Füge eine Handlung in deiner Sprache hinzuShy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.
- Regie
- Drehbuch
- Hauptbesetzung
Dorothy Abbott
- Showgirl
- (Nicht genannt)
Fred Aldrich
- Victoria Driver
- (Nicht genannt)
Leon Alton
- College Inn Patron
- (Nicht genannt)
Ginger Anderson
- Townswoman
- (Nicht genannt)
Brooks Benedict
- College Inn Patron
- (Nicht genannt)
Frank W. Bering
- Hotel Clerk
- (Nicht genannt)
Barbara Carroll
- Showgirl
- (Nicht genannt)
Dick Cherney
- Waiter
- (Nicht genannt)
Ken Christy
- Police Sergeant
- (Nicht genannt)
Empfohlene Bewertungen
Marshmallow Moon(or Aaron Slick from Punkin Crick) is an okay film, but after a few days it is not much more than that. There are a fair number of things to redeem it. The costumes, sets and photography are striking enough, and while not particularly memorable the music especially Marshmallow Moon is quite pleasant. The film is decently directed too, but the main attraction is the cast. Alan Young, Dinah Shore, Adele Jurgens and especially Robert Merrill(yes the very same Robert Merrill the baritone) give it their all and their efforts are commendable. However, the film is rather ponderously paced, complete with a hokey story, predictable set-ups and scenes comedy wise and a disjointed script. So overall, a decent watch but rather forgettable. 5/10 Bethany Cox
It's not that ALAN YOUNG and DINAH SHORE don't try to bring some life to a lifeless, uninspired script co-authored by Claude Binyon, who directed this mess. Considering what they have to work with, they sometimes rise to the occasion and produce a few chuckles. And as the villains of the piece, ROBERT MERRILL and ADELE JERGENS contribute somewhat to what few laughs there are.
Shore is a country bumpkin lass who longs for the big city and is taken in by on-the-lam gangsters (Merrill and Jergens) who are really after the $20,000 worth of savings. Young is the equally country hick neighbor enamored by Shore and willing to go to the extreme to extricate her from the clutches of the villains.
It has a L'IL ABNER flavor to the sets and costumes but the score is rather commonplace and no help in bringing any entertainment value to the ponderous farce.
It's films like this that probably put a hex on DINAH SHORE's stab at a film career. Wisely, she was content to enjoy her TV stardom.
Shore is a country bumpkin lass who longs for the big city and is taken in by on-the-lam gangsters (Merrill and Jergens) who are really after the $20,000 worth of savings. Young is the equally country hick neighbor enamored by Shore and willing to go to the extreme to extricate her from the clutches of the villains.
It has a L'IL ABNER flavor to the sets and costumes but the score is rather commonplace and no help in bringing any entertainment value to the ponderous farce.
It's films like this that probably put a hex on DINAH SHORE's stab at a film career. Wisely, she was content to enjoy her TV stardom.
I remember listening to one of Bing Crosby's old radio shows Dinah Shore was his
guest and she was hawking this new film she did for Paramount, Aaron Slick From
Punkin' Crick. Said Bing who opined that it sounds like one highly sophisticated piece of work.
Maybe if the rather large score that Jay Livingston and Ray Evans had contained a memorable song the film might be better known.
Alan Young plays the title role and he and Dinah Shore own adjoining farms in the bustling metropolis of Punkin' Crick. The two get involved with a pair of sharpies Robert Merrill and Adele Jergens and it's country versus city folk. Guess who wins.
For the life of me why Robert Merrill signed for this film is beyond me. If he was going to do a film adaption of some Broadway musical I would understand. But none of this material is worthy of that voice.
Aaron Slick From Punkin' Crick is mildly amusing. Alan Young comes out best.
Maybe if the rather large score that Jay Livingston and Ray Evans had contained a memorable song the film might be better known.
Alan Young plays the title role and he and Dinah Shore own adjoining farms in the bustling metropolis of Punkin' Crick. The two get involved with a pair of sharpies Robert Merrill and Adele Jergens and it's country versus city folk. Guess who wins.
For the life of me why Robert Merrill signed for this film is beyond me. If he was going to do a film adaption of some Broadway musical I would understand. But none of this material is worthy of that voice.
Aaron Slick From Punkin' Crick is mildly amusing. Alan Young comes out best.
Fun to watch Alan Young and Dinah Shore together. Silly musical didn't age well but still fun to watch.
May not be one of the greats...but I would have thought it well-known enough that some over-45 IMDb contributor would have compiled a review by now.
Alan Young makes a pleasant enough Aaron Slick, a likeable hayseed you would expect to see in GREEN ACRES. After Josie (a young Dinah Shore) is tricked into selling her farm she gets herself mixed up with the Mob until homespun Crick comes to her rescue. Very much a product of 50's American provincial theater.
Few laughs, a few songs..nothing much to remember five minutes after its finished. Hasn't stood the test of time either and is dated as all hell now.
Alan Young makes a pleasant enough Aaron Slick, a likeable hayseed you would expect to see in GREEN ACRES. After Josie (a young Dinah Shore) is tricked into selling her farm she gets herself mixed up with the Mob until homespun Crick comes to her rescue. Very much a product of 50's American provincial theater.
Few laughs, a few songs..nothing much to remember five minutes after its finished. Hasn't stood the test of time either and is dated as all hell now.
Wusstest du schon
- WissenswertesRobert Merrill broke his contract with the Metropolitan Opera in order to make this film.
- Zitate
Bill Merridew: It's not my fault that we gotta lay low. I didn't know those lots we sold were at the bottom of Lake Michigan.
Gladys: [scornfully] You go into partnership with a man named "Sleeve-Card Harry" and you don't suspect anything's crooked?
- VerbindungenReferenced in The Dinah Shore Show: Folge #1.11 (1952)
- SoundtracksChores
Written by Jay Livingston and Ray Evans
Top-Auswahl
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Details
- Erscheinungsdatum
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- Auch bekannt als
- Marshmallow Moon
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- Produktionsfirma
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- Laufzeit
- 1 Std. 35 Min.(95 min)
- Seitenverhältnis
- 1.37 : 1
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