Nick Cochran, ein Amerikaner im Exil in Macao, bekommt die Chance, seinen Namen wiederherzustellen, indem er bei der Gefangennahme eines internationalen Kriminellen hilft. Kann er undercover... Alles lesenNick Cochran, ein Amerikaner im Exil in Macao, bekommt die Chance, seinen Namen wiederherzustellen, indem er bei der Gefangennahme eines internationalen Kriminellen hilft. Kann er undercover die Bösen irreführen und trotzdem die hübsche Sängerin/kleine Gaunerin Julie Benson umwer... Alles lesenNick Cochran, ein Amerikaner im Exil in Macao, bekommt die Chance, seinen Namen wiederherzustellen, indem er bei der Gefangennahme eines internationalen Kriminellen hilft. Kann er undercover die Bösen irreführen und trotzdem die hübsche Sängerin/kleine Gaunerin Julie Benson umwerben?
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Director Von Sternberg, whose visual style of the 30's was the envy of Hollywood but had fallen on tough times and was nearing the end of his career, occasionally captures the magic that displayed Marlene Dietrich with such allure and mystery in films like Shanghai Express and Morrocco. The problem is that Dietrich and Russell are different animals. Russell has never looked more glamorous but she doesn't move like Dietrich and her singing scenes make her look a bit like Gilda on steroids. Still, there is a chemistry between her and Mitchum that keeps the film entertaining. The supporting cast offers a comically hammy turn by William Bendix and a somewhat strange, semi-comatose performance by Gloria Grahame.
Von Sternberg borrows heavily from his last good film, The Shanghai Gesture in many scenes, but Macao's main strength rests squarely on the broad shoulders of its two stars.
Brad Dexter's finest film role as the whispering crook, Mitchum sparkles (or rather, snoozes his way through) in his best comedic vein, Russell and Grahame are perfectly decorative, however it's a pity Bendix couldn't have stuck around to the end. Mitchum boarded Macao without a passport and was the only one not searched at Customs - and the slender thread the whole story hangs by is also perpetrated by Thomas Gomez there too.
If you, like me liked "The big steal" or "His kind of woman" you're sure to like this.
Added into this one-which is not a sequel, by the way, even though it's similar-are two sidekicks: William Bendix always adds character to a cast, and Gloria Grahame tries to take Bob away from Jane. Sorry, Gloria, but when Jane and Bob are together, there's just no stopping them. They banter, but there's something sweet underneath it all, showing that although both stars are big and tough, they'll always find time for romance. And, since they were lifelong friends, it helps knowing they had fun filming together!
Instead of Mexico, the leads are transported to China, but there's still intrigue, mystery, action, and fun quips mixed in amongst the romance. It's hard to decide whether His Kind of Woman or Macao is better; give them a whirl and try to decide for yourself!
Robert Mitchum, sexy and wide-shouldered in one of those loose-fitting tropical suits, plays Nick Cochran, going to Macao to start over after leaving the U.S. and spending time in the service. He originally thought he committed murder, but even though he hadn't, he kept going. On the boat en route to Macao, he meets beautiful, sexy, non-nonsense Julie Benson (Jane Russell) and a salesman (William Bendix).
When they arrive, Mitchum is taken for a police detective out to get a criminal/casino owner Halloran (Brad Dexter) back to the states. The chief of police (Thomas Gomez) is in cahoots with Halloran. Plus, Halloran becomes interested in Julie, so he really wants to get rid of Cochran. Criminals in Macao avoid the "three mile limit" - because three miles outside of Macao, international jurisdiction rules.
Apparently Mitchum did some rewrites on this script because it didn't make much sense. The cast and crew, all of whom had worked together many times, were a little too friendly for von Sternberg, which caused Mitchum to push all of his buttons. I'm not sure if Ray dragged Gloria Grahame with him or what, but she's wasted here, and she had no interest in this role. Can't blame her.
Despite all of this, Mitchum and Russell are great together, a wonderful, sexy combination. Both stars just ooze sex appeal, and Mitchum's laid-back performance is a great juxtaposition to Russell's character - it's pointed out that she has a big chip on her shoulder. Russell looks fabulous in the costumes, an added bonus.
Pretty music, excellent noir photography, and a good pace help make "Macao" good entertainment. For me it can't touch "Out of the Past" or "The Big Steal," but you can't beat Mitchum and Russell heating up the screen.
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- WissenswertesJane Russell reports that director Josef von Sternberg was nasty to the crew, and would make insulting remarks about her and Robert Mitchum to each other, such as "what are we going to do with this beautiful stupid girl." Although Sternberg threatened Mitchum that he could be put off the picture, in the end it was the director who was replaced by Nicholas Ray.
- PatzerThe photographer hands the developed photos to the police within five minutes of taking them. There was no technology like that in 1950.
- Zitate
Lt. Sebastian: [referring to Julie Benson] Besides her obvious talents, she also sings.
- VerbindungenFeatured in Hollywood the Golden Years: The RKO Story: Howard's Way (1987)
- SoundtracksOcean Breeze
Music by Jule Styne
Lyrics by Leo Robin
Sung by Jane Russell (uncredited)
Played on phonograph
Top-Auswahl
Everything New on HBO Max in August
Everything New on HBO Max in August
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- 3.530 $
- Laufzeit1 Stunde 21 Minuten
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