IMDb-BEWERTUNG
6,2/10
1049
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe exploits of nineteenth-century pioneer Jim Bowie after settling in New Orleans.The exploits of nineteenth-century pioneer Jim Bowie after settling in New Orleans.The exploits of nineteenth-century pioneer Jim Bowie after settling in New Orleans.
- Regie
- Drehbuch
- Hauptbesetzung
Anthony Caruso
- Black Jack Sturdevant
- (as Tony Caruso)
Nedrick Young
- Henri Contrecourt
- (as Ned Young)
John Alban
- Casino Patron
- (Nicht genannt)
John Albright
- Casino Patron
- (Nicht genannt)
Leon Alton
- Riverboat Passenger
- (Nicht genannt)
John Alvin
- Impatient Man in Tailor's Shop
- (Nicht genannt)
Ernest Anderson
- Riverboat Cabin Boy
- (Nicht genannt)
Walter Bacon
- Casino Patron
- (Nicht genannt)
Salvador Baguez
- Mexican Artist
- (Nicht genannt)
Richard Bartell
- Horse Race Starter
- (Nicht genannt)
John Barton
- Gambling House Patron
- (Nicht genannt)
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You got to like Alan Ladd first off. He gave a good show in this performance and with a good story and supporting actors, this remains premium entertainment. In addition to the Bowie legend, we are introduced to the Bowie knife. A large no-nonsense will get the job done specially made knife that in the right hands can do quite a bit of damages if you are a master of said knife. Alan Ladd is that man. In addition to a nice flowing story-line, we are introduced to many memorable scenes which make this a must see movie again and again. We get a glimpse of the way it was way back when the country was young, Way back when, there was opportunity everywhere, brave men who took risks and danger to put them in their place if they made one wrong move. Many did. The movie emphasizes a moral code in its story of which men will duel over if not honored and obeyed. It wasn't enough to win or kill but how you win and kill that mattered as a mans reputation was the most important asset he had. Banks would loan on it, people would support it and others would imitate it making a person's character very valuable. Boy has that been compromised over the ages but not wiped out. If one finds an honest man who practices righteousness, faith is restored and good will toward men takes place. If many are found keeping this, then we are either closer to paradise or we are in Christmas! Pay attention to the leading ladies vanity. She has everything yet she has nothing and we are treated to a close-up glance of vanity at work and even more, pride in large doses too. Worthy time spent on this little gem. I have seen it perhaps ten times and am watching it now. What joy. Waste no more time reading this. Go and be entertained. Highly recommend eating while watching, a decent snack and a tasty drink. Please enjoy and if you recorded this off of TCM, watch it and save it and watch again in about 3 weeks. You will thank me!
Jim Bowie sets off to sell lumber in New Orleans, but once there he is captivated by the beautiful Judalon de Bornay and finds that life here is vastly different to that of home. Getting himself into many scrapes on account of his feelings for Judalon, Bowie invents a new kind of Knife, the Iron Mistress, and from here a legend is born.
Nobody should go into this picture expecting a Jim Bowie biography, in fact Western fans who haven't seen it should be advised that it barely registers as a Western piece. What it is, is a fine picture that certainly appears to be undervalued {if a little under seen} on the IMDb site. It's full of dandy men fighting and duelling with honour and guts, beautiful women that are surely worth fighting for, and of course it introduces us to the legendary Bowie Knife.
It's based on a Paul Wellman novel, and by all accounts the film is pretty loyal to Wellman's ideals, it doesn't however take us all the way to the Alamo. Alan Ladd takes the lead role of Bowie, shiny blonde hair and brooding for all he is worth, fans of his performance in Shane should definitely check this one out, it's a great performance from Ladd, the kind that makes the gals go gooey and the boys to thump their chests. Virginia Mayo is Judalon and positively simmers with sexual beauty, the character is akin to a viper, and the pot boiling sexual tension is palpable in the extreme, she is in short, a woman men will die for.
Some scenes are just terrific, a duel in a darkened room that is only lit by the odd flash of lightning thru a window, a knife fight as two men with one arm tied to each other face off in a circle of honour, and of course Jim Bowie in every encounter, his violent gutsy bravado fearsome as his reputation escalates. At the time of writing only 141 people have voted on this picture, only 10 people have bothered to write a user comment for it, that's a shame because although it may not be a Western as such, it's a damn fine romantic, dandy, drama with a Western legend at its core. 8/10
Nobody should go into this picture expecting a Jim Bowie biography, in fact Western fans who haven't seen it should be advised that it barely registers as a Western piece. What it is, is a fine picture that certainly appears to be undervalued {if a little under seen} on the IMDb site. It's full of dandy men fighting and duelling with honour and guts, beautiful women that are surely worth fighting for, and of course it introduces us to the legendary Bowie Knife.
It's based on a Paul Wellman novel, and by all accounts the film is pretty loyal to Wellman's ideals, it doesn't however take us all the way to the Alamo. Alan Ladd takes the lead role of Bowie, shiny blonde hair and brooding for all he is worth, fans of his performance in Shane should definitely check this one out, it's a great performance from Ladd, the kind that makes the gals go gooey and the boys to thump their chests. Virginia Mayo is Judalon and positively simmers with sexual beauty, the character is akin to a viper, and the pot boiling sexual tension is palpable in the extreme, she is in short, a woman men will die for.
Some scenes are just terrific, a duel in a darkened room that is only lit by the odd flash of lightning thru a window, a knife fight as two men with one arm tied to each other face off in a circle of honour, and of course Jim Bowie in every encounter, his violent gutsy bravado fearsome as his reputation escalates. At the time of writing only 141 people have voted on this picture, only 10 people have bothered to write a user comment for it, that's a shame because although it may not be a Western as such, it's a damn fine romantic, dandy, drama with a Western legend at its core. 8/10
Alan Ladd heads a fine cast in this film biography of Jim Bowie, a life that was marked by thrilling adventure and violence which ended at the Alamo. Bowie's travels take him to New Orleans where fate takes a hand and changes the course of his life and American history. A central figure in the film is a beautiful but vain and selfish Creole girl with whom Bowie is hopelessly smitten. This girl is responsible for the deaths of several men over a period of many years, because of duels, accidental killings or outright murders. Bowie himself is obliged to fight duels for various reasons and his expertise with a knife becomes legendary. His reputation, forged by the iron mistress, follows him like a shadow throughout his life as he tries to put the young woman and his violent past behind him. The film has beautiful color, lavish sets and Max Steiner's brooding music score.
Excellent entertainment for the movie-goer regarding Jim Bowie, his knife and a snapshot of his life real or imagined. It doesn't matter how accurate this is as it is not a biography or documentary but instead entertainment. Furthermore I like Alan Ladd which makes for a treat. There are some familiar faces for the cast for their time making it even more enjoyable. One thing I always look for in classic movie showings is whether the movie is watchable a second time. It all depends on memorable scenes and this movie has quite a few that make you want to "comeback" for more. Too bad it is not longer as they would have just loaded it up with more good viewing dynamics. I watch this every 2-3 years for decades and it is still holding my attention just like the first time out. Excellent movie to eat with while watching with a tasty drink. Snack ups it considerably too. Hey....
After a decade at Paramount Sue Carol negotiated a new studio contract for Alan Ladd at Warner Brothers. Sad to because her husband's greatest film was ready for release at Paramount and they had no great urgency to feature him in the publicity. But that's another story.
Alan Ladd became another one of a good list of players to take on the role of Jim Bowie. He plays him as heroic as Richard Widmark, MacDonald Carey, Sterling Hayden or Jim Arness did. Problem was of all the legends of the American frontier, Jim Bowie was probably the one who got the biggest whitewash in history.
The man was a thoroughgoing scoundrel. As a merchant he was as unscrupulous as a latter day robber baron. He was involved in several land swindle scams. He also bought and sold slaves as well. And he wasn't even honest in that. He and Jean Lafitte had a fine racket for a while with Lafitte capturing runaways in Texas and bringing them back to the U.S. for Bowie to sell, not necessarily back to their original masters.
He did have a knife built to his specifications as per the film and with his activities he did tend to get into a lot of violent disagreements. That's the Bowie knife, the Arkansas toothpick, the Iron Mistress of the title.
But Ladd plays Bowie as heroically as the legends have him and as the novel by Paul Wellman has him. He's caught between two women, the selfish French creole aristocrat Virginia Mayo and the daughter of the Governor of the province of Coahuila in Mexico which included Texas, Phyllis Kirk.
Bowie was a violent man in a violent era. Ladd plays him like he was Shane and he was being faithful to the novel if not the real Bowie. But then we've never seen the real one on screen any time.
Still for those who liked Ladd's portrayal of Shane, The Iron Mistress is a good film for you.
Alan Ladd became another one of a good list of players to take on the role of Jim Bowie. He plays him as heroic as Richard Widmark, MacDonald Carey, Sterling Hayden or Jim Arness did. Problem was of all the legends of the American frontier, Jim Bowie was probably the one who got the biggest whitewash in history.
The man was a thoroughgoing scoundrel. As a merchant he was as unscrupulous as a latter day robber baron. He was involved in several land swindle scams. He also bought and sold slaves as well. And he wasn't even honest in that. He and Jean Lafitte had a fine racket for a while with Lafitte capturing runaways in Texas and bringing them back to the U.S. for Bowie to sell, not necessarily back to their original masters.
He did have a knife built to his specifications as per the film and with his activities he did tend to get into a lot of violent disagreements. That's the Bowie knife, the Arkansas toothpick, the Iron Mistress of the title.
But Ladd plays Bowie as heroically as the legends have him and as the novel by Paul Wellman has him. He's caught between two women, the selfish French creole aristocrat Virginia Mayo and the daughter of the Governor of the province of Coahuila in Mexico which included Texas, Phyllis Kirk.
Bowie was a violent man in a violent era. Ladd plays him like he was Shane and he was being faithful to the novel if not the real Bowie. But then we've never seen the real one on screen any time.
Still for those who liked Ladd's portrayal of Shane, The Iron Mistress is a good film for you.
Wusstest du schon
- WissenswertesThis film was physically hard on Alan Ladd - he injured a knee during the shoot and broke a hand on the last day of filming.
- PatzerThe knife-maker claims the meteorite he found is made of steel. Steel is a man-made substance using iron and carbon. Metallic meteorites contain an iron-nickel alloy.
- Zitate
Jim Bowie: Ma...I killed a man.
Mrs. Bowie: Did he need killin'?
Jim Bowie: About as much as any man ever did.
- Crazy CreditsPrologue: "Historical truth is sometimes stranger than fiction. James Bowie was an example--literally carving his name in history to become an American legend."
- VerbindungenReferenced in Der rote Ballon (1956)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- La novia de acero
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 50 Minuten
- Seitenverhältnis
- 1.37 : 1
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By what name was Im Banne des Teufels (1952) officially released in India in English?
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