Unknown World

I thought that this would be a typical "lost world" type movie. A bunch of people set out on an adventure to find a hide away from the threat of nuclear war by drilling deep into the earth...sounds similar to a lot of other story lines. Problem is that with effects of this style (not too bad for the time), and acting this bad, I thought at least we would get a cave man or a cheap dinosaur. No, they just keep going deeper and deeper, losing members of the team as they go. It also ends so abruptly that you think the writer just gave up.

Cheapjack Lippert Pictures had an unexpected success with Rocketship XM (1950). I expect this little slice of sci-fi was intended as a follow-up (check out the similar opening scenes). However, instead of burrowing into outer space in a rocketship, these adventurers burrow into inner earth in what looks like a fat submarine with a drill for a nose.

They're playing mole because staying on top like everyone else looks like sure death thanks to nuclear weapons. So six hardy Adams and one Eve set out in their big drill to found a new world and refuge for humanity. Naturally, things don't go entirely as expected, otherwise there'd be no movie. And, of course, not all seven survive.

Actually, the special effects aren't bad considering the challenges of a fantastic inner earth. Then too, I'm surprised Lippert popped for location shooting all the way to New Mexico's Carlsbad Caverns. However, it's also a no-name cast that unfortunately performs like one, except for Killian and Nash who manage a few sparks of life. All in all, it's an interestingly offbeat slice of 50's sci-fi despite the big cheese factor.

(In passing—thanks IMDb for the info on Killian's billing or I should say lack of billing. Killian was one of those distinctive supporting players who could make any movie better.)

A group of scientists tunnel to the center of the Earth to find a refuge from the dangers of the atomic world. As the team of the scientific people : Bruce Kellogg, Otto Waldis, Jim Bannon... , among them one woman : Marilyn Walsh , use a gigantic drilling for a risked expidition. The scientific compatriots descend into deep caverns filled with stalactites and stalagmites and looking for a tunnel system leading to the center . All of them drilling into the forbidden depths of the Earth resulting in surprising as well as fateful consequences. A thousand miles down...Ten-thousand Thrills Deep! A Journey to the Center of the Earth . Shocking drama of a woman who's lost life's most precious gifts! . Daring scenes of the forbidden depths at the heart of the world! Adventure into the unknown! Drilling into the forbidding depths of the earth!

A shocking and fantastic drama with daring scenes of the forbidden depth at the heart of the world. It blends usual issue in the Fifties about the risks of the nuclear war along the classic story of Jules Verne's Voyage to the Center of the Earth. The highlights of the movie are the numerous risks and dangers they have to deal with . Big start winds down fast and being nicely shot by Terry Morse, sometimes credited Terrell O. Morse. Stars a lot of B and mostly unknown actors giving passable interpretations, such as : Bruce Kellogg, Jim Bannon, Otto Waldis, Marilyn Walsh, uncredited Victor Killan, among others.

Produced by expert producer Robert Lippert who financed various fantasy movies and two FX expert professionals : Irving Block and Jack Rabin, both of provide tradicional and primitive especial effects, but really effective, adding abundant matte-painting . It contains a thrilling and evocative musical score by Ernest Gold to be continued a successful career with excellent soundtracks as a great composer. The motion picture was regular y professionally directed by Terry O Morse. He was a good craftsman and an expert editor. He shot various films about all kinds of genres with penchant for fantasy and Sci-Fi. As Terry directed films as Godzilla, Taffy, Fog Island, Godzilla King of the Monsters, Tear Gas Squad, Waterfront, On the Trail, Don Ricardo returns, Dillinger, Danny Boy, British Inteligence, among others. Rating : 5.5/10. In spite of not being a notable, neither extraordinary film, it results an acceptable and decent entry in the Fiffties, a period in which the Science Fiction genre got great splendor and success.

As with ROCKETSHIP XM, Irving Block, Jack Rabin and the Lippert Company were trying to make a serious science fiction film with something to say. To the films credit, UNKNOWN WORLD is not exploitive or stupid as Rabins and Blocks next film ,CAT WOMEN OF THE MOON was. Years before I first saw this film, I owned a still of the drilling machine that takes the cast to center of the Earth and found it rather interesting looking. Its not bad looking in the film, and the scenes of it drilling into the Earth are of some visual interest. However, the film is just to lethargic and indifferently acted too be of interest to anyone other 1950's science fiction buffs. The trip to the center of the Earth is just to slow going.

Well, to be fair, in 1951, there was still a great deal of conjecture about the Earth's inner structure; not only was the theory of "plate tectonics" completely unknown (it's no longer considered a theory), that the core was a viscous super-heated liquid with a solid center (outer core and inner core) was merely a conjecture (today it too is considered fact). This picture strikes me as a sort of "Journey to the Center of the Earth" (1959) meets "The Core" (2003), with perhaps a little more emphasis on the latter.

What was surprising was to see that the credit for music went to Ernest Gold (who appears to have scored a number of forgettable pictures earlier in his career). Gold would go on to score "The Young Philadelphians " (1959), "On the Beach" (1959), "Inherit the Wind" (1960), "Exodus" (1960) and "It's a Mad, Mad, Mad, Mad World" (1963); he won an Oscar for the score to "Exodus." Words were added in 1961 by Pat Boone(!) as "This Land Is Mine." Various versions charted in 1961, including by the piano duo Ferrante & Teicher and Montavani. It still can be heard today on radio stations that program older popular music.