Einmal Millionär sein

Ealing studios are famous for making very dry and witty comedies; they're probably most famous for the excellent 'Kind Hearts and Coronets' and darkly comic 'The Ladykillers', but The Lavender Hill Mob, although not as good as the other two, is definitely worth a mention.

The Lavender Hill Mob is about a bank clerk (Alec Guinness) that, with the aid of his friend Alfred Pendlebury (Stanley Holloway), a man that makes paperweights in the shape of the Eiffel tower, has an ingenious idea of how to rob his own bank. The two realise that the bank cannot be robbed by just them, so they set a trap to catch a couple of criminals, and once they've recruited them; The Lavender Hill Mob is born.

Alec Guinness, a regular of Ealing comedies and a man that I think is worthy of the title "the greatest actor of all time" shines, as usual, in this movie. Alec Guinness manages to hit the tone of his character just right; he is suitably creepy, as he is, a criminal, and yet at the same time he's also eccentric enough to be considered an upstanding citizen and bank clerk. Guinness is, however, not the only actor who's performance in this movie is worthy of acclaim, the entire cast shine in their respective roles; Stanley Holloway is more subdued in his role, but that's also suited to his character. There are also excellent support performances from Sid James, who is mostly remembered for his work on the 'Carry on' films; Alfie Bass, whom fans of British comedy TV will remember from the series "Are You Being Served" and there's also a very small role for Audrey Hepburn, who's movie legacy is legendary.

The Lavender Hill Mob also features many memorable moments that will stick in the viewers' mind long after the film has ended. Parts of the film such as the chase on the Eiffel tower and the way that the two central characters manage to loose the entire police force are legendary. The Lavender Hill Mob is a small movie, but it's a movie that aims big and it works a treat. This movie also features a brilliant twist ending that rivals the one in the superb 'Kind Hearts and Coronets'.

Overall, The Lavender Hill Mob is, despite its low budget and short running time, a spectacular comedy film that should not be missed by anyone.

This is a comedy the talented Alec Guinnes did for the Ealing studio in the early part of his career. Of his Ealing days, he left us a legacy that is hard to surpass: "Kind Hearts and Coronets", "The Ladykillers" and this one, that comes to mind.

Directed by Charles Crichton and written by T.E. Clarke, this is a fun movie that in spite of the years since it was filmed, it still charms its audiences, young and old.

The background is a London, right after the war. The film is original in that it takes us all over the city to places that one can identify so clearly, even after more than 50 years! It speaks of how careful are the English not to destroy their monuments.

As the would be robbers, Henry "Dutch" Holland is a man with a plan. He recognizes in his neighbor of the Lavender Hill rooming house, Alfred Pendlebury, a kindred soul that will see his proposal of how to steal the precious gold bullion from the Bank of England. It's a big operation, yet, only four people are needed to carry on the job.

This is a comedy of errors, where the best laid plans go awry in the small details the gang hadn't planned. The sure thing becomes a dead giveaway to the authorities once Holland and Pendlebury decide to go after the souvenir one young student bought in Paris that is part of the loot. Prior to that, the scenes in Paris at the Eiffel Tower was an original sequence for a movie that relies on intelligence rather than in overblown special effects.

Alec Guinness is charming as the master mind behind the heist. Stanley Holloway, a great English actor is magnificent as the man with an artistic eye, who almost derails the operation. Sid James and Alfie Bass contribute to make the film the joy it is with their comic presence. In a small cameo that comes and goes so quickly, we watch a young and elegant Audrey Hepburn makes an graceful appearance.

This is a film for all Ealing fans of all ages.

This is a gentle understated English comedy, a classic example of Ealing Studios' output of the 1950s. But paradoxically what makes it most remarkable is its sheer exuberance, the unconcealed glee of Holland and Pendlebury as they revel in the success of their audacious plan. Their first meeting after seeing each other at the police station, the drunken return to their rooms after their celebratory meal and of course the famous descent of the Eiffel Tower, their laughter echoing the giggles of the schoolgirls spiralling round and round before falling dizzily out at the bottom.

Painting and sculpture were Pendlebury's wings, his escape from his "unspeakably hideous" business occupation. But when Holland delicately introduces him to his own dream of twenty years' to escape - and not just metaphorically - from life as a nonentity, Pendlebury is drawn in. The scenes in the Balmoral Private Hotel in Lavender Hill are outstanding, and the sparse dialogue allows Alec Guinness and Stanley Holloway to shine as Holland suggests to Pendlebury how gold might be smuggled out of the country. "Hohohoho; By Jove, Holland, it is a good job we are both honest men." "It is indeed, Pendlebury."

Later in the film, the plot stands less well up to scrutiny but Guinness and Holloway are easily able to carry the viewers' attention. Chases that turn into farces often don't work in this style of British film, but here again Holland and Pendlebury carry such energy and excitement that they fit in well, and I am sure that even in nineteen fifties Britain, large numbers of the audience will have grasped the ironic humour of the policeman singing "Old MacDonald," in addition to those laughing at the straightforward ludicrousness of the scene.

Aficionados of British postwar comedy will enjoy this film, and because it lacks the dryness of say, "Kind Hearts and Coronets" or "The Ladykillers" it provides a more accessible introduction for those who are new to this most wonderful of genres.

In my opinion - this is the best comedy movie ever made. There are few movies that can still generate belly laughs two or three years after their release. This movie is still funny after more than fifty years! Plus it has some of the greatest comedy scenes ever filmed: the "my safe is broken and I have the whole payroll in it" scene; the two small-time thieves comparing resumes; Alec Guiness blending into the crowd of City bankers; and, of course, the famous last scene.

A banker decides to rob his own bank.

A classic small British film that punches above it weight. Good cast get their teeth in to an Oscar winning script. The kind of film they should show at films schools to show how good films are constructed and delivered. One of the top 100 comedy films ever made - although delivers small chuckles rather than out-and-out laughs.