Einmal Millionär sein

Ealing studios are famous for making very dry and witty comedies; they're probably most famous for the excellent 'Kind Hearts and Coronets' and darkly comic 'The Ladykillers', but The Lavender Hill Mob, although not as good as the other two, is definitely worth a mention.

The Lavender Hill Mob is about a bank clerk (Alec Guinness) that, with the aid of his friend Alfred Pendlebury (Stanley Holloway), a man that makes paperweights in the shape of the Eiffel tower, has an ingenious idea of how to rob his own bank. The two realise that the bank cannot be robbed by just them, so they set a trap to catch a couple of criminals, and once they've recruited them; The Lavender Hill Mob is born.

Alec Guinness, a regular of Ealing comedies and a man that I think is worthy of the title "the greatest actor of all time" shines, as usual, in this movie. Alec Guinness manages to hit the tone of his character just right; he is suitably creepy, as he is, a criminal, and yet at the same time he's also eccentric enough to be considered an upstanding citizen and bank clerk. Guinness is, however, not the only actor who's performance in this movie is worthy of acclaim, the entire cast shine in their respective roles; Stanley Holloway is more subdued in his role, but that's also suited to his character. There are also excellent support performances from Sid James, who is mostly remembered for his work on the 'Carry on' films; Alfie Bass, whom fans of British comedy TV will remember from the series "Are You Being Served" and there's also a very small role for Audrey Hepburn, who's movie legacy is legendary.

The Lavender Hill Mob also features many memorable moments that will stick in the viewers' mind long after the film has ended. Parts of the film such as the chase on the Eiffel tower and the way that the two central characters manage to loose the entire police force are legendary. The Lavender Hill Mob is a small movie, but it's a movie that aims big and it works a treat. This movie also features a brilliant twist ending that rivals the one in the superb 'Kind Hearts and Coronets'.

Overall, The Lavender Hill Mob is, despite its low budget and short running time, a spectacular comedy film that should not be missed by anyone.

Alec Guinness is the reason for that emoji with eyes replaced with hearts, right? I mean, seriously, I first met Alec Guinness while watching The Bridge on the River Kwai, and his turn as the seriously extreme Colonel Nicholson is one that will stay with the viewer long after the film ends. Guinness reintroduced himself to me in Lawrence of Arabia, another extreme role proving the man behind the roles that had blown me away was someone to see more of. I'm currently on a quest to see as many Guinness films as I can which led me to his turn in the 1951 film directed by Charles Crichton, The Lavender Hill Mob. In the Lavender Hill Mob, Guinness plays an unassuming bank clerk who decides to put a plan in motion to bring his life something more. In a classic British comedy, which exposed a whole new side of Alec Guinness, The Lavender Hill Mob is a film to see.

Holland (Alec Guinness) is a feeble, regimented, shy bank clerk, who is constantly reminded that he is not getting any younger. After 20 years, he has worked for the same bank as their agent who oversees the deliveries of gold bullion. After a chance meeting with a Mr. Pendlebury (Stanley Holloway), a maker of souvenirs, Holland realizes (in a very Leo Bloom a la The Producers way) that with Mr. Pendlebury's tools and expertise, the pair could steal gold from the bank and melt it into miniature Eiffel Tower souvenirs, smuggling massive amounts of money for themselves. After becoming committed to their ideas, the unlikely pair put a plan in motion with the help of a couple of career criminals, Lackery (Sidney James) and Shorty (Alfie Bass). Of course, the plan doesn't go as smoothly as it was first conceived, and it becomes a comedy of errors for the plan to succeed, a true treat for audiences.

British films are so fun, the comedic dialogue so unique to films that come from across the pond, is second to none. The writing in The Lavender Hill Mob is sensational, filled with jokes or subtle lines, it is a film that has something new to give upon each viewing. The comedic timing is also a standout in The Lavender Hill Mob. Each actor plays a great role and proves their talents for comedic acting with fantastic performances in The Lavender Hill Mob. Another surprising standout in this film was the score. People don't expect much in the way of a musical score in a comedy, The Lavender Hill Mob blows that stigma out of the water. The score, the comedic acting, the performances make The Lavender Hill Mob a film to be sure to watch, especially if you're tired of the mindless comedies that are so plentiful in American cinemas. The show stopper is Alec Guinness, I am not sure this wonderful film would be as wonderful without him. The Lavender Hill Mob certainly won't be the last Alec Guinness film that I see.

This is a comedy the talented Alec Guinnes did for the Ealing studio in the early part of his career. Of his Ealing days, he left us a legacy that is hard to surpass: "Kind Hearts and Coronets", "The Ladykillers" and this one, that comes to mind.

Directed by Charles Crichton and written by T.E. Clarke, this is a fun movie that in spite of the years since it was filmed, it still charms its audiences, young and old.

The background is a London, right after the war. The film is original in that it takes us all over the city to places that one can identify so clearly, even after more than 50 years! It speaks of how careful are the English not to destroy their monuments.

As the would be robbers, Henry "Dutch" Holland is a man with a plan. He recognizes in his neighbor of the Lavender Hill rooming house, Alfred Pendlebury, a kindred soul that will see his proposal of how to steal the precious gold bullion from the Bank of England. It's a big operation, yet, only four people are needed to carry on the job.

This is a comedy of errors, where the best laid plans go awry in the small details the gang hadn't planned. The sure thing becomes a dead giveaway to the authorities once Holland and Pendlebury decide to go after the souvenir one young student bought in Paris that is part of the loot. Prior to that, the scenes in Paris at the Eiffel Tower was an original sequence for a movie that relies on intelligence rather than in overblown special effects.

Alec Guinness is charming as the master mind behind the heist. Stanley Holloway, a great English actor is magnificent as the man with an artistic eye, who almost derails the operation. Sid James and Alfie Bass contribute to make the film the joy it is with their comic presence. In a small cameo that comes and goes so quickly, we watch a young and elegant Audrey Hepburn makes an graceful appearance.

This is a film for all Ealing fans of all ages.

What hits you first about LHM is its smallness. It is a small film (78 min) made with a small budget about some small people. But their smallness doesn't stop them from dreaming the impossibly big - rob the Bank of England! In fact it is this very smallness & unobtrusiveness that gives Alec Guinness & Stanley Holloway - bank clerk & artist respectively - their chance.

The film, told in an intelligent flashback, is divided into 3 segments. First is the plotting. A mild mannered bank clerk meets a minor artist. Both want to get out of their seedy Lavender Hill boarding house & nondescript existance. Both look past their glory days. Yet together they have the opportunity to pull off a brilliant crime.

Then comes the heist. A surprisingly simple operation perfectly (almost!) executed. Finally the escape - getting the gold outside the country into the 'continental blackmarket'. Alas, the movie being made in the good old days when crime didn't pay, our heroes must suffer. But by then they have given us enough joy & adventure for us to forgive their one tragic slip.

This is definitely one of the best comedies Ealing studios made in the '50s (my other favourite is the vastly underrated 'Hue & Cry' where Alistair Sim gives a typical quirky performance & the tipsy 'Whiskey Galore'). Holloway & Guinness acted in many of them. They usually played very stiff upper British lip polite, eccentric, but excitable characters. In this movie they decide they are familiar enough to ask each other their first names only after they have robbed a bank together! When Holloway realises they can pull it off, his face is hidden in the shadows as he slowly tells Guinness, 'Thank God Holland, we are both honest men' - a line which I think summarises the entire movie.

The reason this movie is so amusing even today is that it is very tightly scripted (Tibby Clark won an Oscar for his effort) & brilliantly realised by the ensemble cast. As far as caper films go this has half the gadgetry of 'Entrapment' but twice the fun.

This is the 3rd time I am seeing this movie & I enjoyed it as much as I did the first time. Please see this one!

In my opinion - this is the best comedy movie ever made. There are few movies that can still generate belly laughs two or three years after their release. This movie is still funny after more than fifty years! Plus it has some of the greatest comedy scenes ever filmed: the "my safe is broken and I have the whole payroll in it" scene; the two small-time thieves comparing resumes; Alec Guiness blending into the crowd of City bankers; and, of course, the famous last scene.