Hans Christian Andersen und die Tänzerin

This film is fantastic. The problem is hardly anybody has seen it, and anybody who hasn't is seriously missing out. It features Danny Kaye in his element here, as the fairy-tale author, and a superb score by Frank Loesser. All the songs are moving or humorous, and I recognised all of the fairy tales. I was moved by Ugly Duckling, laughing with delight at Thumbelina, and swaying in time to the music of Copenhagen, which has never looked that beautiful. The supporting stars are solid, most notably from Joey Walsh, Farley Granger and Jeanmaire. Speaking of the ballet sequences, I disagree that they were plodding. It may have been 20 minutes long, but the little mermaid, for me was the highlight of the film, and perfectly set to the music of Lizst. Hearing Schubert's Rosamunde was a delight, and when I heard the music to Anderson's dream(him trying to get Doro away from Nils), I genuinely felt I was watching a Wagnerian opera, with its devilish imagery and Flying Dutchman -like incidental music. Danny Kaye was fantastic in the song numbers, and although his voice isn't large, he has phenomenal breath control that is almost as good as that of the opera singer Tito Schipa. Watch this musical, which is perfectly-paced. If you don't see this, you're seriously missing out! 10/10. Bethany Cox

This was the movie that caused me to fall in love with Danny Kaye. I still love watching this movie more than 20 years after I saw it for the first time on television. I love his gentle nature with the children, in particular the little girl he sings "Thumbalina" to. Fabricated or not, this is one of his best films showing the true diversity of an incredibly talented man. Danny Kaye was surely one of the last of a dying Hollywood breed.

Whoever reviewed this film for Maltin's Guide (I wish they'd indicate who the reviewer is by initials or something. It'd make the book more useful) does not share my tastes. I personally don't care that it bears no relation to Andersen's life. They admit it up front. Judge a film by itself, not on it's supposed relation to reality! Given Andersen's real life and his moody, pessemistic nature, I doubt being more accurate would have been a good thing. The score is beautiful, the sets and Costumes are great and Danny Kaye was wonderful! I haven't seen the movie for a couple of years and I stll remember most of the score! Granted, it's not one of the all-time greats, but it's better than the Maltin review implies. A worthy effort. Recommended.

"Once upon a time there lived in Denmark a great storyteller named Hans Christian Andersen. This is not the story of his life, but a fairy tale about the great spinner of fairy tales." This is a roundabout way of saying that this story of Andersen is NOT actually a biography and any resemblance to him and his life is strictly coincidental!! For folks like me who are retired history teachers, this is a very bad way to begin a story.

The story is very much a mixed bag. On the positive side, Danny Kaye is incredibly charming in the title role, at least most of the time. The film also is beautifully made...and looks marvelous. A few of the songs are delights. But what keeps this film from being better is the story....and Andersen's creepy fixation on a young ballerina. This actually isn't too far fetched for the real Andersen...as he had a habit of becoming infatuated with unattainable women. But this portion of the film ALSO brought with it ballet...lots and lots and lots of ballet. In fact, a very large chunk of the film consists of ballet...which is just fine if you like ballet AND thought the film was mostly about ballet. However, for me, it just frustrated the heck out of me...and eventually I found myself fast forwarding through this...it was just something I didn't enjoy and it seemed very much out of place in a family film. I am sure a lot of kids loved parts of the film...and practically died as they had to sit through all that dancing!

Watching this again (for only the second time) last night, I was just knocked out by the score. Presumably because of a Broadway-is-better-than-Hollywood bias, the piece tends to be dismissed in the Loesser oeuvre but every single number is a gem -- and the fullest score for a "family fantasy" since THE WIZARD OF OZ. I was particularly taken by INCH WORM, a really short song sung in counterpoint to the children's chanting of their mathematic tables after the schoolmaster has dragged them away from Hans' tales. Not long enough to have a commercial future (outside of a soundtrack album) it tells us more about Hans than most of the scene that precedes it.

As others have noted, Danny Kaye is totally bearable and the kitsch side of the film is now enjoyable for that. (The colours also recall WIZARD.)

This film deserves more recognition in the world of original film musicals. It's a rare classic score at the time of composer compilations or Broadway imports.