Rampenlicht

Charles Chaplin stars as Calvero, an alcoholic, washed-up music hall comedian who saves a rooming house neighbor from committing suicide when he passes by her door and smells gas. The neighbor, young ballet dancer Thereza (Claire Bloom), attempted suicide because she believes that she will never walk and therefore never dance again. She stays with Calvero while she recuperates, and the old comic starts to improve himself as he sets out to get Thereza the chance to prove herself as a world-class dancer. Thereza wants to marry Calvero in spite of their large age difference (I won't go into how art is imitating life here), but he feels that a young composer (Sydney Earl Chaplin) would be a better match. Complications ensue.

Chaplin's last starring role came in this bittersweet drama, a massive hit everywhere else in the world, but barely released in the U. S. due to Chaplin being labeled a "dangerous leftist". I had the same opinion of this that I did with many of his silent movies: it's technically proficient, but the sentimentality is a bit too thick, and it often seems blatantly phony, and not earned by what has been shown on screen. I've grown to like many of Chaplin's films on repeat viewings, and even love a couple of them, but I've always preferred the work of Buster Keaton. It was nice seeing the two on screen together, but it wasn't for long enough. The movie eventually received an Oscar-qualifying premiere in L. A. twenty years later, and thus bizarrely won the 1972 Oscar for Best Score (Charles Chaplin, Ray Rasch, and Larry Russell).

Charles Chaplin plays Calvero, an aging clown who rescues a ballet dancer called Terry (Claire Bloom) from committing suicide.These two become friends and Calvero gets more meaning to his life.He desperately tries to make a come back to become the greatest clown again but it's hard to make people laugh anymore.Limelight from 1952 was Charles Chaplin's last American film.It was a flop but the film won an Academy Award for best score in 1972.That year the king of comedy got also a special Oscar for career achievement.This was Chaplin's most sentimental movie and it also was very touching.Chaplin is amazing as the aging clown.The man wasn't only a great comedian.He was also a terrific actor.It's hard to top his performance in this movie.Claire Bloom's performance as the ballet dancer is also brilliant.Chaplin's son Sydney plays Neville in the movie.There are also Chaplin's children Victoria, Michael, Josephine, Geraldine and Charles Chaplin Jr. in this film.This is truly a masterpiece.This proves that Chaplin didn't shine only in silent movies.He did that also in talkies.And this is one of his best talkies. The dialogue is just delicious in this comedic drama.In the end you can see another great comedian from the silent era;Buster Keaton.You can see Chaplin and Keaton clowning together in the end.And that is one great scene.A scene to remember.The message of Limelight is how wonderful life is.Enjoy it while you still can.

Permeated with profound melancholy, told with a wistful eye and heavily autobiographical in its depiction of events, Limelight concerns a fading comedian who's forced to deal with the loss of his popularity but finds purpose & hope by helping out a suicidal dancer. Anchored by excellent performances, the film is a powerfully moving & deeply personal effort from the great visionary.

Written, produced, directed & also composed by Charlie Chaplin (A Woman of Paris & Monsieur Verdoux), the story borrows ideas & events from the acclaimed filmmaker's own past & present life and finely balances hope with despair, stardom with obscurity, happiness with heartbreak & laughter with tears. It captures the power of kindness, the beauty of companionship & is an ode to life itself.

Chaplin also stars as the washed-out music hall comedian whose lost fame alludes to his own decreased popularity in the United States and the gaze, gestures & expressions with which he articulates his poignance & longing has a pitch-perfect conviction to it. Claire Boom is brilliant as well and her performance only gets stronger as plot progresses. And the two share a warm, wonderful chemistry together.

Overall, Limelight presents Charlie Chaplin making peace with his glorious past, acknowledging & accepting the realities of his place in the present world, and looking forward to his future with renewed hope. There are plenty of impressive scenes in this film but the most memorable one is where cinema's two greatest comedians unite for a gag together: a final coda on the stage that once was the playground of these screen legends.

A washed-up, formerly-famous Music Hall comic, Charlie Chaplin, saves a suicidal ballerina, Claire Bloom. In the process of giving her the hope to move on and succeed, he regains the confidence to return to the stage himself.

"Limelight" is a moving and autobiographical film that works as both a bittersweet drama and a mirror into the soul of one of the world's greatest film makers. I sometimes wondered if my affection for this film is based on my knowledge of Chaplin's life and career, and the parallels between "Limelight" and people and incidents in his own life. When I watch this film I see an artist standing naked at a crossroads before his audience, unsure where to go and what to do. However, I know the film does not require an advanced degree in Chaplin to enjoy. My wife, who could probably do little more than identify the Tramp in a lineup before marrying me, loved this film before she met me. I have also had the good fortune to see the film in a theater in New York and watch it work its wonders on an audience. Stylistically, it might be dated, but the magic lingers.

"Limelight" is best viewed as a drama with comedy rather than a comedy with drama. Outwardly, it is the simple story of a vulnerable youth who mistakes her gratitude for love, and an older man wise enough to know the difference. But it's more than that too. It's about an artist's nature, and the addictive power of applause. The Chaplin character, Calvero, knows how to make people laugh, but feels he has lost the ability to do so. He realizes he is at the end of his career, but he still hungers for one final moment in the limelight. The film is talky and philosophical, and, yes, a little pompous and pretentious at times too. It's almost as if Chaplin is trying to impart through words the simple joys and mystery of life he was once able to express effortlessly through simple slapstick alone. Does this flood of words mean Chaplin has lost his skills as a film maker? No. He still has the power to move.

"Limelight" is Chaplin's final masterpiece. It is one of my favorites. I prefer to think of it as his last film. Should this be your first Chaplin film? No. Start with films like "The Gold Rush," "City Lights," and "The Great Dictator." Come to know the comedian before you get to know the man.

Haunting and unforgettable piece from Charles Chaplin that was nearly lost in the American cinema all together. It played in very few cities within the U.S. in 1952 and was never shown in Los Angeles due to the suspicion that the House of Un-American Acts Committee had concerning Chaplin (making no sense to me as Chaplin, who was British, was the polar opposite of a Communist from all indications). The film disappeared from U.S. soil and did not re-surface until some 20 years later in 1972 and Chaplin actually won an Oscar, with fellow scorers Raymond Rasch and Larry Russell, for this movie's original dramatic score (this was the only competitive Oscar Chaplin ever won). Chaplin stars as a washed-up vaudeville performer. He is now an elderly man (in his 60s when the film was made) and the spotlight is gone forever, even though he still secretly yearns for it. Chaplin discovers a very young ballet dancer (Claire Bloom) who has attempted suicide because she cannot handle being a performer. Naturally Chaplin cannot believe that this young, beautiful and talented woman would rather take her life than be a ballet performer (the fact that Chaplin yearns for her youth and the ability to be an entertainer again makes him bound and determined to get her back on her feet). He tries with all his might to get her performance-ready again, all the while he is also trying to resurrect the career that he lost long ago. Chaplin has a dream of a stunning performance he has on the stage, but when his act ends there is no one there to acknowledge him (one of, if not the saddest sequences I have ever seen on film). Soon it becomes obvious that Chaplin's time is running out and his desperation to have that one last piece of action engulfs his mind, body, heart and soul. "Limelight" is one of the most dramatic and intense pictures I have ever encountered. Chaplin's life and career had changed dramatically by 1952. The Little Tramp was no more, all movies had sound, some films were being made in color and the subject matter of motion pictures was slowly starting to change. In many ways Chaplin was trying to show the viewing public his life in celluloid form and "Limelight" would be the vehicle used. This is a stunning work that once again shows the humanity and overall sensitivity that Chaplin had with his movies. Chaplin's long-time rival in real-life (Buster Keaton) even shows up late and acts as a partner in the duo's stage routine. The pairing is usually the most memorable part of this production to most, but the story and the deep emotional part that Chaplin plays are the things that make "Limelight" quite possibly Chaplin's greatest cinematic masterpiece. 5 stars out of 5.