Füge eine Handlung in deiner Sprache hinzuThree men on camels chase a couple carrying gold through Death Valley.Three men on camels chase a couple carrying gold through Death Valley.Three men on camels chase a couple carrying gold through Death Valley.
- Regie
- Drehbuch
- Hauptbesetzung
Fotos
Robert Bice
- Tomaso
- (Nicht genannt)
Frank Lackteen
- Ceremony Leader
- (Nicht genannt)
Artie Ortego
- Indian
- (Nicht genannt)
Gloria Talbott
- Indian Girl
- (Nicht genannt)
William Wilkerson
- Indian Bodyguard
- (Nicht genannt)
Empfohlene Bewertungen
"In 1856 Jefferson Davis, Secretary of War, organised the American Camel Corps of the United States Army, which mapped the southern route across the plains and deserts from Texas to California. The building of the trans-continental railroad ended the usefulness of the Camel Corps, and the animals were sold to private enterprise or escaped into the south-western desert where camels were still seen by lonely prospectors more than a decade later."
Quite what filmic significance that opening statement has to how Desert Pursuit pans out is anybody's guess, but it's there and clearly the pic was meant to be more thematically telling than the odd ball piece it is.
Out of Monogram, it's directed by George Blair and adapted to screenplay by W. Scott Darling from the novel written by Kenneth Perkins. It stars Wayne Morris and Virginia Grey, William Sickner photographs it out of Death Valley and the Sierra Mountains, and music is by Edward J. Kay. Plot pitches Morris and Grey on a journey through the desert trying to avoid three Arabian men who are up to no good. There's gold, camels, a burgeoning romance, oh and it's Christmas time as well, handy since there is three not so wise men on the scene and Grey's character is called Mary...
It's actually a harmless movie, a decent time waster. The musical score blends Oater strains with Arabian flavours, the locations gorgeous, while Morris and Grey are a likable coupling. There's the odd dummy flung about the place, the fist fights scarcely believable, and you know how this is ultimately going to end, but it's a fun enough dromedary ride regardless. 6/10
Quite what filmic significance that opening statement has to how Desert Pursuit pans out is anybody's guess, but it's there and clearly the pic was meant to be more thematically telling than the odd ball piece it is.
Out of Monogram, it's directed by George Blair and adapted to screenplay by W. Scott Darling from the novel written by Kenneth Perkins. It stars Wayne Morris and Virginia Grey, William Sickner photographs it out of Death Valley and the Sierra Mountains, and music is by Edward J. Kay. Plot pitches Morris and Grey on a journey through the desert trying to avoid three Arabian men who are up to no good. There's gold, camels, a burgeoning romance, oh and it's Christmas time as well, handy since there is three not so wise men on the scene and Grey's character is called Mary...
It's actually a harmless movie, a decent time waster. The musical score blends Oater strains with Arabian flavours, the locations gorgeous, while Morris and Grey are a likable coupling. There's the odd dummy flung about the place, the fist fights scarcely believable, and you know how this is ultimately going to end, but it's a fun enough dromedary ride regardless. 6/10
The US Camel Corps imported dromedary camels from the Middle-East. This flop of a movie uses bactrian camels from Mongolia.
...only for the Alabama Hills location shots. And it is a singularly unique plot, because it's the only in the imagination of a screen scenario where you could find Arab henchmen in Death Valley.
In the American southwest deserts, camels have been left by previous expeditions. Miner Ford Smith (Wayne Morris) encounters wild local Leatherface Bates who claims that three Arabs on camels are looking to steal his gold. Mary Smith (Virginia Grey) joins Ford on his journey while the suspicious Arabs keep hanging around.
It would help if Wayne Morris gets a little dirty and dusty. This traffics in the clean-cut American couple being hounded by those dirty Arabs. This story only works if the Arabs start out without a gun. There is too little shooting and little tension. By the time that they really start shooting, the audience stops caring.
It would help if Wayne Morris gets a little dirty and dusty. This traffics in the clean-cut American couple being hounded by those dirty Arabs. This story only works if the Arabs start out without a gun. There is too little shooting and little tension. By the time that they really start shooting, the audience stops caring.
Wusstest du schon
- WissenswertesThe talent behind Desert Pursuit (1952) is a portrait of postwar Hollywood in transition. Ex-studio contractees Virginia Grey and Wayne Morris spent the 1950s scrambling for work, finding most of it on television. Former Navy Air ace Morris is credited as an associate producer on the film as well. Best remembered for his late-career performance in Stanley Kubrick's Wege zum Ruhm (1957), Morris found himself in diminishing parts and died unexpectedly seven years later, at age 45. Director George Blair enjoyed a prolific career in B-pictures for outfits like Monogram and Republic, but after Desert Pursuit he almost immediately turned to episodic TV work. His last feature film was the quirky exploitation shocker Die 13 Opfer des Dr. Desmond (1960).
- PatzerThe US Camel Corps imported dromedary camels from the Middle-East. This movie uses bactrian camels from Mongolia.
- VerbindungenReferenced in Karawane westwärts (1954)
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Details
- Laufzeit
- 1 Std. 11 Min.(71 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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