Hans Christian Andersen und die Tänzerin

So the opening written words say to us the very thing that many across the movie forums have failed to spot, namely that they wasn't going for first tier autobiographical on this! just a celebration of the name and his work is all.

Who better to bring the great Dane to the screen than the ebullient Danny Kaye, his exuberant approach to the topic befits the glorious colour that positively sparkles in every frame of Charles Vidor's film.

The story tracks the Cobbler Andersen as he leaves his hometown of Odense to seek a new life in the beautiful city of Copenhagen. It is here that he becomes known for his stories that bring about much joy to the children of Denmark - and here that he writes his glorious ballet version of The Little Mermaid. He gets into scrapes, he falls for a pretty girl, and most of all he discovers his vocation in life, this is indeed a delightful fairytale in itself.

Sit back and enjoy The Emperor's New Clothes, Wonderful Copenhagen, Thumberlina and The Ugly Duckling, and then fall silenct for the 15 minute showing of The Little Mermaid in all its balletic glory. Hans Christian Andersen is a smashingly buoyant film, one that may come wrapped up in treacle for some folk, but for those of us with a sweet filmic tooth then the pleasures are there to be had. 8/10

A fictional account of the life of storyteller Hans Christian Andersen. First, if you haven't read his stories, then you probably won't appreciate this movie as much as you should. It's a perfect excuse to read them with your family, then watch the movie. Second, if you're expecting a sophisticated, adult-oriented story, you will be disappointed; however, the morals to Hans' stories, as well as the movie's lessons, are very worthy. That said, the musical numbers are an absolute delight -- Danny Kaye never fails to deliver a wonderful performance, and where else can you learn to sing stories, instead of tell them, for your children? -- and the ballets are great for this venue. We even get to see the movie's choreographer dance in one of the numbers. This movie was nominated for several Oscars. It deserved those nominations. Don't skip this one, especially if you have small children.

A lot of the comments previously made here are true and this certainly isn't any kind of real biographical film of Hans Christian Anderson. But one must remember that Samuel Goldwyn was primarily making this film as children's entertainment. And on that level he succeeded brilliantly.

In fact at the age of 5 in the cinema in Brooklyn this was the first movie on the big screen I ever remember seeing. My father was a big Danny Kaye fan so the whole family went to see it. And of course one of the first long-playing records we had in our house was the soundtrack to that film.

Another reviewer said that Frank Loesser's score was the highlight for him in the film. I don't think Danny Kaye ever had better material to sing with on the screen. Up to this point he got by with stuff especially written for him by his wife Sylvia Fine. He proved here in Hans Christian Anderson that he could definitely succeed without it.

Anyway when I view this film I'm five years old again. You will be too if you see it.

This film is fantastic. The problem is hardly anybody has seen it, and anybody who hasn't is seriously missing out. It features Danny Kaye in his element here, as the fairy-tale author, and a superb score by Frank Loesser. All the songs are moving or humorous, and I recognised all of the fairy tales. I was moved by Ugly Duckling, laughing with delight at Thumbelina, and swaying in time to the music of Copenhagen, which has never looked that beautiful. The supporting stars are solid, most notably from Joey Walsh, Farley Granger and Jeanmaire. Speaking of the ballet sequences, I disagree that they were plodding. It may have been 20 minutes long, but the little mermaid, for me was the highlight of the film, and perfectly set to the music of Lizst. Hearing Schubert's Rosamunde was a delight, and when I heard the music to Anderson's dream(him trying to get Doro away from Nils), I genuinely felt I was watching a Wagnerian opera, with its devilish imagery and Flying Dutchman -like incidental music. Danny Kaye was fantastic in the song numbers, and although his voice isn't large, he has phenomenal breath control that is almost as good as that of the opera singer Tito Schipa. Watch this musical, which is perfectly-paced. If you don't see this, you're seriously missing out! 10/10. Bethany Cox

This rather sophisticated musical appears to have been inspired by the visionary and dreamy Powell/Pressburger classic THE RED SHOES. It's as much a stylized romance as it is a kiddie picture, with Kaye refraining from indulging in the manic twittering he's generally known for, and becoming a rather poignant protagonist. That's not to say the whole family can't get something out of it, but the script makes no small point of creating sexual tension within it's romantic framework. Goldwyn wanted to make this picture for years, but couldn't find a script to satisfy him. Moss Hart finally came up with this one, and it's a surprisingly multi-dimensional one. Frank Loesser's music and lyrics are wonderful.