IMDb-BEWERTUNG
6,4/10
2042
IHRE BEWERTUNG
Marschall Tyrone und der Silver Kid bilden ein unbehagliches Bündnis gegen eine Bande von Claims Jumpern.Marschall Tyrone und der Silver Kid bilden ein unbehagliches Bündnis gegen eine Bande von Claims Jumpern.Marschall Tyrone und der Silver Kid bilden ein unbehagliches Bündnis gegen eine Bande von Claims Jumpern.
Stephen McNally
- Marshal Lightning Tyrone
- (as Stephen Mc.Nally)
James Anderson
- Rat Face Blake
- (as Kyle James)
Victor Adamson
- Townsman
- (Nicht genannt)
John Albright
- Townsman
- (Nicht genannt)
Carl Andre
- Carl - Claim Jumper
- (Nicht genannt)
Emile Avery
- Posse Member
- (Nicht genannt)
William Bailey
- Townsman
- (Nicht genannt)
Griff Barnett
- Dan 'Pop' Muzik
- (Nicht genannt)
George Bell
- Townsman
- (Nicht genannt)
Stanley Blystone
- Sam
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
Don Siegel directed a delightful, fast paced, fun western, with tongue firmly in cheek. Audie Murphy isn't half bad as the poker-loving "Silver Kid", dressed in black leather. Featured are several unique characters like "Johnny Sombrero", who wears extravagant clothes, combs his hair up,and of course puts on a large sombrero. The script makes fun of all the western clichés, camping it up while moving the story briskly. Faith Domergue is alluringly devious and mean as the bad girl and love interest. Lee Marvin has a small but remarkable role, and sports a big mustache.
I like the way the straight hero is played for a fool until the end, and his poker playing sidekick gets all the action and glory. Siegel, as usual, excels with the action scenes, but this is not a thriller per say, more a fast paced action romp very similar in style to "The Big Steal", which Siegel directed before this film. I really enjoyed it.
I like the way the straight hero is played for a fool until the end, and his poker playing sidekick gets all the action and glory. Siegel, as usual, excels with the action scenes, but this is not a thriller per say, more a fast paced action romp very similar in style to "The Big Steal", which Siegel directed before this film. I really enjoyed it.
This is an entertaining but brief '50's Western and is still on UK TV regularly mainly because it was lucky enough to get shot in colour. However the story isn't too bad either, this side of Tolstoy anyway.
Wild bunch of brutal claim jumpers are terrorising the locality, but eventually fall foul of full-of-himself Marshal Lightning Stephen McNally (also doubling up as the noirish narrator) and the wronged Silver Kid played by smooth Audie Murphy. Who also respectively fall foul of dirty Brown Eyes and clean Dusty. In between the downbeat comments from McNally there's some sparkling dialogue, perhaps more intelligent than should be expected from this type of film but it helps keep you onboard while the hackneyed plot unfolds. Favourite bits: McNally's varying speeds of eating betwixt fillies; Murphy being told to stay in the jailhouse but turning up everywhere in Brown Eyes' house naturally riling McNally; Johnny Sombrero's swift comeuppance.
No surprises but quite a good film really, although sadly most people nowadays would pass it by as they prefer nothing but sex and gore for their entertainment.
Wild bunch of brutal claim jumpers are terrorising the locality, but eventually fall foul of full-of-himself Marshal Lightning Stephen McNally (also doubling up as the noirish narrator) and the wronged Silver Kid played by smooth Audie Murphy. Who also respectively fall foul of dirty Brown Eyes and clean Dusty. In between the downbeat comments from McNally there's some sparkling dialogue, perhaps more intelligent than should be expected from this type of film but it helps keep you onboard while the hackneyed plot unfolds. Favourite bits: McNally's varying speeds of eating betwixt fillies; Murphy being told to stay in the jailhouse but turning up everywhere in Brown Eyes' house naturally riling McNally; Johnny Sombrero's swift comeuppance.
No surprises but quite a good film really, although sadly most people nowadays would pass it by as they prefer nothing but sex and gore for their entertainment.
I watched this film when it was recently shown on British television, largely because it was an early work by Don Siegel, at the time an up-and-coming young director, but later to become one of Hollywood's most distinguished directors, responsible for films as good as "Dirty Harry" and "The Shootist". It is a Western of the traditional heroes-and-villains variety. The villains are a gang of claim jumpers whose victims are the local miners. Their method of working is a simple one. They pick on a lone miner, force him to sign over his claim under threat of death, and then kill him anyway so he cannot inform on them. (The film does not point out the obvious hole in the scheme, namely that the claim jumpers will not be able to enforce their rights to the claims they take over in this way without revealing their identities).
The main heroes are the local Marshal and the Silver Kid, a young gambler and gunfighter whose father was one of the claim jumpers' victims and who joins forces with the Marshal to seek his revenge. There are two complicating factors. One is that the Marshal has fallen in love with a young woman named Opal Lacey who is secretly in league with the killers. The other is that the Marshal has been shot in the shoulder, an injury which affects his ability to handle a gun.
The best-known actor in the film is Audie Murphy. He made a few good films, most notably "The Red Badge of Courage", but a lot of his output consisted of routine Westerns. Murphy always seemed to be struggling against two disadvantages. The first was the fact that because he had become well-known to the American public for something other than his acting- he was a much-decorated war hero- he was unable to ditch his odd, feminine-sounding Christian name in favour of something more rugged. The second was his smooth, youthful looks which meant that he was frequently typecast as a callow young greenhorn even when he was in his thirties.
Here, however, Murphy is pretty good as the Kid, a brash and undisciplined but basically decent young man who gradually grows in courage and stature. I would agree with the reviewer who pointed out that the relationship between the Kid and Steve McNally's older, wiser Marshal is similar to that between John Wayne and Ricky Nelson in "Rio Bravo". (I've never seen "El Dorado", the other film he mentions).
"Duel at Silver Creek" is a fairly standard Western. As others have pointed out, its plot- the one about the heroic lawman tackling a gang of bandits- is familiar enough to be called a cliché, although that in itself does not mean that the film itself will be a bad one. After all, some very good Westerns, and at least two great ones ("High Noon" and "Gunfight at the OK Corral") have been based around it. "Duel.." is in nothing like the same class as those two films, but Siegel handles the action well, showing signs of the great director he was to become. It may be a B-movie, but it is a fast-paced, entertaining and enjoyable one. 7/10.
The main heroes are the local Marshal and the Silver Kid, a young gambler and gunfighter whose father was one of the claim jumpers' victims and who joins forces with the Marshal to seek his revenge. There are two complicating factors. One is that the Marshal has fallen in love with a young woman named Opal Lacey who is secretly in league with the killers. The other is that the Marshal has been shot in the shoulder, an injury which affects his ability to handle a gun.
The best-known actor in the film is Audie Murphy. He made a few good films, most notably "The Red Badge of Courage", but a lot of his output consisted of routine Westerns. Murphy always seemed to be struggling against two disadvantages. The first was the fact that because he had become well-known to the American public for something other than his acting- he was a much-decorated war hero- he was unable to ditch his odd, feminine-sounding Christian name in favour of something more rugged. The second was his smooth, youthful looks which meant that he was frequently typecast as a callow young greenhorn even when he was in his thirties.
Here, however, Murphy is pretty good as the Kid, a brash and undisciplined but basically decent young man who gradually grows in courage and stature. I would agree with the reviewer who pointed out that the relationship between the Kid and Steve McNally's older, wiser Marshal is similar to that between John Wayne and Ricky Nelson in "Rio Bravo". (I've never seen "El Dorado", the other film he mentions).
"Duel at Silver Creek" is a fairly standard Western. As others have pointed out, its plot- the one about the heroic lawman tackling a gang of bandits- is familiar enough to be called a cliché, although that in itself does not mean that the film itself will be a bad one. After all, some very good Westerns, and at least two great ones ("High Noon" and "Gunfight at the OK Corral") have been based around it. "Duel.." is in nothing like the same class as those two films, but Siegel handles the action well, showing signs of the great director he was to become. It may be a B-movie, but it is a fast-paced, entertaining and enjoyable one. 7/10.
Stephen McNally is a rugged hero, playing the marshal "Lightning" Tyrone. He goes up against a vicious gang of "claim jumpers" making life miserable for miners. He makes the acquaintance of a youth who's been dubbed "The Silver Kid", played by WWII hero Audie Murphy, and decides that he can put The Kid to use as his deputy.
Although pretty average in terms of story, this is still entertaining thanks to the assured direction of Don Siegel, in the years before he'd graduated to the ranks of major A list directors. He knew how to handle action scenes, for one thing, and "The Duel at Silver Creek" is reasonably rousing at times. Overall, the filmmaking is quite capable, with top notch location work and superb creation of the classic Western look (in glorious Technicolor). You will notice that Siegel and the screenwriters don't exactly bother to keep the identities of certain villains a secret. You're also left in little doubt as to how the predictable script will unfold, so the scenario isn't about suspense, despite the fact that good guy Lightning has been badly wounded and can't handle a gun as well as he used to.
There are very fine performances by a well chosen cast: McNally, a confident young Murphy, lovely ladies Faith Domergue and Susan Cabot, Gerald Mohr, Eugene Iglesias, James Anderson, Walter Sande, Lee Marvin, George Eldredge, Griff Barnett, Harry Harvey, etc.
It's worth noting that the run time is a mere 77 minutes. It's always nice when actors and filmmakers can tell their story in a succinct manner and not drag it out any longer than necessary.
Six out of 10.
Although pretty average in terms of story, this is still entertaining thanks to the assured direction of Don Siegel, in the years before he'd graduated to the ranks of major A list directors. He knew how to handle action scenes, for one thing, and "The Duel at Silver Creek" is reasonably rousing at times. Overall, the filmmaking is quite capable, with top notch location work and superb creation of the classic Western look (in glorious Technicolor). You will notice that Siegel and the screenwriters don't exactly bother to keep the identities of certain villains a secret. You're also left in little doubt as to how the predictable script will unfold, so the scenario isn't about suspense, despite the fact that good guy Lightning has been badly wounded and can't handle a gun as well as he used to.
There are very fine performances by a well chosen cast: McNally, a confident young Murphy, lovely ladies Faith Domergue and Susan Cabot, Gerald Mohr, Eugene Iglesias, James Anderson, Walter Sande, Lee Marvin, George Eldredge, Griff Barnett, Harry Harvey, etc.
It's worth noting that the run time is a mere 77 minutes. It's always nice when actors and filmmakers can tell their story in a succinct manner and not drag it out any longer than necessary.
Six out of 10.
Don Siegel's "Duel at Silver Creek" opens with vicious gang of claim jumpers let by a killer called Rod Lacy (Gerald Mohr) who'd been forcing miners to sign away their claims through fear of torture or death
These claim jumpers were clever enough not to capture some of the bigger mines where there might be enough men working to put up a fight Usually they picked on the claims being worked by one or two men And more defenseless the men were, the better they liked it Their plan was simple and easy because no one knew who they were
Since their victims either disappeared, or were found dead, there wasn't anyone who could put their finger on them
One day, in the Tomahawks, the same gang forced Cromwell's old man to sign over the little claim he had and then they killed him Luke went after them and managed to get one of them before they shot his horse out from under him
Then a few miles of Silver City, jumpers moved in and killed an old man who struck it rich As usual they made a clean getaway but this time they left a trail
The Marshal of Silver City decided to get up a posse to track them down but the posse lost them in the chase and he took a bullet through his right shoulder So he was dropped off at the army hospital in Fort Lowell and they went back to town There Lightning met Opal Lacey who promised "Brown Eyes" she's going to find him a nuisance when he gets back in one week
Audie Murphy plays Silver Kid/Luke Cromwell He didn't have the face of a killer but he had the cold steel look of one His hands are quick and sure All he knows is how to handle a six-gun and poker
Faith Domergue plays Opal Lacy, the elegant woman with a secret agenda and a brother who's a mining engineer
Stephen McNally plays the famous Marshal who wasn't interested in the Kid's poker, but he was interested in the way he handled a six-gun He needed a right hand and he had the fastest one he ever saw He didn't see it dangerous to make him his deputy
Susan Cabot plays Dusty Fargo, the innocent girl who takes care of the Marshal better than many a wife he knows
Eugene Iglesias plays Johnny Sombrero, the hypocrite man who looks mighty happy about something maybe for the 'gift' of love he just made that night to prove he'd accomplished it to the girl he wants
These claim jumpers were clever enough not to capture some of the bigger mines where there might be enough men working to put up a fight Usually they picked on the claims being worked by one or two men And more defenseless the men were, the better they liked it Their plan was simple and easy because no one knew who they were
Since their victims either disappeared, or were found dead, there wasn't anyone who could put their finger on them
One day, in the Tomahawks, the same gang forced Cromwell's old man to sign over the little claim he had and then they killed him Luke went after them and managed to get one of them before they shot his horse out from under him
Then a few miles of Silver City, jumpers moved in and killed an old man who struck it rich As usual they made a clean getaway but this time they left a trail
The Marshal of Silver City decided to get up a posse to track them down but the posse lost them in the chase and he took a bullet through his right shoulder So he was dropped off at the army hospital in Fort Lowell and they went back to town There Lightning met Opal Lacey who promised "Brown Eyes" she's going to find him a nuisance when he gets back in one week
Audie Murphy plays Silver Kid/Luke Cromwell He didn't have the face of a killer but he had the cold steel look of one His hands are quick and sure All he knows is how to handle a six-gun and poker
Faith Domergue plays Opal Lacy, the elegant woman with a secret agenda and a brother who's a mining engineer
Stephen McNally plays the famous Marshal who wasn't interested in the Kid's poker, but he was interested in the way he handled a six-gun He needed a right hand and he had the fastest one he ever saw He didn't see it dangerous to make him his deputy
Susan Cabot plays Dusty Fargo, the innocent girl who takes care of the Marshal better than many a wife he knows
Eugene Iglesias plays Johnny Sombrero, the hypocrite man who looks mighty happy about something maybe for the 'gift' of love he just made that night to prove he'd accomplished it to the girl he wants
Wusstest du schon
- WissenswertesThis was Don Siegel's first western, as well as his first film for Universal, which became his home studio in the '60s and '70s.
- PatzerDuring the climactic gunfight where rider Rod Lacy is himself chased on horseback by the marshal and both then dismount to continue shooting at each other, Lacy astonishingly manages to fire 11 shots from what is clearly a revolver pistol (which normally fires only 6) before an attempted 12th shot reveals it to be out of ammunition, and only then is Lacy forced to reload it - he is out of frame briefly whilst on his galloping horse (the camera cuts to the chasing marshal) but could not have conceivably re-loaded during that very short time, and at no point throughout is he shown to be carrying 2 guns.
- Zitate
Marshal Lightning Tyrone: [to Blake] If you're in Silver City after sundown, Rat Face, I'll throw you in jail.
[He throws him through store window]
- VerbindungenReferenced in Hollywood Remembers Lee Marvin (2000)
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- 1 Std. 17 Min.(77 min)
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