killed more of them during World War II than Hitler.

    This won't be a movie that I watch again. There's no action. The commies just talk. They had enough raincoats, but they didn't fill them with people like Bogart. He would have shot all of those dirty commies. He might even have slapped mama for crying so much.

    This movie is known as a "propaganda" film because it has a point of view that the US Govt. approved of. If you choose to believe that Hollywood deliberately put out movies to support our government, you are free to do so. But if you have a brain in your head, I'm sure you realize that Hollywood puts out movies solely to make money. They thought that this movie would sell. The commie threat was big in the news. It was everywhere. They used it for their gain.

    Nowadays, the communist threat is not as virulent, and the pinkos are more amusing than annoying. I just hope that they do not start apologizing for bin Laden and the other idiots who now attack America.

    Keep your Papa Joe nightlight. Keep your Che t-shirt. Keep reading your little red book from the Chairman. You can deny history as much as you want. As for me, I'm sticking with Thomas Paine, George Washington, Thomas Jefferson and Captain America.
    sammydees

    Does anyone know WHY this film is unavailable?

    I have been watching movies for 35 years and follow listings, VHS and DVD releases, and this is one I have YET to come across. Does anyone know WHY it isn't available in some form or the other? Is it lost? Does it need restoration? The content, while out of date, nevertheless, isn't the main issue. It's that this film needs to be seen. What good are films, such as this one, "Porgy and Bess," "The Constant Nymph," etc tied up in estates for no one to see and pass opinions on? I wish there were a website of "unavailable films" where one could reference why certain ones are never heard from. Cable channels too many times show the same films over and over again but never ones that need to be seen.

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    Handlung

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    • Wissenswertes
      Parts of the film were rewritten after actor Robert Walker (John Jefferson) died during production. Several scenes use a double shot from behind, and others recycle footage of Walker from Der Fremde im Zug (1951). The final scene, where a recording of John delivers an anti-communist speech, is lit with a halo around the tape-recorder.
    • Zitate

      Dan Jefferson: John!

      John Jefferson: Oh, Father, let's not go into it any more.

      Dan Jefferson: Now I've, I've got another subject for you.

      Dan Jefferson: As your father, you and I are going to have a talk, a good talk, away from your Mother. And it's about you, son.

      John Jefferson: Well, if you'd enjoy it, Father...

      Dan Jefferson: Well, I don't know whether you will. But as I told you, we're alert. And we ARE alert.

      John Jefferson: You just said that.

      Dan Jefferson: Yes, and you sound to me like, like one of those guys that we should be alert about.

      John Jefferson: One of those guys?

      Dan Jefferson: I just said that you sounded like one, I didn't say that you... 'cos if thought that you really were, you know, I'd take you out in the backyard and I'd give it you, both barrels.

      John Jefferson: No trial, huh?

      Dan Jefferson: Nah, you're off on the wrong slant. And you know what I'm talking about. Cos as your father, I want to know where you're headed.

      John Jefferson: Well, I can help you there. I'm headed for the bathroom, wash my hands and clean up for dinner.

    • Verbindungen
      Edited from Der Fremde im Zug (1951)

    Top-Auswahl

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    • How long is My Son John?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 8. April 1952 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Mi hijo John
    • Drehorte
      • Manassas, Virginia, USA
    • Produktionsfirma
      • Rainbow Productions
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 1.000.000 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 2 Std. 2 Min.(122 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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