The Hour of 13

The theft of an emerald coincides with a policeman's murder by a serial killer in "The Hour of 13," starring Peter Lawford, Dawn Addams, Roland Culver, and Derek Bond. Lawford stars as Nicholas Revel, an attractive young man in league with a ring of thieves that steals jewels and then gives them back to the insurance company and collects the reward. Unfortunately, "The Terror," a murderer who targets the bobbies of London, has just struck his latest victim on the property Revel is inside robbing. The police assume the murderer also stole the emerald. Revel needs to solve the case, or help the police solve it, so that the stone can be delivered without anyone being arrested. Scotland Yard becomes suspicious.

Peter Lawford is plenty dreamy-looking in this film and his speaking voice is devastating. What a shame he was content to drink, hang with Frank, and play "Password." He was really something.

"The Hour of 13" is entertaining, though no great shakes. Its atmosphere is studio-manufactured and loaded with dry ice for fog effects. If you like the urbane, Raffles type of thief, you'll enjoy this.

Love murder/detective mysteries, particularly ones in period settings (Agatha Christie springs to mind), loved the idea for the story and while not usually a fan of Peter Lawford the intriguing cast (have always liked Michael Hordern) promised a lot. 'The Hour of 13' was one of those films that seemed like it would be right up my alley.

'The Hour of 13' turned out to be enjoyable, diverting and well done, was hoping that would be the case and it was. It will never be one of my favourites and it doesn't blow the mind, but there is a lot to enjoy and fans of the genre won't be too disappointed. Also liked that 'The Hour of 13' didn't try to do too much, knew what it wanted to be and didn't try to be more than it needed to be.

Sure, there could have been more suspense and dread and parts are a little too heavy on the seriousness making one feel that the lightness seen in other parts was more consistent and that one could invest emotionally a bit more.

Occasionally, the pace could have been tighter.

However, 'The Hour of 13' is a handsome-looking film, with atmospheric and handsomely crafted period detail, an appropriate moodiness in the photography and lighting and editing that is never sluggish or frenzied. The music is suitably haunting and while the direction is not especially distinctive it still keeps things interesting.

Much of the time, the script is thoughtful and doesn't get limp or confused. The story may not be much new but has a nice atmosphere and it avoids over-simplicity and convolution, more often than not engaging. The villain does carry off the right amount of menace. The characters carry the film well as do the cast. Lawford's performance is one of his better ones, and classy Dawn Addams and authoritative Michael Hordern are standouts of the accomplished supporting cast.

Concluding, enjoyable fun and works nicely as a film of its genre. Just don't expect anything exceptional. 7/10 Bethany Cox

The Hour of 13 casts Peter Lawford as a man who has lived beyond his means in Victorian London and has embarked on a life of crime. He decides with a pair of confederates to steal a most valuable emerald.

Lawford has thought this one through and at the same time he's doing his thieving there's a madman, a jack the ripper type using a sword is tabbing to death as many of London's bobbys as he can find. Lawford reasons that Scotland Yard is way too busy looking for this maniac to devote too much time to a jewel robbery.

Not telling any more other than Lawford's scheme nearly blows up in his face with all his fine finessing.

This MGM film was done over in the United Kingdom where Lawford returned to the old country to work with Dawn Addams, Derek Bond, Roland Culver, and Michael Hordern. Lawford fits well into the era along with his fellow British players.

Nice slice of late Victorian London.

In 1890 London, an 8th policeman is murdered by a serial killer. High class jewel thief Nicholas Revel (Peter Lawford) gets pulled in as the police tries to connect the murders with a stolen emerald.

It has a bit of the Sherlockian vibe. By no means am I saying that the character is Sherlock. It's the Victorian London murder mystery aspect. It does meander around with the trial and after it. Honestly, I'm not following some of this. It does end with thrilling action. All in all, I like tone and the style of this.

The Hour of 13 is directed by Harold French and adapted to screenplay by Leon Gordon and Howard Emmett Rogers from the novel "Mystery of the Dead Police" written by Philip MacDonald. It stars Peter Lawford, Dan Addams, Roland Culver, Derek Bond, Leslie Dwyer and Michael Hordern. Music is by John Addison and cinematography by Guy Green.

1890, London, and a serial killer known as The Terror is murdering policemen. When gentleman thief Nicholas Revel unwittingly becomes the chief suspect, he must use his guile and wits to prove he's not the killer; whilst also not getting caught for a jewel robbery he has just committed.

A dandy thief and a serial killer on a collision course.

Philip MacDonald's novel had already been adapted to screen for the 1934 film, The Mystery of Mr. X, making this a remake. The Hour of 13 is a little cracker of a movie, a genre splicer of some worth, it's part murder mystery, part police procedural, part romance, part robbery and also funny as well. These all make the picture narratively strong, the threads running concurrently but never once threatening to be complex or cloy the picture.

The backdrop is Victorian London, resplendent with glistening cobbled streets, bulbous street lamps and drizzly mist, where horse drawn taxis thunder down the roads. The protagonists are dandy gents, chirpy workers or beautiful ladies. The antagonist is a Jack the Ripper type, stealthily moving about the murky streets on a mission to kill policemen. We are in a time when wearing a policeman's helmet can land you one day in prison, where the British Bobby patrols the streets to make the locals feel safe, but they themselves are now not safe.

There's splendid performances across the board, with a chance to view the gorgeous Dawn Addams in one of her very first roles, a potent score from Addison and the work of French and Green is atmospherically tight to the plotting. Delightful film that deserves to be better known. 8/10