Füge eine Handlung in deiner Sprache hinzuIn California, a Mexican-American is falsely accused of killing the farmer he was working for, after the racist farmer stiffed his immigrant employee with a bad check.In California, a Mexican-American is falsely accused of killing the farmer he was working for, after the racist farmer stiffed his immigrant employee with a bad check.In California, a Mexican-American is falsely accused of killing the farmer he was working for, after the racist farmer stiffed his immigrant employee with a bad check.
- Manuel Ramirez
- (as Jose Torvay)
- Willie Chung
- (as Pascual Garcia Pena)
- Waitress
- (Nicht genannt)
- Detective
- (Nicht genannt)
- Bit Role
- (Nicht genannt)
- Fingerprint Expert in Courtroom
- (Nicht genannt)
- Bank Teller
- (Nicht genannt)
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This is good although I would make a couple of changes. First, I would get rid of his friends. They do nothing great except the ending which I want to also change. He should stay with the Ames. There could be sexual tension on top of the racism. The farm would become a pressure cooker of intensity. The tension would be raised higher if Chu Chu is alone in the world. I would still keep Nancy around and quite frankly Shelley Winters' acting power. Finally, I would get rid of the Hollywood happy ending. This is still pretty good.
I'm not sure what the writers were trying to say here. It looks like something noble since Chu Chu (Montalban) is admirable in so many ways. Plus, he delivers nice little speeches about the virtues of America, suitable for the Cold War, McCarthyite year of 1952. But much of this, however well intentioned, is undone by a turgid script and an absolutely awful performance by Shelley Winters (Nancy). Her constant whining and sour expression (not a single smile) for 90-some minutes almost had me reaching for the "off" button. I realize she's a hard-luck gal, barely surviving at society's lower reaches, but did she have to spread it on so relentlessly and so thick. It made me think the sensible Chu Chu must be some kind of masochist to put up with it. Hers has got to be one of the dreariest turns in Hollywood annals.
At least there's the well-cast iceberg Wendell Corey as the heartless farmer Ames, and a de-glamorized Claire Trevor as his faithless wife. I was expecting their dark pairing to explode at any moment. At the same time, holding the film together is a handsome Montalban, quite winning as the ambitious immigrant. Looks to me like this was a B-production from Dore Schary's brief tenure as MGM head, when he tried to steer the studio away from Louis B. Mayer's relentlessly sunny film fare. Certainly, the settings and photography here are about as bleakly gray as possible. Maybe with a better, more focused script and a less dreary Nancy, the movie might have succeeded in its good intentions. But as things stand, the overall result lacks impact of any discernible kind.
** (out of 4)
Chu Chu Ramirez (Ricardo Montalban), a Mexican immigrant, becomes a U.S. citizen and plans on living the American dream of working, making a home and being happy. He gets a job with a racist couple (Claire Trevor, Wendell Corey) but after the work is done they refuse to pay him and go as far as to falsely accuse him of a crime, which might land him in jail. This film has a good heart behind it but the screenplay just wonders around and never really focuses on anything. The film follows a pretty standard storyline, which takes away any possible drama since we can see where everything is going. Montalban is excellent in his role but it's a shame he didn't have a better screenplay to work with. Both Corey and Trevor are great as well and they come off very easy to hate. Shelley Winters plays a troubled woman who is befriended by Chu Chu. The most interesting aspect is how Chu Chu views America as a place of good and where nothing can go wrong. When he's accused of the crime he has a hard time figuring out how an innocent man can go to jail and I wish the film would have centered more on these issues. Seeing how a foreigner views America is something interesting to work with but the film goes all over the place.
Wusstest du schon
- WissenswertesThe film was a $563,000 money loser for MGM, according to studio records, which would equate to about $6.64 million in 2024. It did not even make back the film's negative expenditures, let alone duplication, distribution and advertising costs.
- PatzerIn the bar as Nancy is drunkenly explaining her mess of a life and swipes her glass off the table that crashes to the floor, no one in the bar turns their head to acknowledge the noise. Surely, someone would have noticed. Not a Continuity Goof and probably not even a Goof - in some bars, breaking glassware is very common, and though people notice, they don't turn and gawk, because they feel everyone should mind their own business.
- Zitate
Nancy: [after Chu Chu tells her about his letter from the President about getting his citizenship] Ramirez, today you drive a tractor, tomorrow you'll sweat your ears off in some stinking fish cannery. Next week you'll be breaking your back in asparagus, spinach and grapes. And you think you're a citizen First Class? Citizen of what? What you are is a sap, and all you've got is the papers to prove it.
- SoundtracksStormy Weather
Written by Harold Arlen and Ted Koehler
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Letter from the President
- Drehorte
- Calabasas, Kalifornien, USA(location shooting)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 946.000 $ (geschätzt)
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1