Unknown World

This is not as bad a picture as some of the other reviews suggest.

I'm not saying it's a great movie, but it IS surprisingly well done for being made with no money.

It's an odd movie in that it's not really the kind of sci fi you'd expect. There are no monsters or other creatures.

It a straightforward story about finding a alternative place to live in case of nuclear war.

It does drag a bit, but it's worth a watch.

The plot.

Dr. Jerimiah Morley becomes convinced that the world is headed to an inevitable worldwide nuclear war.

He organizes an expedition made up of a team of expert scientists and an atomic-powered rock-boring vehicle called a "cyclotram" to find a subterranean environment where holocaust survivors could live indefinitely.

When funding falls through, independently rich adventurer Wright Thompson underwrites the project under the condition that he be allowed to go.

As the group goes deeper beneath the Earth's crust, personalities clash, tempers flare, and the dangerous journey claims the lives of several expedition members.

When they come upon an enormous underground expanse with its own ocean and phosphorescent light, it appears that their goal has been achieved.

A group of scientists drive an enclosed vehicle into an extinct volcano and then bore more than a thousand miles into the earth. They're searching for underground sanctuaries in case the surface of the earth becomes uninhabitable due to nuclear warfare. This is one of those low-budget, black-and-white films from the 50's that you want to laugh at it, and while it does have its share of bad dialog and cheesy special effects, there's an earnest, committed quality here which eventually overcomes most of the obvious faults. Viewers looking for cheap thrills will be disappointed.

Let's face it, if you're bothering to read reviews of this film, you are probably going to see it out of a sense of obligation if nothing else. So, it really doesn't matter what I say, now does it?

This is a fairly typical early 1950s not-very-scientific attempt to use the genre as a means for moralizing. The morality of this film is certainly worth listening to for its anti-war, anti-pollution, etc, messages, but the film lacks depth, science of any kind, and, basically, a compelling plot.

Being a fan of 50s sci if, I thought this film started off pretty well. Although there is no obvious crisis looming on the horizon, a scientist and a group of anti-nuke colleagues obtain grant money to explore deep within the earth for the possibility of habitable subterranean environments. Since the film was made in 1950-51, the level of concern regarding nuclear warheads is certainly understandable (too bad some have forgotten about this, eh?).

Much is made about the vehicle which they will use for this journey. The vehicle looks like a suped-up bullet nose Studebaker with a large drill bit attached to it. This vehicle is apparently capable of drilling through several hundred miles of solid rock, without any visible cooling system. As the scientists explore deeper and deeper into the earth, they are not surprised (though I was) to find that most of the crust and upper mantle (my terms, not theirs) are in fact hollow, and have not only gorgeous stalagmites and stalactites, but flat floors graded properly for people to take walks on. Harassed by noxious gasses, magma and pretty poor acting, the cast dwindles as the story devolves into a simple adventure tale.

The acting is generally uneven, and is hampered by the occasionally absurd script. I really don't want to single anybody out, but Marilyn Nash and Bruce Kellogg are particularly off-pace in this one.

The director, Terry Morse, went on to make a few good films (such as the List of Adrian Messenger), and also a lot of other films (the American version of Godzilla, and the timeless classic - not - Love Slaves of the Amazon). And this is sort of below-standard fare in the context of his filmography.

Well, OK then, go see it... You know you want to, and I am not going to stop you... But don't say you didn't have fair warning.

The film begins with some stock footage about nuclear war and is part of a presentation scientists are making in order to drum up support for an ark, of sorts, to be sent deep within the planet. This way, in case we have a nuclear war, the species can survive deep inside mother Earth. The story, at times, is highly reminiscent of Jules Verne's JOURNEY TO THE CENTER OF THE EARTH.

When I rented this film, I assumed based on the box cover that it was a typical low-budget 1950s sci-fi/horror film. However, to my surprise, there were no bug-eyed monsters, alligators or lizards with cheap fins pasted on or silly masked ghouls. While it certainly did not have a huge budget, the film made a genuine effort to entertain, have SOME basis in scientific facts of the day and say something about mankind. While some might find this all pretty dull, I actually enjoyed it more than I thought and in hindsight I am glad the usual silly and schlocky monsters and such were missing. Now this isn't to say this is a masterpiece. Occasionally, the characters behave a bit silly--such as their needlessly bickering (which makes no sense for such an expedition) and the science behind all this is suspect (such as the lack of differences in air pressure, the presence of drinkable water as well as breathable air over a thousand miles inside the Earth and their ability to ascend at an incredible rate without exploding!). Still, it is oddly compelling and the acting (while they weren't arguing) was pretty good. Plus, unlike JOURNEY TO THE CENTER OF THE EARTH, it's nice NOT to see dinosaurs and other creatures waiting to greet our heroes.

Final verdict--well worth a look and a decent time-passer despite some limitations.

PS--This film is from Alpha Video--one of the worst producers of DVDs out there. Fortunately, unlike many of their films which are scratchy public domain prints, this one is a very good copy and is very watchable.

Well, to be fair, in 1951, there was still a great deal of conjecture about the Earth's inner structure; not only was the theory of "plate tectonics" completely unknown (it's no longer considered a theory), that the core was a viscous super-heated liquid with a solid center (outer core and inner core) was merely a conjecture (today it too is considered fact). This picture strikes me as a sort of "Journey to the Center of the Earth" (1959) meets "The Core" (2003), with perhaps a little more emphasis on the latter.

What was surprising was to see that the credit for music went to Ernest Gold (who appears to have scored a number of forgettable pictures earlier in his career). Gold would go on to score "The Young Philadelphians " (1959), "On the Beach" (1959), "Inherit the Wind" (1960), "Exodus" (1960) and "It's a Mad, Mad, Mad, Mad World" (1963); he won an Oscar for the score to "Exodus." Words were added in 1961 by Pat Boone(!) as "This Land Is Mine." Various versions charted in 1961, including by the piano duo Ferrante & Teicher and Montavani. It still can be heard today on radio stations that program older popular music.