Ivanhoe - Der schwarze Ritter

It was in this film that the legendary stuntman, Paddy Ryan, did a spectacular fall into an amazingly small amount of water. I started working in the UK in 1960 and there was still talk among casts and crews of Paddy's famous fall. I met Paddy a few times and asked him about the stunt dive. He said it was no big deal. He remembered being asked by some publicist why he did such dangerous things. He replied that he looked down from the great height, imagined he saw his pay check lying there, and took off! I suggested that he should write his memoirs. He said he had started and had spent a long time writing it all out by hand and had almost finished when his manuscript was stolen from, if I remember correctly, his car. He said he was too fed up to sit down and do it all again. What a loss!

An engrossing movie about 12th century England. It has everything you would want to see in a movie about medieval Europe: knights, fair maidens, jousting tournaments, battles, and feuding crowns. Yet the movie is not boring in any way. I enjoyed every minute of it. The title character is an Anglo-Saxon knight who's on a mission to return the imprisoned king, Richard the Lionhearted, to his throne. Along the way, Ivanhoe encounters some obstacles that may endanger his own life and threaten the future of England. Everything about this movie is enchanting. The movie is very colorful, the score is outstanding, and it's exciting to watch the battle scenes. I really enjoyed seeing one of my favorite actors, George Sanders, playing yet another villain. It was also great to see the always ravishing Elizabeth Taylor (at a very young age), who plays a jewish maiden. I liked the way the movie demonstrated the persecution of jews living in England at the time, and how they were looked down upon in spite of the different ethnic groups that made up the English population. Above all, I really liked the ending--it was awesome. Interestingly, this movie (which is from 1952) is more entertaining than and not as theatrical as some of the historical dramas that were made AFTER this movie.

In his return from the crusades king Richard of England is captured and held for ransom by Austrian king Leopold. His loyal knight Wifred of Ivanhoe tries to collect the amount for his liberation but Prince John (Richard's brother) sits now in the throne and will do anything to stay there with the aid of some Normand knights.

This is a real good action and adventure medieval film with knights, maidens, castles, tournaments, battles, duels and else. Richard Thorpe direction is excellent (perhaps his best work ever); you'll find also good color photography, well made settings and an interesting plot. Costumes and armours -though perhaps too "hollywoodish" perfect- are also a plus.

Robert Taylor (Ivanhoe) was in his peak and does well as the reliable and faithful knight who fights for his captive king. George Sanders is very well casted as Brian de Bois Gilbert the Templar warrior-monk that would give up his honor for the love of the Jewish maiden Rebbeca (Elizabeth Taylor) but will rather see her death when he is rejected. Joan Fontaine is Lady Rowena Ivanhoe's bride. The rest of the cast includes some all time favourites as Felix Aylmer (Rebbeca's father), Finlay Currie (Cedric the Saxon), Robert Douglas (as Sanders's sidekick Sir Hugh de Bracy) and in a typical role for him Guy Rolfe as the treacherous and ambitious Prince John (this guy was born to play villains).

The tournament in which Ivanhoe challenges the five top Saxon knights and the assault on Front de Beuf's castle by Robin of Locksley and his men are very well achieved action scenes and even more if you consider it was the early 50's. And the final duel between Taylor and Sanders is a great climax for the film (notice they chose war axe and iron ball and chain instead of the usual swords).

A most enjoyable film in its genre.

"Ivanhoe," filmed in bright techicolor was nominated for best picture in 1952.

Miklos Rosza again provides us with a major musical score. I always felt that his scores, so rich in textures, would be a prelude to his Oscar-winning score in "Ben-Hur." (1959)

The film deals with the ongoing fight between the Anglo-Saxons and Normans, the latter having ruled England since the infamous Battle of Hastings in 1066. While fighting in the crusades, Richard the Lionhearted has been kidnapped and held captive in Austria. This has been done with the help of the Austrian emperor Leopold and Prince John, Richard's evil brother, who assumes the throne in his brother's absence.

I laughed at the beginning of the film when Robert Taylor, who plays Ivanhoe, loyal to Richard, asks someone for a translation as he doesn't read Austrian. Didn't they mean German? While it is true that Germany did not become a unified country until 1871 following the Franco-Prussian war, the dialect spoken in the entire region was German.

Taylor rallies to the aid of his people. Hurt, he is given refuge by the Jewess Rebecca, played with warmth and skill by Elizabeth Taylor. Her father, Isaac the Jew, played by the always serious Felix Aylmer, promises to help pay the ransom for Richard so that his people can have religious toleration in England. Naturally, Rebecca loves Ivanhoe but so does Lady Rowena played by a much reserved Joan Fontaine. Her guardian, the father of Ivanhoe in the film, is portrayed by Finlay Currie, who played in numerous bible films.

The Technicolor and cinematography are breathtaking in the film.

A story of love and devotion, especially that of George Sanders, who sacrifices all for Rebecca.

Although the story of Ivanhoe has been brought to screen several times, this is the version that I have always considered outstanding. Yes, I admit that it is a free adaptation of Sir Walter Scott's novel, much is changed. I also admit that it is a clearly Hollywood production of the early 1950s with cast elites of the time. Yet, IVANHOE is extremely entertaining as an epic movie.

MIDDLE AGES ON SCREEN: The picture of the medieval England of the 12th century is very appealing. Viewers get a right impression of the lifestyles, believes, and values of the time. And it is not only because of the costumes and sets... the film is supplied with such moments that allow us to travel in our imagination to the distant Middle Ages. I loved the tournament, for instance, when the "knight with the hidden face" (Ivanhoe) is supposed to prove his courage. Here, a mention must also be made of the castle siege and the very natural action. Another important medieval aspect that is developed in the film is man's chivalric love to a woman. Ivanhoe comes back to his homeland and refers to the vows of chastity he has made with his beloved Lady Rowena (Joan Fontaine). This delicacy combined with straightforward love and courage with sacrifice are very beautiful...and very medieval (consider this aspect in Gibson's BRAVEHEART as well). Finally, funny moments are accurately embedded in the context. The scenes with humble Squire Wamba (Emlyn Williams) constitute the heart of the movie's humor.

PLAYERS: The cast give very fine performances. Although these are mostly great stars of the early 1950s and may be not that famous to the general audience at present, Robert Taylor is absolutely amazing as Ivanhoe. He perfectly expresses chivalric courage, purity of intentions and honor. I also liked young Liz Taylor who is noticeably not that professional on screen as she later was. Yet, her girlish beauty in the role of a Jewish girl, Rebecca, is magnificent. Except for Taylors, Joan Fontaine in the role of the virtuous Lady Rowena is terrific - real Lady, yet a bit boring. There are also such mainstays of epics like George Sanders, Felix Aylmer and Finlay Currie. Who can forget their roles in QUO VADIS? or SOLOMON AND SHEBA? Thanks to the famous cast, the film can be placed in the accurate cinema period. Yes, it cannot be forgotten that IVANHOE was made in the early 1950s and thanks to this awareness you partly know what to expect from such a film. However, the movie's old age talks even more for its value. IVANHOE is just standing a test of time.

EPIC PROPORTION FILM: IVANHOE is also filled with spectacular scenes. The first one worth consideration is the opening scene when Ivanhoe is traveling through Austrian valleys and hills looking for the captured Richard the Lionheart. Mind the excellent colors' selection and the sunset by the castle at Durnstein where the king was kept for ransom. The cinematography is outstanding. Another beautiful scene is the feast that Cedric (Finlay Currie) gives to his guests. This luxury of medieval cold castles, the hospitality of the Saxons and the manners of the wealthy are in focus. But these moments are not there for nothing...they serve the purpose to supply the viewer with a unique atmosphere.

What more to say? IVANHOE by Richard Thorpe, in spite of its 54th birthday, is a great medieval epic that I would recommend to everyone. For me, it is one of those films that I have seen several times and still dream to see once again. I am always in a very nice mood whenever I see this movie 7/10