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Drei Frauen erobern New York

Originaltitel: Two Tickets to Broadway
  • 1951
  • 12
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
5,5/10
658
IHRE BEWERTUNG
Janet Leigh and Tony Martin in Drei Frauen erobern New York (1951)
Nancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.
trailer wiedergeben1:59
1 Video
17 Fotos
Workplace DramaMusicalRomance

Füge eine Handlung in deiner Sprache hinzuNancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.Nancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.Nancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.

  • Regie
    • James V. Kern
  • Drehbuch
    • Sid Silvers
    • Hal Kanter
    • Sammy Cahn
  • Hauptbesetzung
    • Tony Martin
    • Janet Leigh
    • Gloria DeHaven
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    658
    IHRE BEWERTUNG
    • Regie
      • James V. Kern
    • Drehbuch
      • Sid Silvers
      • Hal Kanter
      • Sammy Cahn
    • Hauptbesetzung
      • Tony Martin
      • Janet Leigh
      • Gloria DeHaven
    • 25Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 1 Nominierung insgesamt

    Videos1

    Official Trailer
    Trailer 1:59
    Official Trailer

    Fotos17

    Poster ansehen
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    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 11
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    Topbesetzung99+

    Ändern
    Tony Martin
    Tony Martin
    • Dan Carter
    Janet Leigh
    Janet Leigh
    • Nancy Peterson
    Gloria DeHaven
    Gloria DeHaven
    • Hannah Holbrook
    • (as Gloria De Haven)
    Eddie Bracken
    Eddie Bracken
    • Lew Conway
    Ann Miller
    Ann Miller
    • Joyce Campbell
    Barbara Lawrence
    Barbara Lawrence
    • S.F. (Foxy) Rogers
    Joe Smith
    Joe Smith
    • Harry, Palace Deli
    Charles Dale
    Charles Dale
    • Leo, Palace Deli
    Taylor Holmes
    Taylor Holmes
    • Willard Glendon
    Buddy Baer
    Buddy Baer
    • Sailor on Bus
    Bob Crosby
    Bob Crosby
    • Bob Crosby
    The Charlivels
    • The Charlivels
    Fred Aldrich
    Fred Aldrich
    • Man in Bus Terminal
    • (Nicht genannt)
    Marie Allison
    • Showgirl
    • (Nicht genannt)
    Charlotte Alpert
    • Showgirl
    • (Nicht genannt)
    Suzanne Ames
    • Showgirl
    • (Nicht genannt)
    Joan Arnold
    • Secretary
    • (Nicht genannt)
    Walter Bacon
    • Townsman
    • (Nicht genannt)
    • Regie
      • James V. Kern
    • Drehbuch
      • Sid Silvers
      • Hal Kanter
      • Sammy Cahn
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen25

    5,5658
    1
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    Empfohlene Bewertungen

    5MovieKen

    Just OK

    I'm not a big fan of musicals in general, so I tend to like only the really good ones (Guys and Dolls, Anchors Aweigh, Singing in the Rain, American in Paris, etc.). I thought I'd give this a try because I usually love Janet Leigh movies. However, I found this film to be rather mediocre.

    First what Iiked. Janet Leigh and the supporting cast did well with their roles. Some of the songs were kinda catchy and I enjoyed several of the performances. Tony Martin really sings well, and Eddie Bracken is his usual dopey self.

    Now what I didn't like. Tony Martin can't act. Or at least he couldn't in this movie. Plus I didn't like his character at all. He seemed way too old for this role. He looked old enough to be Janet Leigh's father - and he acted like it too. It was very creepy and I didn't care for it at all.

    I didn't like the deli owners, either. I found them to be annoying and I was tempted to fast-forward all of their scenes. The movie plot was rather weak, as is usual in musicals. But this one especially seemed like a disjointed collection of song and dance routines. For me, a good musical is one that can weave songs and dances into the narrative more organically. This didn't do it for me.

    I thought Bob Crosby's number making fun of his more famous brother Bing was amusing, but honestly I thought it detracted from the flimsy storyline in the first place. I probably would have left it out of the movie entirely.

    And near the end of the film, there's a rather insensitive (if not offensive) routine when the main characters dress up like Native Americans and portray them in a stereotypical manner. I didn't care for this at all, and I'm sure there will be many people who would find it to be offensive. True, this was made in 1951 when such portrayals were not seen negatively, but I still didn't like it. If you are offended by such content, you shouldn't see this movie - or you should at least fast-forward the film through this part.

    Overall, I give this a 5/10, though I think it's probably closer to a 4.
    8mammamia701

    Entertaining Musical

    I found this movie quite enjoyable and entertaining. Janet Leigh and Ann Miller don't disappoint and neither do the rest of the cast. Basically this movie is about trying to break into show business after vaudeville. There's plenty of singing and dancing. There's one number that includes them portraying American Indians. If you're "offended" because it's considered politically incorrect now, then don't watch! Please save your criticisms and just don't watch so you won't be "offended" ! If you just want to be entertained and even laugh at a couple of parts, the do watch. This movie was made to entertain, and it does.
    6pacificgroove

    MGM at RKO

    Designed partially as a showcase for RKO owner Howard Hughes girlfriend, Janet Leigh. Hughes could afford to import quite a lot of first rate talent in the effort, mostly from best in the musical business MGM. Current or former MGM talent included Leigh, Ann Miller, Gloria DeHaven, and Tony Martin, along with musical number director Busby Berkeley. Leigh proved herself competent as a singer and dancer, and is certainly pleasant in personality and a pleasure to look at.

    In the musical numbers featuring the four "girls", Gloria DeHaven is the standout (sorry Ann Miller fans). DeHaven sings superbly, handles the dancing with aplomb, has just the right mix of charisma, humor, sincerity, and takes a back seat to no one in the beauty department.

    I thought the musical numbers well staged and mostly very pleasant (exception the very banal Pellican Falls school song). The comedy of Smith and Dale, I could live without, if you'll excuse the expression. And Eddie Bracken is too frenetic and broad in his comedy for my taste.

    Though none of the songs became a standard, a couple are excellent; I especially enjoyed "The Worry Bird", and "The Closer You Are" has a gorgeous melody.

    All in all, the film is the equal of many of the lower budget MGM musicals, and that ain't bad at all.
    didi-5

    charming and ridiculous

    I hated this film when I first saw it, perhaps thanks to a truly embarrassing performance from Tony Martin (a good singer but not the world's greatest actor).

    Janet Leigh, Gloria de Haven, and Ann Miller want to make it big in show-business, and come through their vaudeville roots to stage a revue that they hope will be taken up by the Bob Crosby Show. There's some pretty good musical numbers along the way but the film creaks and drags badly in some sections (although the girls are consistently good). Crosby has a number all about 'brother Bing' which is fun. And there's a good support role from Eddie Bracken.

    On subsequent viewings I have warmed a bit more to 'Two Tickets to Broadway'. It isn't all bad and there are certainly musicals out there which are worse. But I still can't watch Tony Martin in a number in Indian dress without cringing ...
    8f111151

    Janet Leigh did sing!

    The initial commenter wondered if Janet Leigh was dubbed in this film since he couldn't remember her singing in any of her other pictures. Well, she did sing in other films, most notably in "Bye Bye Birdie", and "My Sister Eileen", and while she was not known as an accomplished singer or dancer, she managed to give fairly good performances in both films and to demonstrate a competent ability in numerous guest appearances on variety television programs of the '50's and the '60's. I hope this will help to answer your questions. You might also look at her work in "Rogue Cop", where she plays a singer, and "Walking my Baby Back Home", a musical she made with Donald O'Connor, as well as "Fearless Fagan" where again, she is a singer/entertainer. She speaks at length about her musical experiences in her autobiography, "There really was a Hollywood", and gives a great accounting of her early career.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The roles played by Charles Dale and Joe Smith were orginally intended for Stan Laurel and Oliver Hardy, who had to drop out of the film due to an illness contracted by Laurel while filming Dick und Doof erben eine Insel (1951).
    • Patzer
      When Janet Leigh takes the newspaper clipping from her mirror (after seeing Bob Crosby), you can see that the back of the clipping is unprinted.
    • Zitate

      Lew Conway: I admit I told a few little white lies...

      Nancy Peterson: Little white lies?

      Lew Conway: All right then, great big purple ones.

    • Verbindungen
      Featured in Geschichte(n) des Kinos: Toutes les histoires (1988)
    • Soundtracks
      Are You a Beautiful Dream?
      by Jule Styne and Leo Robin

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    FAQ16

    • How long is Two Tickets to Broadway?Powered by Alexa
    • I watched this simply for the costumes, but who was the costume designer?

    Details

    Ändern
    • Erscheinungsdatum
      • 2. September 1952 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Two Tickets to Broadway
    • Drehorte
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • RKO Radio Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 46 Minuten
    • Seitenverhältnis
      • 1.37 : 1

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