Füge eine Handlung in deiner Sprache hinzuThe seafaring adventures of French privateer Kit 'The Hawk' Gerardo during the Franco-Spanish-English war of the 17th century.The seafaring adventures of French privateer Kit 'The Hawk' Gerardo during the Franco-Spanish-English war of the 17th century.The seafaring adventures of French privateer Kit 'The Hawk' Gerardo during the Franco-Spanish-English war of the 17th century.
- Regie
- Drehbuch
- Hauptbesetzung
- Pirate
- (Nicht genannt)
- Pirate
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- Pirate Lookout
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- Prosecutor
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- Saloon Girl
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- Pirate
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- Senora del Toro
- (Nicht genannt)
- Doña Elena
- (Nicht genannt)
- Pirate
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- Pirate
- (Nicht genannt)
Empfohlene Bewertungen
The Golden Hawk has all the usual ingredients of a pirate romp: ship, adventures, sword fights, plots/counter plots and gunpowder explosions and of course romance - there's a little twist regarding the man Golden Hawk wants to kill. It's a bit melodramatic and sometimes talky but the sprightly sword fights and ship battles as well as the beautiful ladies like Rhonda Fleming uplifts this film. As for Sterling Hayden, he's an odd choice as a dashing pirate captain, a Casanova of the high seas, and largely he isn't too bad. He's a bit more alive than he's in other films. But someone like John Payne would've been a better fit.
Heroism , sword-play , ambushes and full of villainy swashbuckler, being financed by Columbia Pictures. The film is a nice pirate-adventure movie , produced in medium budget with habitual dueling, getaways , disguises and sexual hostility between hero and heroine, including a love triangle among Rhonda Fleming-Sterling Hayden-Helena Carter. Typical swashbuckler, the type no longer made in Hollywood, but exhilarating to see. This classic story of romantic adventure comes to life enriched by Technicolor cinematography and accompanied by an attractive score. It is the tale of a buccaneer named Kit Gerardo who takes over a ship of corsairs and wreak havoc on the high seas .
This is an agreeable entertainment juvenile romp in B-series, written for the screen by Robert E. Kent and based on the popularly successful novel by Frank Yerby. The movie displays in grandiose style noisy action, swashbuckler, heroism , swordplay, overwhelming fights, and spectacular sea battles with appropriate scale models. This release has some nice and even hilarious moments here and there , though isn't always interesting, sometimes is diverting and fresh and on a couple of sympathetic occasions is frankly delicious. Sterling Hayden is cool as the pirate hero who finds dangerous situations while trying save the damsel in distress. It has two exceptionally photogenic leading ladies in Rhonda Fleming and Helena Carter. This adventure movie with a budget enough packs breathtaking locations, sea-fight and amusing plot with plenty of roguish situations, thrills and emotion. It's enriched by colorful cinematography by cameraman William V. Skall. Furthermore , lively and rousing musical score. The motion picture was acceptably directed by Sidney Salkow. He was a craftsman who had already filmed adventures and Western movies . He realized all kind of genres such as routine westerns (Sitting Bull , The great Sioux massacre , Pathfinder) , Adventures (Prince of Pirates , Sword of the avenger) , war films , Sci-Fi (The last man on Earth) , Terror (Twice-told tales) and melodramas (City without men) . Salkow first worked for Republic, after joining Universal . At Columbia , he handled , among other assignments, four installments of the popular Lone Wolf series . After 1953, Salkow was primarily active as a director of episodes for television. Rating : 6/10
This standard and entertaining 50's swashbuckling that combines with certain gusto all staples of the genre to be liked for Sterling Hayden and Rhonda Fleming fans. Rating : 6/10, acceptable and passable , worthwhile watching .
The best part of the movie, however, is provided by William Skall's cinematography. A Technicolor specialist, he keeps the camera moving in a lively fashion throughout and seems to have settled on 17th Century Dutch painting, with frequent Rembrandt-like dark backgrounds and muted tones for a lot of shots. This was something you could do with Technicolor, playing around with the chroma of the prints, that was lost when Technicolor fell out of fashion, that has only recently been restored to modern movies by computer techniques.
There isn't much that will surprise anyone familiar with pirate movies, but the overall effect is worthwhile.
Wusstest du schon
- WissenswertesSome of the artwork on the walls of the governor's office (at about 48 mins) is seen again in the plantation room where Kit and Rouge are conversing (at about 52 mins).
- PatzerThe Spanish soldiers appear wearing breast plates and helmets that properly belong to the 16th century. By the late 17th century--the period of this movie--all the armies of Europe wore coats and three pointed hats.
- Zitate
Captain Christopher (Kit) Gerardo aka 'The Hawk': The red-haired girl who escaped from your ship to mine... what do you know of her?
Captain Luis del Toro: Only that she was newly arrived at Marie Galante. The other prisoners didn't know much about her. Did you find her entertaining?
Bernardo Díaz: Sure, she *shot* him.
[the crew men laugh]
Captain Luis del Toro: Never expect a wildcat to show gratitude, Captain.
- VerbindungenFeatured in Die Piraten von Tripoli (1955)
- SoundtracksWhat Shall We Do With A Drunken Sailor?
(uncredited)
Traditional
Sung in the tavern in the opening scene
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Details
- Erscheinungsdatum
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- The Golden Hawk
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- Laufzeit1 Stunde 23 Minuten
- Seitenverhältnis
- 1.37 : 1