Für zwei Sechser Hoffnung

Two Cents Worth of Hope (1952) Director: Renato Castellani Watched: 6/22/18 Rating: 5/10

With local talent, Filmed at Mount Vesuvius; Great sitcom antics, Poverty against true love, True Italian village life.

Rallying ending, But no one was "stark naked". Distant characters, Lax voice-over narration, More frenzied yelling than laughs.

Somonka is a form of poetry that is essentially two tanka poems (the 5-7-5-7-7 syllable format), the second stanza a response to the first. Traditionally, each is a love letter and it requires two authors, but sometimes a poet takes on two personas. My somonka will be a love/hate letter to this film? #Somonka #PoemReview #Italian #PalmedOr

Castellani let it rip with this one! The movie's a riot — but a thoroughly enjoyable one.

Carmela, the daughter of a well-to-do village fireworks manufacturer, relentlessly pursues Antonio, the returned soldier son, now unemployed, of a less than honest poor village woman.

Finally, of course love triumphs... but it's a rocky road to get there! Slowly Antonio is wooed — and when he is, he's resolute — but then they face the reluctance of both sets of parents to their match — and Antonio's sister's indiscretion with another wealthy landowner doesn't help.

I was exhausted by the end with all the shrieking, weeping, chastising and emotional swinging.

The movie is beautifully filmed. Some of the editing is a little rough. The direction improves as the movie goes along. Nino Rota gives us a taste of how his musical gift will develop in subsequent years.

watch Due soldi di speranza (1952). the film is about semi - rural Italy.It depicts that despite poverty the robustness, humor and music exists.The songs Carmela sings.........and best scenes are how people up the hill tease her and she answers back. Both the lead actors are very young 21 and 17 but the director has extracted powerful performances.Vincenzo Musolino died very young,in this movie he looks very handsome older and mature than his age at that time .Carmela's character is totally unpretentious about her love ,thats out of ordinary .Filomena Russo is great in her rustic and loud way in her only movie .

Neo-realist comedy-drama about a young guy without a job or prospects trying to woo a girl. I often find when I watch Italian films which are not genre-oriented, I find myself struggling a bit. This one was no different, as I didn't connect with it too much and it did appear to me to ultimately boil down to scenes of Italians shouting at each other an awful lot. Yeah, I'm better off sticking to pastaland offerings featuring leather-clad killers, violent men in small cars and master criminals in gimp suits.

Is love the only ingredient needed to enable a young couple to be married? Through most of this motion picture the answer seems to be no, as Antonio and Carmela are in love and yet the odds are against them getting married. This is the simple plot line which focuses in on the two very well developed characters and their fight to be accepted together. The strong personality and overwhelming free spirit of Carmela, excellently portrayed by Maria Fiore has to be one of the most interesting female characters in film history. The story starts out with Antonio having served time as a soldier and returning home to his financially challenged mother and sisters. Almost at once Carmela is on the scene flirting with Antonio. His main concern, though, is securing a job. The rest of the film switches back and forth between Antonio and Carmela and his trials and tribulations with both his short term employment ventures and the problems arising with young love. Their situation isn't helped with Carmela's brother and father being against their proposed marriage. Village life is very well explored in this movie that has a very broad appeal. Mack Sennett felt that a fast pace was the key ingredient to a good movie and Two Pennyworth of Hope moves along at the speed of light. The VCR timer and other sources give this a running time of 95 minutes. Technically speaking the movie isn't in b&w as a red film stock was used as a source for this VHS video version. The white subtitles need to be encased in black as about 10% are impossible to read.