Das schwarze Schloß

The writer drew on famous sources :Edgar Poe ("buried alive") and Shakespeare ("Romeo and Juliet").The beginning is quite scary and the interest is sustained till the end.The screenplay is certainly smarter than the average horror flick.Boris Karloff is the stand-out ,even if he is not really the scariest thing of the movie.The castle in question is full of traps,dark dungeons and crocodiles pit (which makes sense ,for the story really begins in Africa).The countess and the hero make a good romantic couple inside the gloomy walls of her husband's desirable mansion.The leopard hunting is also a very exciting moment.Very entertaining and a must for Gothic horror buffs.

It's strange that I keep on discovering movies in which Boris Karloff actually plays the GOOD guy! The man will always be an icon of horror-cinema, of course, but I used to think he exclusively portrayed monsters, mad scientists and psychopaths. Here in this forgotten 50's Goth epic, Karloff stars as the noble and honorable resident doctor of an Austrian castle community of which the owner – Count Von Bruno – is the only true sadist and murderer! Sir Ronal Burton arrives at the castle to search for his two missing friends, of which he believes Von Bruno captured and killed them, and eventually relies on Karloff's character Meissen to save him. Von Bruno is a real villain who enjoys barbaric hunting games and holds an impressive collection of torture devices in his dungeon. Burton falls in love with his repressed wife Elga and when he's unmasked as Von Bruno's ancient nemesis, they're both locked up in the cellar. The script of "The Black Castle" is rather complex, but well constructed and rich on topics that fans of vintage Gothic cinema will certainly appreciate. The atmosphere in the extended hunting game sequences reminded me a bit of "The Most Dangerous Game" and the set pieces inside the castle looked genuinely sinister. There are more than enough sub plots and twisted supportive characters to keep the film compelling despite the lack of gruesome horror situations and make-up effects. The cast features another familiar horror face, Lon Chaney Jr., but he and Karloff sadly don't get enough screen time to list "The Black Castle" among their most memorable achievements in acting. This was the debut feature of the respectable director Nathan Juran, who went on making fun & undemanding Sci-Fi/horror flicks like "The Deadly Mantis", "20 Million Miles to Earth" and "The Brain from Planet Arous".

All Boris Karloff fans will love this classic film, where Karloff is the castle physician and gives his patients excellent attention. Sir Ronald Burton,(Richard Greene), an eighteenth-century English adventurer, believes his two friends have been murdered by Count Von Bruno,(Stephen McNally) on his Black Forest estate. Arriving at Von Bruno's castle to accumulate evidence, Burton learns Von Bruno's unhappy wife Elga (Paula Corday),. and Dr. Meissen(Boris Karloff), the castle physician, are virtual prisoners. Suspecting Burton's motives, Von Bruno and Gargon (Lon Chaney Jr., ) a giant, mute scarred henchman, discover the Englishman was responsible for their being captured and tortured. You will definitely have to view this great Classic Karloff Film to enjoy the ending.

1952's "The Black Castle" was a followup to the prior season's "The Strange Door," Universal Gothics preceding the studio's switch to science fiction with 1953's "It Came from Outer Space." The opening credits roll in front of the miniature castle seen in "The Ghost of Frankenstein," with familiar musical cues from "The Wolf Man," "Frankenstein Meets the Wolf Man," "House of Frankenstein," even "Son of Frankenstein." Charles Laughton enjoyed a field day in "The Strange Door," which focused on the villains, while this slightly lesser feature (both scripted by Jerry Sackheim) centers on the heroic Englishman Sir Ronald Burton (Richard Greene), who journeys to The Black Forest and the domain of Count Karl Von Bruno (Stephen McNally), a former adversary in Africa, who had set himself up as a god with the local natives, only to be driven out after encountering Sir Ronald's forces, losing his right eye in the process. Burton is certain that two trusted allies were victims of the sadistic Von Bruno, whose lovely Countess (Paula Corday, "The Body Snatcher") takes a shine to the newcomer (soon to play Robin Hood on British television), who demonstrates his swordsmanship in a brief encounter with Michael Pate and John Hoyt, as henchmen of the Count. This castle comes with a dungeon, a black leopard, a pit full of alligators, and a coffin containing the skeleton of the wicked Count's first wife. Lon Chaney gets a stirring entrance but little screen time as Gargon, the Count's hulking mute caretaker, whose tongue was ripped out by the angry natives, while Boris Karloff also gets shortchanged in the small role of Dr. Meissen, physician to the Count but devoted to the Countess. He at least sets up the climax, the lovers taking a page out of Shakespeare by swallowing a potion that simulates death, delighting the villains who congratulate the doctor for allowing such a fitting demise for their enemies (buried alive). Together for the second time (after 1944's "House of Frankenstein"), Karloff and Chaney would be reunited once more, in the ROUTE 66 episode "Lizard's Leg and Owlet's Wing." Stephen McNally has fewer opportunities to shine than Charles Laughton, but rises to the occasion once faced with Burton's true identity. Michael Pate enjoys more screen time than he had in "The Strange Door," and would work with John Hoyt again in 1959's "Curse of the Undead." Like most of Universal's popular 50s catalog, this film aired on Pittsburgh's Chiller Theater four times- Dec 8 1973 (following 1960's "Psycho"), December 21 1974 (preceding 1956's "The Mole People"), June 21 1975 (preceding 1955's "Tarantula"), and March 12 1977 (following 1958's "Monster on the Campus").

Richard Greene plays British nobleman Sir Ronald Burton, a man intent on proving that an evil Austrian count, Karl von Bruno (Stephen McNally), was the person responsible for murdering two of his friends. So he travels to the Counts' domain, the Black Castle of the title, under an alias, enjoying the Counts' hospitality, as well as participating in a leopard hunt. Along the way he falls in love with von Brunos' beautiful young wife, Elga (Rita Corday).

Greene is an effective hero, and Corday is absolutely lovely. There are lots of impressive supporting performances here, by John Hoyt and Michael Pate as two associates of our villainous Count, Tudor Owen as Burtons' travelling companion Romley, and especially Henry Corden as Fender the servant. Greene, as handsome and stoic as he is, still can't compete with the entertaining theatrics of one eyed McNally, who's fun to watch. Lon Chaney Jr. is kind of wasted in a thankless role as a nearly mute thug. Boris Karloff does his usual delightful work as a distraught doctor who joins the heroes' cause, although his fans should be aware that this isn't really a Boris vehicle. His role, too, is a supporting one.

There's a fair bit to enjoy here, in particular that leopard hunt, which is very atmospheric and is the best part of the movie. Nathan Juran directs, with his typical efficiency. The story, concocted by Jerry Sackheim, is a rather straightforward one and also an agreeable one. You gotta love von Bruno for having a castle with such standard features as booby traps and an alligator pit.

All in all, this isn't a great Universal-International production, but it is a good one.

Seven out of 10.