Superman - Retter in der Not

The general consensus seems to be that the first season of this all time classic TV show was the best and I would probably agree with that. Although, I'm a dedicated fan of the entire series.The injection of color into the closing stages of the production run gave those final episodes a special quality of their own.

George Reeves was born to play the title role. The previously inconsequential journeyman actor brought the character to life with great conviction, charm and a wonderful enthusiasm which never faltered. Of course, he had some fine support with John Hamilton as Perry White, Jack Larson as Jimmy Olsen and Robert Shayne as Inspector Henderson.

As for the portrayal of Lois Lane, it really depends on which approach you preferred. Phyllis Coates created a prickly, no-nonsense big city reporter. Noel Neil was more of your good natured girl next door who was always ready with a cheery word and a polite laugh whenever Clarke Kent or Jimmy made a clumsy attempt at humor (which usually backfired).

So it's all a bit corny when you look back now from our jaded perspective of life in the present day. But, who cares? It's still good, clean fun which is more than you can say for most of the vile, mind numbing garbage that spews forth out of the television these days. And there was a good spirit behind the whole thing ...obey the law, salute the flag, say "please" and "thank you", be kind to your fellow human beings, take in stray cats, brush your teeth (and the cat's teeth) twice a day.

It was a different era and a better world in some ways.

"The Adventures of Superman" was, in the 1950s, the ultimate adventure show for kids, a series that transcended low budgets, often laughably bad scripts, and a torturous shooting schedule each season to become a genuine 'TV Classic'. Next to "I Love Lucy", the series is, perhaps, the most frequently rerun of any show of that decade; in shooting several seasons in color, it was a major trend setter (particularly as there were VERY few color televisions at the time); as a show that was syndicated, and not owned by a network (Kellogg's Cereal sponsored and financed the program) it paved the way for all the syndicated programs that followed. It's place in television history cannot be denied, and it's story is complete with drama, success, and tragedy, and a hero whose life and strange death still fuels controversy, to this day.

Superman, DC Comics' high-flying hero, had already achieved success on radio, in animated short films, and in two movie serials, when a low-budget feature film, SUPERMAN AND THE MOLE MEN, paved the way for the television series. The film replaced serial star Kirk Alyn with brawnier, square-jawed George Reeves, a youthful 37-year old whose promising film career had been derailed by WWII. He was joined by Phyllis Coates, replacing the serials' Noel Neill as ace reporter Lois Lane, and the pair made the transition to television, joined by 19-year old Jack Larson, as photographer/cub reporter Jimmy Olsen, and veteran character actor John Hamilton as editor Perry White. Helmed initially by veteran producer Robert Maxwell, the series utilized the same 'assembly line' formula of the movie serials, shooting multiple episodes at one time (which was why the cast always wore the same outfits), relying on action-heavy scripts heavy with Gothic atmosphere, and creating 'master' FX shots that were reused constantly, keeping the budget within acceptable limits. (While the 'flying' shots have been the object of humor over the years, the use of wires and a 'flying pan' in front of a rear projection provided the most realistic 'look' yet achieved, and the technique would still be in practice when SUPERMAN RETURNS was filmed, 55 years later.) Reeves' 'Man of Steel' was a street brawler, unafraid to duke it out with villains, and his 'Clark Kent' was every bit as no-nonsense as his 'Superman'. The program was actually quite adult, for a comic book adaptation, and the first season episodes are considered the best of the series.

When Phyllis Coates left the show, in 1953 (believing it would not be renewed, she signed for other film work), Noel Neill returned, softening the character of Lois Lane, but participating in some of the series' greatest episodes, including the most popular episode ever filmed, "Panic in the Sky", where Superman attacks an asteroid 'head-on', resulting in amnesia and near doom for Earth. By now, the 'wired' take-offs of Superman were replaced by vaulting off a springboard (after Reeves had barely escaped serious injury after dropping over ten feet when the 'liftoff' wires broke).

When Whitney Ellsworth took over production duties for the series, pressure from Kellogg's (due to the show's tremendous popularity, and investigations into the detrimental effect of violence on children) to tone down the mayhem resulted in episodes becoming increasingly silly and far-fetched. As this coincided with the series' move to color, the marked difference is clearly evident. The color episodes (particularly in the last two seasons) are, by-in-large, held in far less regard than the black and white ones.

By the series' final season, George Reeves would look chubby, and far older than his 43 years, Noel Neill would sport flaming red hair, and the episodes, shot on a very tight budget, were nearly unwatchable (other than the series' finale, "The Trials of Superman", directed by Reeves, where the cast are all placed in "Perils of Pauline"-style catastrophes).

While Larson and Neill would move on to other projects, and John Hamilton soon passed away, George Reeves found himself type-cast as Superman, with his career considered to be at a standstill. The assumption that depression resulted in his committing suicide in 1959, at 45, has, however, been the subject of debate for over 40 years. It turns out that Kellogg's was prepared to finance a new season of "Superman", that Reeves had several upcoming directing opportunities, he was about to be married, and that on the night of his death, he was in excellent spirits. There is a growing belief that his 'suicide' was actually murder, by a 'hit man' hired by either by his ex-girlfriend, or her jealous husband. While the truth may never be known, the news of his death devastated a generation of children, who truly believed he WAS Superman.

While Christopher Reeve and Brandon Routh may be the definitive "Men of Steel" for their generations, and Dean Cain and Tom Welling have their fans, George Reeves, and "The Adventures of Superman", carry on a legacy that will never fade away. Each year introduces new fans to the series, and reminds us baby boomers of how fortunate we were to be there, at the beginning.

It was a different time and different era when this now legendary program was first televised. Yes some of the episodes toward the end of the series are on the hokey and corny side. However this show is a part of television history. The opening credits with the great theme music always set the mood. My favorite was the two part ` The Unknown People' episode. Although I always thought Noel Neill was a cuter and sexier Lois Lane Phyllis Coates played the part to a T. Jack Larsons Jimmy Olsen idolized Clark Kent as a father figure like the character did in the comics. John Hamilton was superb as the gruff but understanding Perry White. Robert Shayne as Inspector Henderson who never solved a case by himself but did it matter? Then George Reeves. Other actors donned the costume through the years but George Reeves was and always will be Superman, and when you think about it that's not too shabby.

What a great TV show. Sit back in time and watch as TV brought out the best of Superman.I remember as a child watching the reruns and was so amazed how Superman would fight off the bad guys. Bending steel and bullets that just bounced off his chest. He was my favorite super hero. Let yourself go and relive the Adventures of Superman.I just loved his outfit. The man of steel wearing red and blue. We need more shows like these instead of what we have now. Every show was like a cliff hanger. Nail biting action. Would Superman make it in time? Can he get to the bad guys before they hurt Olsen and Miss. Lois Lane? These were questions that were answered every time Superman came on. He made you feel good about the world. He was just simply the best.

What a hoot!! I loved it. I watched this television series as a little kid but the stories in this first season were so old (almost 55 years ago!), I didn't remember more than a few scenes, although they sure brought back memories.

The special effects and the credibility (picking a scene apart) were beyond bad. Apparently, they had a budget of about $5 a show, or so it looks, so you'd see the same scene over and over in various episodes. I could write volumes on all the ludicrous scenes that made no sense but that's what helps make this so entertaining. It's so bad, it's good! I don't want to sound like I am criticizing this because I thoroughly enjoyed it and have already purchased the second season.

It was especially fun to see the first show, the TV version of the origins of Superman. Then, as the episodes continued, to hear the innocence of a young Jimmy Olsen saying, "Jeepers, Mr. Kent," "Golly, gee whiz" and other similar exclamations. I laugh every time I hear those. Wow, compare that to today's TV.

Phyllis Coates was good as Lois Lane. It's too bad she left after one year. I'd rate her a slightly better Lane than Noel Neill, but Noel was good, too. Lois and Jimmy, with their nosiness, naiveté and just plain stupidity would have to be bailed out by Superman show after show.

George Reeves is likable as Superman but I got tired of John Hamilton screaming all the time as Perry White. They did calm him down a bit in subsequent years, but that first year all he did was yell.

Each episode was completely different and entertaining on this DVD package. This is great stuff for nostalgia buffs. Right now, I am in the middle of watching the second season on DVD and look forward to all of the sets that will be released.....hopefully, all of the seasons.