IMDb-BEWERTUNG
6,6/10
9990
IHRE BEWERTUNG
Zwei gewaltige Asteroiden rasen auf die Erde zu. Der zweite wird den Planeten zerstören. Mit einer speziell gebauten Rakete, sollen ausgewählte Menschen auf einen anderen Planeten evakuiert ... Alles lesenZwei gewaltige Asteroiden rasen auf die Erde zu. Der zweite wird den Planeten zerstören. Mit einer speziell gebauten Rakete, sollen ausgewählte Menschen auf einen anderen Planeten evakuiert werden. Doch die Zeit drängt.Zwei gewaltige Asteroiden rasen auf die Erde zu. Der zweite wird den Planeten zerstören. Mit einer speziell gebauten Rakete, sollen ausgewählte Menschen auf einen anderen Planeten evakuiert werden. Doch die Zeit drängt.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 2 Gewinne & 1 Nominierung insgesamt
Peter Hansen
- Dr. Tony Drake
- (as Peter Hanson)
Rachel Ames
- Julie Cummings
- (as Judith Ames)
Kirk Alyn
- Rioter Bringing Guns
- (Nicht genannt)
Gertrude Astor
- Traveler
- (Nicht genannt)
Mary Bayless
- Club Patron
- (Nicht genannt)
Nina Borget
- Translator
- (Nicht genannt)
Steve Carruthers
- Delegate
- (Nicht genannt)
Robert Chapman
- Student
- (Nicht genannt)
Gene Collins
- Newsdealer
- (Nicht genannt)
James Congdon
- Eddie Garson
- (Nicht genannt)
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George Pal, Hungarian born Puppetoon creator and fantasy legend made several great science fiction space movies. Adaptations of popular books in the 50's included former German rocket scientist Willy Ley's "Conquest Of Space" using designs and ideas illustrated by space artist Chestley Bonestell, who's work is seen in almost all of Pal's space films in one way or another, considered cutting edge for the time. His others included H.G.Wells classic "War Of The Worlds", Robert Heinlein's "Destination Moon" and the Edwin Balmer & Philip Wylie 1932 novel "When World's Collide".
The results still stand as seminal classics of science fiction filmwork, often copied, referenced and paid homage in one way or another. Although perhaps dated by the computer generated, digitally enhanced SFX of today's so-called masterpieces, these films still stand out as the major influences which helped shape our dream, visions and often spoke to our deepest fears, such as the end of the world.
From the inverted ski jump launch system (used today on aircraft carriers), to expendable booster rockets (a Space Shuttle standard), the Ark spaceship spawned the imagination of many filmakers, including some who reused the model for other films such as "Flight To Mars" and "The Queen Of Outer Space". The movie still stands as a milestone as the first science fiction disaster movie.
Once again, Leith Stevens' musical score enriches the experience, as it did for Pal's previous space adventure, "Destination Moon". The film's special effects won it the Oscar in 1951. All this, and in the rich tones of Technicolor that shall never been seen in a first run movie theater again. Thank you Lord for revival houses that still manage to seek out old time prints for festivals (the Alamo Drafthouse in Austin, Texas comes to mind).
There still remains a bit of controversy, though, about the film's ending. A wide, panoramic Bonestell matte painting is seen from the hatch of the newly arrived Ark. In the image can be seen two clearly pyramidal mountains in perfect proportions, as if artificial, as well as the base of what appears to be a building constructed by an alien intelligence. Although the actors don't react to this (the matte effect added in post production), the artwork hints at the planet Zyra as being inhabited (In the novel, the planet is known as Bronson Beta, and is indeed found to be once inhabited, and is explored further in the sequel "After Worlds Collide").
In the 1970s, producers Richard Zanuck and David Brown attempted to do a remake, which eventually mutated into the 1998 film, "Deep Impact". As in "When Worlds Collide", the human interaction was as important as the science fiction elements.
The results still stand as seminal classics of science fiction filmwork, often copied, referenced and paid homage in one way or another. Although perhaps dated by the computer generated, digitally enhanced SFX of today's so-called masterpieces, these films still stand out as the major influences which helped shape our dream, visions and often spoke to our deepest fears, such as the end of the world.
From the inverted ski jump launch system (used today on aircraft carriers), to expendable booster rockets (a Space Shuttle standard), the Ark spaceship spawned the imagination of many filmakers, including some who reused the model for other films such as "Flight To Mars" and "The Queen Of Outer Space". The movie still stands as a milestone as the first science fiction disaster movie.
Once again, Leith Stevens' musical score enriches the experience, as it did for Pal's previous space adventure, "Destination Moon". The film's special effects won it the Oscar in 1951. All this, and in the rich tones of Technicolor that shall never been seen in a first run movie theater again. Thank you Lord for revival houses that still manage to seek out old time prints for festivals (the Alamo Drafthouse in Austin, Texas comes to mind).
There still remains a bit of controversy, though, about the film's ending. A wide, panoramic Bonestell matte painting is seen from the hatch of the newly arrived Ark. In the image can be seen two clearly pyramidal mountains in perfect proportions, as if artificial, as well as the base of what appears to be a building constructed by an alien intelligence. Although the actors don't react to this (the matte effect added in post production), the artwork hints at the planet Zyra as being inhabited (In the novel, the planet is known as Bronson Beta, and is indeed found to be once inhabited, and is explored further in the sequel "After Worlds Collide").
In the 1970s, producers Richard Zanuck and David Brown attempted to do a remake, which eventually mutated into the 1998 film, "Deep Impact". As in "When Worlds Collide", the human interaction was as important as the science fiction elements.
This is an often overlooked sci-fi movie from the 50s--being not nearly as famous as the excellent Day the Earth Stood Still or Invasion of the Body Snatchers. Despite this, it is still one of the best ones of its era. The basic story is good, but not great. What sets it apart are the characters within it and the insight into human nature it gives you. This makes the film very allegorical and makes you think. Many of the characters, such as the leads, rise to the occasion and only think of saving others when it appears most life on Earth will be destroyed. Then, there are the jerks who also show their true colors--such as the crowd who try to storm the space ship bound for a safe new world, and especially the evil old financier who who wants to save his own skin and could care less about others. John Hoyt plays this role beautifully and it is very, very much like the character C. Montgomery Burns from the Simpsons!
Oh, and lest I forget, for 1951, the special effects are absolutely amazing. Aside from a pretty flat-looking matte painting used at the end, the space ship effects and flood effects were just terrific and earned this movie a well-deserved Oscar.
This is a great sci-fi film that all fans of the genre need to see.
Oh, and lest I forget, for 1951, the special effects are absolutely amazing. Aside from a pretty flat-looking matte painting used at the end, the space ship effects and flood effects were just terrific and earned this movie a well-deserved Oscar.
This is a great sci-fi film that all fans of the genre need to see.
This is one of the least known sci-fi movies from the 1950s, but it's one of the best of the era. The great thing about this movie is that it concerns the lives of the characters and their personal problems.
The plot is about a group of researchers that after a trip in Africa discover some shocking news, that the star Bellus will collide to Earth, destroying the planet. Soon they begin to build a giant rocket ship that will take a group of survivors in Zyra, a safer planet.
The best part of the movie (for me) was the part of all the cataclysms (mountains crumbling, giant sea waves, the Brooklyn Bridge auto-destroying in pieces), and the music fits with the viewer's emotions. I also liked the chemistry between the two main characters (Richard Derr and Barbara Rush), especially in the night-club scene. And the ending is very superb for a 1951 sci-fi movie!
This is a sci-fi movie that every sci-fi fan must see almost once in their life.
The plot is about a group of researchers that after a trip in Africa discover some shocking news, that the star Bellus will collide to Earth, destroying the planet. Soon they begin to build a giant rocket ship that will take a group of survivors in Zyra, a safer planet.
The best part of the movie (for me) was the part of all the cataclysms (mountains crumbling, giant sea waves, the Brooklyn Bridge auto-destroying in pieces), and the music fits with the viewer's emotions. I also liked the chemistry between the two main characters (Richard Derr and Barbara Rush), especially in the night-club scene. And the ending is very superb for a 1951 sci-fi movie!
This is a sci-fi movie that every sci-fi fan must see almost once in their life.
"When Worlds Collide" was one of the first of the Sci-Fi films that ruled the 1950s. Plus,it was in color. The movie was based on the novel of the same name and if I remember correctly, there were two books-part one(which the movie is based on) and part two which describes life on the new planet. An astronomer sees a new sun and planet coming right toward earth and we have less than one year before the new sun collides with us. At first, no one believes him. After a short period of time, several countries build rockets to bring a handful of survivors to the new planet. The interior of the rocket is pretty lame by today's standards but the outside is cool-looking. The paintings are OK but the one at the very end of the film is quite obvious.The acting is good, the plot is terrific and there is a good balance of action and drama. This is a nice film to watch.
This movie rocks!
Okay, I know it's dated. know what?? I Don't care! This kind of movie making would put half the people in Hollywood out of work today. Maybe that's not such a bad thing. They did it right in the early days. They had their priorities right:
Story first
Then characters
Then Special effects
Seems simple, doesn't it? How come they can't get it right today? (with few exceptions, of course). Nope, today it's Special effects, stars, then story.... in fact, even the stories aren't original!!!
This sums up why I like this movie so much and many like it from the same era. They're exciting, fun, and captivating. The kind of movie that leaves you thinking, dreaming, having nightmares, all in the name of fun. You're left dreaming of what it would be like, how you'd react, what you'd do. You'd sit and ponder about a new life on a new planet. And not once would the level of special effects tarnish your view of this gem.
When was the last time you felt that way coming out of a modern movie? My guess is a lonnnnnng time. There are very few exceptions today. The special effects in movies like "Worlds" was icing on the cake... BUT IT WAS THE CAKE THAT MATTERED! Today, it's all icing and the cake can't support it (crappy icing, in fact!!)
Eat your cake and have it too! Watch "When Worlds Collide"!
Okay, I know it's dated. know what?? I Don't care! This kind of movie making would put half the people in Hollywood out of work today. Maybe that's not such a bad thing. They did it right in the early days. They had their priorities right:
Story first
Then characters
Then Special effects
Seems simple, doesn't it? How come they can't get it right today? (with few exceptions, of course). Nope, today it's Special effects, stars, then story.... in fact, even the stories aren't original!!!
This sums up why I like this movie so much and many like it from the same era. They're exciting, fun, and captivating. The kind of movie that leaves you thinking, dreaming, having nightmares, all in the name of fun. You're left dreaming of what it would be like, how you'd react, what you'd do. You'd sit and ponder about a new life on a new planet. And not once would the level of special effects tarnish your view of this gem.
When was the last time you felt that way coming out of a modern movie? My guess is a lonnnnnng time. There are very few exceptions today. The special effects in movies like "Worlds" was icing on the cake... BUT IT WAS THE CAKE THAT MATTERED! Today, it's all icing and the cake can't support it (crappy icing, in fact!!)
Eat your cake and have it too! Watch "When Worlds Collide"!
Wusstest du schon
- WissenswertesScreenwriter Bruce Joel Rubin saw this film as a ten-year-old, and has cited it as "the beginning of the emergence of philosophy" in his life. In The Dialogue: An Interview with Screenwriter Bruce Joel Rubin (2007), he explains that right after he and a boyhood friend saw the film, they spent hours discussing the end of the world. Rubin mentions this memory while explaining that Steven Spielberg approached him to do the screenplay for a remake of "When Worlds Collide," and that it eventually evolved into Deep Impact (1998), with Rubin credited as one of its two writers.
- PatzerThroughout the film, Bellus is referred to as a star; this is presumably how life is able to be sustained on Zyra. However, if this was the case, Earth would have been destroyed from the heat long before Bellus collided with it, even if it was a small brown-dwarf star. Also, departure should have been at least 17 days earlier, before descending deep into Bellus' gravity well and needing far more fuel. This part of the plot, and the time to build the ship, could have been resolved by sticking to the novel's pair of planets and a longer time frame - Zyra and Bellus both passing by with Bellus, a gas giant planet, ripping up Earth's surface, then returning months later for Bellus' direct collision with Earth, as Zyra enters orbit around the sun.
- Zitate
Sydney Stanton: Your salvation doesn't interest me; mine does.
- VerbindungenEdited from Piraten in Alaska (1938)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Cuando los mundos chocan
- Drehorte
- Calabasas, Kalifornien, USA(Rocket Ship Campsite)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 936.000 $ (geschätzt)
- Laufzeit
- 1 Std. 23 Min.(83 min)
- Seitenverhältnis
- 1.37 : 1
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